11 Chapter 1
what do I want to be when I grow up?
Everything Happens for a Reason
Iām already late for my plane. The alarm in my hotel room didnāt go offāor maybe I slept right through it. Iām stressing hard; if I miss this flight, Iāll be two hours late for my meeting, not to mention deeply embarrassed in front of my clients when I finally do show my face.
Traffic is awful. My taxi driver coughs and shifts in his seat as he faces the long line of cars ahead of him. I see his reflection in the rear-view mirror. He looks like heās straight from Central Castingās cab driver department: the big, red, Karl Malden nose, the watery bloodshot eyes, the few greasy strands of hair sticking out from under the flattened wool cap.
āWhat timeās your flight?ā he asks, glancing up at the mirror to meet my gaze.
I tell himāthe hopeful, pleading tone of my voice all too apparent.
The driver shakes his head. āYou aināt gonna make it. Sorry. This trafficās outta control.ā
I sigh involuntarily and mumble something about the meeting Iām going to miss.
My driver waxes philosophical. āEverything happens for a reason,ā he says. āYou wanna know why Iām a cab driver?ā
12 Why not? Iāve got time to kill now.
āBecause the Japanese bombed Pearl Harbor.ā
This Iāve gotta hear.
āYeah,ā continues the driver. āYou ever hear of the Sullivan Act?ā He doesnāt wait for me to answer. āFour brothersāall Navyāgot killed in the bombing. So Congress passes a law that if you have a brother on active duty, you canāt be drafted. Okay. My brother, whoās a cop, is in Vietnam. And back in 1969, Iām just outta high school, and because I always do everything he does, Iām gonna enlist and go over there, too. I write him a letter telling him my plans and he writes back saying donāt do it, this place is a mess, so I stay home, get into some trouble with the law and disqualify myself from following my brotherās footsteps onto the police force. āCourse I wouldnāt have that option if it wasnāt for the Sullivan ActāIād a been drafted. My numberās already called. So you see, if it wasnāt for Pearl Harbor, Iād be a cop today. Instead, here I am.ā
Sounds like he was fated to drive a cab.
āItās a good thing, too,ā says the driver, smiling wryly. āIf I were a cop, Iād be dead. I got the kind of personality, you put me on the street with a gun, Iām not so sure things would work out, know what I mean? So, you see? Everything happens for a reason. If it wasnāt for Pearl Harbor, I wouldnāt be driving this cab. And if werenāt for missing your wake-up call, you wouldnāt have met the best taxi driver in town.ā
Think about your own life and the complex turn of events that led you to where you are today. Perhaps you canāt trace the origins of your current career all the way back to the Second World War, but you probably recognize that a few key events played a major role in determining who and what you are today. The question to ask is āHow involved was I in the course of those events?ā Did you make choices that reflected what you really care about or were you pretty much borne along by forces outside your control? Are you, in other words, being what you wanted to be when you grew up?
Whistle While You Work
The Disney classic, Snow White and the Seven Dwarfs, features the unforgettable song, āWhistle While You Work.ā The tune, sung by 13Snow White and the forest animals who come to her aid, captures the feeling of work done with a sense of joy, commitment, and focus. As Snow White works and whistles, we are reminded that, ultimately, the way we work is an expression of who we really are. And we share in Snow Whiteās feelings of accomplishment and satisfaction as she busily completes her many tasks.
In doing so, we are naturally led to wonder about our own jobs. Like Snow White, many of us have too much to do. And like her, we are bothered by many troubles. How many of us, though, are able to put on a grin and start right in? How many of us find ourselves really able to whistle while we work?
Of course, Snow Whiteās whistle is only half the story. Behind the scenes, the movie offers an even clearer model for joyful, committed work: the model of Walt Disney himself. Through his movies, his artwork, and his vision for the fantasy kingdom, Disneyland, Walt Disney created a legacy that any of us could hope to aspire to. An incredibly gifted animator, director, and businessperson, he was also incredibly passionate about his work; his values for high-quality family entertainment came shining through in all he did. Who can doubt that Walt Disney, as he created the many characters and stories that are now so deeply a part of our culture, whistled while he worked?
Naturally, we canāt all be Walt Disney. Most of us, in fact, probably have jobs more like Snow Whiteās friendly dwarfs. But this doesnāt mean we canāt bring to them the powerful sense of calling that Walt Disney did. And it certainly doesnāt mean that we canāt find a way to whistle while we work.
This feeling of doing what we were meant to doāof performing the work that we were born forāis something every one of us craves. We have a deep hunger to feel useful and to know that our natural abilities are being employed to their fullest potential. The desire is especially powerful because weāve all had a taste of it; weāve all had the experience of being deeply connected to what weāre doingāthat sense of timelessness and flow that fills us when weāre doing exactly what we were meant to do.
When we were kids, we imagined work would be like this when we grew up. When parents and teachers asked us what we 14wanted to be, we usually had a ready answer. āAn astronaut. A fire fighter. An explorer.ā We envisioned a life of excitement and challenge on the jobāa life in which weād employ our best-loved talents on projects we were passionate about.
For many of us, though, it hasnāt exactly worked out that way. We find ourselves in working situations that are far from what we envisioned as children. Our jobs are just jobs. They pay the bills, but they donāt provide us with the joy that, in the end, is what really matters. Weāve lost the whistle in our work. Even worse, weāve forgotten what we wanted to be when we grew up.
So maybe itās time to ask ourselves again:
What do I want to be when I grow up?
Maybe itās time to take a lesson from a group of sixth-graders Dave worked with in a Seattle middle school. They all had very strong feelings about what the future ought to hold for themāand even stronger feelings about what it ought not. Each of them had already answered the question that weāre still asking:
What do I want to be when I grow up?
Dave tells a story that made this abundantly clear to him, in a way that helped him realize what his own answer finally was.
Weāre playing a game called āHand Dealt,ā which explores the question, āIs life fair?ā by providing each player with a predetermined ālife.ā Students are each dealt three cards; one card determines a fictional relationship they are in, one establishes a fictional job or jobs; the third tells them where they live. There is a wide range of relationships, occupations, and accommodations, from the quite affluent to the extremely poor. Thus, one player may end up having been dealt a ālifeā of two parents, one of whom is a chemical engineer making $80,000 a year, the other of whom is a banker earning $125,000 annually, two kids, living in a four-bedroom house, while another player is dealt a ālifeā of an unemployed single parent of 4 children living in a one-bedroom apartment. Not surprisingly, the kids who get the āgoodā lives tend to respond to the question of lifeās fairness in the 15affirmative while those who are dealt less desirable lives usually respond that life is horribly unjust. This gives us the opportunity to wonder aloud about the relationship between monetary success and happiness, and ultimately, about just what it means for life to be fair or unfair.
But thatās not all. It also gives us a chance to explore what it feels like to be dealt a life we didnāt choose. And this, more than anything else, is what energizes our discussion. The kids are adamant about the injustice of having to live with choices they didnāt make.
āI wouldnāt mind being a janitor,ā says a boy Iāll call Carlos, whose bleached-blond surfer look belies an unusual level of thoughtfulness for an 11 year-old, āif being a janitor is what I wanted to be. But since it isnāt my choice, I donāt think itās fair.ā
But the cards were passed out fairly, werenāt they? Didnāt everyone have an equal opportunity to be whatever they ended up being?
āThatās not the point,ā says Miranda, a rather small girl with a rather large personality. āWhat makes it fair or not is that itās your own life and that nobodyās forced you into it.ā
āYeah. Some people are actually happy being, I dunno, schoolteachers. But that for me would be like worse than prison.ā This comment from Will, one of the classās several class clowns, elicits a humorous grimace from his teacher and chuckles from his classmates.
āCould you imagine coming to school for the rest of your life?ā shouts curly-haired Maya with a theatrical shiver. āWhat a disaster!ā
Amidst the general assent of her fellow students, I wonder out loud what kinds of things these 11- and 12-year-olds could imagine doing for the rest of their lives. Iām taken aback at the assurance with which they respond.
āWhen I grow up, Iām going to be a movie director,ā says Erin, a seemingly shy girl who spends much of her time drawing. āIām going to start by doing commercials and then videos and then feature films.ā
Ryan, who collared me the moment I entered the classroom to show me his daily journal, in which he is recording tidbits for the autobiography he is working on, pipes up that heās going to be a writer. āMaybe I can write your movie scripts,ā he says to Erin.
Other students have similarly well-formed notions of what they love doing. Iām enjoying immensely talking to them about what they plan to do, how they plan to do it, and the philosophical implications of 16their choicesāand their freedom to make those choices. Iām wondering how they manage to have such optimism and clarity about their lives at this young age. Iām wondering howāat this ageāthey seem to know themselves so well. When did they have the discovery that so often eludes adults: the discovery of what they want to be when they grow up?
And suddenly, I come to understand that I am having that same discovery myself. As I stand in a classroom, doing philosophy with children, I realize that finally, after years of searching, I am at last doing what I most love to be doing. All the other jobs Iāve ever hadāfrom busboy to videodisc designer to corporate training consultantāhave been merely steps upon the way to where I am now. I feel completely connected to the process of inquiry weāre conducting; Iām immersed in the subject matter and delighted by my young colleagues and their inquiring minds. Time flies by. What I notice is how authentic it feels for me to be helping these students to better understand the questions and answers we are exploring and in the process, to better understand themselves. And it occurs to me that in all the other jobs Iāve ever had, this is the common theme that has given me satisfaction. At some level, āfostering understandingā has consistently been key.
And I realize that after all these years, Iāve finally become what I always wanted to be when I grew up. Itās taken me more than 40 years to rediscover the answer to the question that my young friends in this classroom have found for themselves in just over a decade.
What do you want to be when you grow up?
The Roots of Calling
At a fairly young ageāby fifth or sixth grade, certainlyāmost of us have a pretty good sense of what we love to doāand what we donāt. Of course, we usually canāt put a job title on it at that point; for an 11-year-old, loving to draw doesnāt translate into being an art director; nor is finding math class fun a sign that a youngster should think about becoming an accountant. Moreover, given that well over half of the jobs that kids will grow up into havenāt even been invented yet, itās obvious that we canāt expect too much specificity in career choice at such a young age.
17 Still, the essential core is already there. Our gifts, though nascent, have already begun to take shape. Deep within, a part of us knows that we are here on this planet for a reason. A sense of destiny, unformed as it is, lies just beneath the surface of our awareness. And, even as children, we naturally incline towards the experiences that allow us to express this.
Somewhere along the line, though, we get sidetracked. We silence that voice within that speaks to us about what really matters. We make choicesāor have them made for usāthat are driven by practical concerns. We set aside āchildishā dreams in the interest of making a living or satisfying someone elseās plans. We seem to forget what we knew as boys and girlsāwhat we most love to do.
But that wisdom never really goes away. It can be revived. We can open ourselves to that innate knowing that guided us when we were young: the inner urge to give our gifts away.
The roots of calling in our lives go back very deeplyāto even before we were born. Calling is an expression of our essence; itās our embedded destiny. The seed of this destiny lies within us; one way or another it seeks to fulfill itself in the world. So the question we need to ask ourselves is whether weāre doing all we can to bring the fruits of our calling to bear.
Seeds of Destiny
One unmistakable conclusion that Dick has drawn from a lifetime of coaching individuals about life and career design is this: we all possess seeds of destiny. Each of us has within us God-given natural giftsāunique potential for creative expression. From birth we have what we need to become all we can be. The challenge, of course, is to figure out how to make a living with our uniqueness; how to connect who we are with what we do.
But often we donāt have to ...