
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
African Dream Machines takes African headrests out of the category of functional objects and into the more rarefied category of 'art' objects. Styles in African headrests are usually defined in terms of western art and archaeological discourses, but this book interrogates these definitions of style and demonstrates the shortcomings of defining a single formal style model as exclusive to a single ethnic group.
Among the artefacts made by southern African peoples, headrests were the best known. Anitra Nettleton's study of the uses and forms of headrests opened up a number of art-historical methodologies in the attempt to gain an understanding of form, style and content in African art objects. Her drawings of each and every headrest encountered become a major part of the project.
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Information
Table of contents
- Cover
- Halftitle Page
- Title Page
- Copyright Page
- Contents
- Preface
- Acknowledgements
- Notes on the Use of African Ethnic Names and Country and Place Names
- References to Illustrations in the Text and Notes on Illustrations
- Chapter 1: Headrests and Art
- Chapter 2: A Matter of Style, or, Why Style Matters
- Chapter 3: Methodology, Position and Limitations
- Chapter 4: The Geographical and Chronological Distribution of the Columned Headrest
- Chapter 5: Authenticity and History
- Chapter 6: East African Headrests: Identity, Form and Aesthetics
- Chapter 7: Tracing Histories: Central and Southern African Connections
- Chapter 8: Not Just a Curious Beauty: The Anatomy of Meaning in Useful Objects
- Notes to Chapters
- Bibliography
- List of Illustrations
- Index