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One Voice
House and Here Lies Henry
Daniel MacIvor
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eBook - ePub
One Voice
House and Here Lies Henry
Daniel MacIvor
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About This Book
Giving his characters life in a whirlwind of words, Daniel MacIvor showcases his talents as a writer and performer in two of his most celebrated solo shows. Published here for the first time in their newly revised scripts, House and Here Lies Henry seethe with anger and soothe with comedy.In House, Victor drags his audience through his life, his fantasies, his desires, and his recent push to the edge. Here Lies Henry is a story about a man alone on a room with a mission to tell you something you don't already know.
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NOTES TO FUTURE PRODUCTIONS
MUSIC AND SOUND
In the original productions Henry wore a microphone through which his voice was at times affected. Sound and music were also used often throughout the performance as an indication of a level of reality outside Henryās control. These moments are not notated in this text. Use your imagination.
LIGHT
The lighting in the original production consisted of a series of boxes that grew increasingly smaller until only Henryās face was lit. I have notated lighting changes in this text.
COSTUME
Henry should be dressed up, looking his best.
SET
A bare stage. In the front row of the audience is a chair which is clearly marked as reserved for a local dignitary. Perhaps the mayor. Someone whose presence is possible.
PERFORMANCE
Henry is talking to this audience, tonight, in this space. Everything is happening now.
TEXT
There is a level of improvisation which happens with the audience, and I have noted these moments and given suggestions in parenthesis. Contemporary and local references should be altered and added to keep the production current and inside the local community. I have also noted where these alterations and additions might occur. Also, it would be out of character for Henry not to say, āBless you,ā if someone in the audience should sneeze. And if a cellphone should ring he would certainly respond with an āIām not here,ā or āIs that for me?ā
MARKETING
In presenting a production it might be in your best interests to downplay the role of the outside writer (me). If the audience is overtly conscious of a āwriterā then it makes it difficult to look at the show as happening tonight. Perhaps keep mention of the writer off the posters and promo and only give credit in the showās program. Also, in the program Daniel Brooks must receive credit as dramaturge.
A dark stage. Now.Ominous music.HENRY enters through a dim tunnel of light.HENRY coughs. Music out, light up bright.HENRY regards the audience fearfully.He smiles weakly.More fear.He nods hello to a couple of individuals.HENRY knows he has to do something but heās not sure what.HENRY has an idea.
HENRY
(singing, tentative) āGrab your coat and get your hat, leave your worries on the doorstep, life could be so sweet (getting into it) on the sunny side of the street!ā (He hits a bad note on the last word; he tries to find the right note.) āā¦street.ā āā¦street.ā No. āā¦ street.ā (He canāt find the note, he gives up.)
He regards the audience fearfully.He checks his fly.He mimes a bird with his hands, it flies and lands on his shoulder.An uncomfortable pause.
You donāt want to get me started talking, I might never shut up.
I took a public slpeakā¦
I took a public-speaking course.
One: Donāt say āum.ā
Two: Never apologize.
Three: Donāt say āanyway.ā
Four: ā¦Umā¦?
Sorry.
Anyway. Ahhh!
Itās hard.
Iām not prepared. Not that I didnāt have time to prepare butā¦ well you know how these things are. Or maybe you donāt, I donāt know.
Ah but whatās preparation anyway? Just the mortal enemy of spontaneity. Iāve always had a problem being spontaneousā
No, thatās a lie.
All right then, letās get Spontaneous!
He does a little dance.After a moment he gives up.He regards the audience.He tries to think of something to say.
Ohā¦ kay. A tourist in New York and the tourist walks up to a cab driver, and the tourist asks the cab driver: āDo you know where Carnegie Hall is?ā and the cab driver saysā¦
Oh.
Thatās wrong.
Or!
Why are fire engines red?
Becauseā¦!
Actually, my grandma told me that. Itās kind of for kids. Itās silly.
Orā¦
A podiatrist walks into a barā¦. No, a proctologistā¦. Orā¦.
Usually Iām pretty good withā¦. But when you need one you just canāt think ofā¦
An uncomfortable pause.
Iāve got a place if youāre looking. And who isnāt? Everybodyās always looking for a betterā¦. Two bedrooms, hardwood floors, fireplace, view of the park, nine-fifty all-inclusive. Itās a very good deal. Of course if you take it youāll have to contend with the body in the next room. Oooo, whatās this suddenly? A mystery! CSI: Me suddenly.
Note: the price of the apartment should support current market and local trends as āa good deal.ā Also, the television program should be a current mystery-type program.
No.
I had the strangest dream.
Music and light shift: deeply eerie.
It wasnāt that strange.
Music out and light restored.An uncomfortable pause.
What ever happened to Nigel Kennedy? Remember him. With the violin? He was reallyā¦ good. Edgy. Iām a little edgy. Iām doing a cold-turkey thing. Tried Nicorette, tried the patch, nothing works for meājust cold turkey. It takes time but ā
Time! Oh youāll like this.
āA Brief Moment With Time.ā
(in a funny voice) Hi Iām Time!
(a different funny voice) Hi Iām Time!
(searching for the voice) Hi Iām Time!
I canāt find the rightā¦. I need a few drinks for that one. Itās more of a party thing.
An uncomfortable pause.
See CSI?
You get CSI here?
The one with the girl? I hate that show. That girlās too thin. Sheās probably a vegetarianā
Note: This should be the same television program mentioned earlier. We can safely assume any television program of this ilk will feature a too-thin female.
OH! Okay, this is good:
Iām in the salad bar, upstairs thereās some vegetarian s...