Plays of William E. Henley and R.L. Stevenson

William Ernest Henley, Robert Louis Stevenson

• Publisher: pubOne.info
• Year: 2010
• Topic: Literature
• eBook ISBN:
  9782819928461
• Subtopic: Classics
• Index: Literature

pubOne.info thank you for your continued support and wish to present you this new edition. How charged with punishments the scroll,

Table of contents

• INVICTUS
• PERSONS REPRESENTED
• NOTE. - PASSAGES SUGGESTED FOR OMISSION IN REPRESENTATION ARE ENCLOSED IN SQUARE BRACKETS, THUS [ ].
• SCENE I
• SCENE II
• SCENE III
• SCENE IV
• SCENE V
• SCENE VI
• SCENE VII
• SCENE VIII
• (SHE GOES OUT, PUSHING CHAIR.)
• TABLEAU II. HUNT THE RUNNER
• SCENE II
• SCENE III
• SCENE IV
• TABLEAU III. MOTHER CLARKE'S
• SCENE II
• BRODIE. JE VOUS BAISE LES MAINS! (BOWING.)]
• SCENE III
• ACT-DROP.
• SCENE I
• SCENE II
• SCENE III
• SCENE IV
• SCENE V
• SCENE VI
• SCENE VII
• SCENE VIII
• SCENE IX
• SCENE X
• ACT-DROP
• SCENE I
• SCENE II
• SCENE III
• SCENE IV
• TABLEAU VI. UNMASKED
• SCENE I
• SCENE II
• SCENE III
• SCENE IV
• (JEAN WATT IS HEARD SINGING WITHOUT TWO BARS OF 'WANDERIN' WILLIE,' BY WAY OF SIGNAL.)
• SCENE V
• SCENE VI
• SCENE VII
• ACT-DROP
• SCENE I
• SCENE II
• SCENE III
• SCENE IV
• ACT-DROP
• SCENE I
• SCENE II
• SCENE III
• SCENE IV
• SCENE V
• SCENE VI
• SCENE VII
• CURTAIN.
• DEDICATED WITH ADMIRATION AND RESPECT TO GEORGE MEREDITH BOURNEMOUTH: 1ST OCTOBER 1884.
• CAST
• BEAU AUSTIN
• SCENE I
• SCENE II
• SCENE III
• SCENE IV
• MUSICAL INDUCTION: 'THE LASS OF RICHMOND HILL.'
• SCENE I
• SCENE II
• SCENE III
• AUSTIN (WINDING AND SINGING) -
• SCENE IV
• SCENE V
• SCENE VI
• DROP
• ACT III.
• SCENE I
• SCENE II
• SCENE III
• SCENE IV
• SCENE V
• SCENE VI
• (AS FENWICK AND ANTHONY GO OUT, C., ENTER DOROTHY, L.)
• SCENE VIII
• MUSIC: 'CHE FARO,' AS THE DROP FALLS.
• ACT IV.
• SCENE I
• SCENE II
• SCENE III
• SCENE IV
• SCENE V
• THE END
• PERSONS REPRESENTED
• NOTE. - PASSAGES SUGGESTED FOR OMISSION IN REPRESENTATION ARE ENCLOSED IN SQUARE BRACKETS, THUS [ ].
• SCENE I
• SCENE II
• SCENE III
• SCENE IV
• SCENE V
• SCENE VI
• SCENE VII
• SCENE VIII
• (HE GOES TAPPING UP TO DOOR, TURNS ON THE THRESHOLD, AND LISTENS. GAUNT TURNS A PAGE. PEW, WITH A GRIMACE, STRIKES HIS HAND UPON THE POCKET WITH THE KEYS, AND GOES.)
• SCENE I
• SCENE II
• SCENE III
• SCENE IV
• SCENE V
• SCENE VI
• PEW AND KIT (IN CHORUS) -
• PEW (SINGS) -
• PEW AND KIT (IN CHORUS) -
• KIT AND PEW (IN CHORUS) -
• DROP
• SCENE I
• ARETHUSA. O!
• SCENE II
• SCENE III
• SCENE IV
• SCENE V
• SCENE VI
• (GAUNT RE-ENTERS, C., AS THE DROP FALLS.)
• SCENE I
• SCENE II
• ARETHUSA. O!
• SCENE III
• SCENE IV
• (HE DIES.)
• CURTAIN
• PERSONS REPRESENTED
• NOTE. - THE TIME BETWEEN THE ACTS SHOULD BE AS BRIEF AS POSSIBLE, AND THE PIECE PLAYED, WHERE IT IS MERELY COMIC, IN A VEIN OF PATTER.
• SCENE I
• SCENE II
• SCENE III
• SCENE IV
• SCENE V
• SCENE VI
• SCENE VII
• SCENE VIII
• (REPLACES BOX IN OFFICE.)
• DROP.
• SCENE I
• SCENE II
• SCENE III
• SCENE IV
• SCENE V
• SCENE VI
• ALL (WITH FURY). O!!
• (ALINE AND MAIDS EXTINGUISH HANGING LAMPS OVER TABLES, R. AND L. STAGE LIGHTED ONLY BY GUESTS' CANDLES.)
• DROP
• SCENE II
• BERTRAND. O!
• SCENE III
• SCENE IV
• ENTER ON BOTH SIDES OF GALLERY THE REMAINING CHARACTERS OF THE PIECE, EXCEPT THE NOTARY AND THE MARQUIS.)
• Copyright