Exiles - A Play in Three Acts

James Joyce

• Editore: Grizzell Press
• Anno: 2015
• ISBN:
  9781473395763
• Argomento: Mezzi di comunicazione e arti performative
• Categoria: Sceneggiature per il cinema

"Exiles" is a 1918 play in three acts by Irish writer James Joyce. Started just after the outbreak of WWI in 1914, it is essentially a study of a husband-and-wife relationship which harks back to the final story in "Dubliners" and forward to his magus opus "Ulysses". This fantastic play will appeal to lovers of the stage and constitutes a must-read for fans and collectors of Joyce's seminal work. James Augustine Aloysius Joyce (1882–1941) was an Irish short story writer, novelist, teacher, poet, and literary critic. Joyce is famous for contributing to the modernist avant-garde and is today considered to be among the most important authors of the 20th century. Other notable works by this author include: "Ulysses" (1922), "A Portrait of the Artist as a Young Man" (1916), and "Dubliners" (1914). Read & Co. is republishing this classic work in a brand new edition complete with a specially commissioned new biography of the author.

FIRST ACT

The drawingroom in Richard Rowan’s house at Merrion, a suburb of Dublin. On the right, forward, a fireplace, before which stands a low screen. Over the mantelpiece a giltframed glass. Further back in the right wall, folding doors leading to the parlour and kitchen. In the wall at the back to the right a small door leading to a study. Left of this a sideboard. On the wall above the sideboard a framed crayon drawing of a young man. More to the left double doors with glass panels leading out to the garden. In the wall at the left a window looking out on the road. Forward in the same wall a door leading to the hall and the upper part of the house. Between the window and door a lady’s davenport stands against the wall. Near it a wicker chair. In the centre of the room a round table. Chairs, upholstered in faded green plush, stand round the table. To the right, forward, a smaller table with a smoking service on it. Near it an easychair and a lounge. Cocoanut mats lie before the fireplace, beside the lounge and before the doors. The floor is of stained planking. The double doors at the back and the folding doors at the right have lace curtains, which are drawn halfway. The lower sash of the window is lifted and the window is hung with heavy green plush curtains. The blind is pulled down to the edge of the lifted lower sash. It is a warm afternoon in June and the room is filled with soft sunlight which is waning.

[Brigid and Beatrice Justice come in by the door on the left. Brigid is an elderly woman, lowsized, with irongrey hair. Beatrice Justice is a slender dark young woman of 27 years. She wears a wellmade navyblue costume and an elegant simply trimmed black straw hat, and carries a small portfolioshaped handbag.]

BRIGID.
The mistress and Master Archie is at the bath. They never expected you. Did you send word you were back, Miss Justice?

BEATRICE.
No. I arrived just now.

BRIGID.
[Points to the easychair.] Sit down and I’ll tell the master you are here. Were you long in the train?

BEATRICE.
[Sitting down.] Since morning.

BRIGID.
Master Archie got your postcard with the views of Youghal. You’re tired out, I’m sure.

BEATRICE.
O, no. [She coughs rather nervously.] Did he practise the piano while I was away?

BRIGID.
[Laughs heartily.] Practice, how are you! Is it Master Archie? He is mad after the milkman’s horse now. Had you nice wea...