Plays of William E. Henley and R.L. Stevenson
eBook - ePub

Plays of William E. Henley and R.L. Stevenson

  1. 200 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

Plays of William E. Henley and R.L. Stevenson

About this book

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Yes, you can access Plays of William E. Henley and R.L. Stevenson by William Ernest Henley, Robert Louis Stevenson in PDF and/or ePUB format, as well as other popular books in Literature & Classics. We have over one million books available in our catalogue for you to explore.

Information

Publisher
pubOne.info
Year
2010
eBook ISBN
9782819928461
Topic
Literature
Subtopic
Classics
Index
Literature

Table of contents

  1. INVICTUS
  2. PERSONS REPRESENTED
  3. NOTE. - PASSAGES SUGGESTED FOR OMISSION IN REPRESENTATION ARE ENCLOSED IN SQUARE BRACKETS, THUS [ ].
  4. SCENE I
  5. SCENE II
  6. SCENE III
  7. SCENE IV
  8. SCENE V
  9. SCENE VI
  10. SCENE VII
  11. SCENE VIII
  12. (SHE GOES OUT, PUSHING CHAIR.)
  13. TABLEAU II. HUNT THE RUNNER
  14. SCENE II
  15. SCENE III
  16. SCENE IV
  17. TABLEAU III. MOTHER CLARKE'S
  18. SCENE II
  19. BRODIE. JE VOUS BAISE LES MAINS! (BOWING.)]
  20. SCENE III
  21. ACT-DROP.
  22. SCENE I
  23. SCENE II
  24. SCENE III
  25. SCENE IV
  26. SCENE V
  27. SCENE VI
  28. SCENE VII
  29. SCENE VIII
  30. SCENE IX
  31. SCENE X
  32. ACT-DROP
  33. SCENE I
  34. SCENE II
  35. SCENE III
  36. SCENE IV
  37. TABLEAU VI. UNMASKED
  38. SCENE I
  39. SCENE II
  40. SCENE III
  41. SCENE IV
  42. (JEAN WATT IS HEARD SINGING WITHOUT TWO BARS OF 'WANDERIN' WILLIE,' BY WAY OF SIGNAL.)
  43. SCENE V
  44. SCENE VI
  45. SCENE VII
  46. ACT-DROP
  47. SCENE I
  48. SCENE II
  49. SCENE III
  50. SCENE IV
  51. ACT-DROP
  52. SCENE I
  53. SCENE II
  54. SCENE III
  55. SCENE IV
  56. SCENE V
  57. SCENE VI
  58. SCENE VII
  59. CURTAIN.
  60. DEDICATED WITH ADMIRATION AND RESPECT TO GEORGE MEREDITH BOURNEMOUTH: 1ST OCTOBER 1884.
  61. CAST
  62. BEAU AUSTIN
  63. SCENE I
  64. SCENE II
  65. SCENE III
  66. SCENE IV
  67. MUSICAL INDUCTION: 'THE LASS OF RICHMOND HILL.'
  68. SCENE I
  69. SCENE II
  70. SCENE III
  71. AUSTIN (WINDING AND SINGING) -
  72. SCENE IV
  73. SCENE V
  74. SCENE VI
  75. DROP
  76. ACT III.
  77. SCENE I
  78. SCENE II
  79. SCENE III
  80. SCENE IV
  81. SCENE V
  82. SCENE VI
  83. (AS FENWICK AND ANTHONY GO OUT, C., ENTER DOROTHY, L.)
  84. SCENE VIII
  85. MUSIC: 'CHE FARO,' AS THE DROP FALLS.
  86. ACT IV.
  87. SCENE I
  88. SCENE II
  89. SCENE III
  90. SCENE IV
  91. SCENE V
  92. THE END
  93. PERSONS REPRESENTED
  94. NOTE. - PASSAGES SUGGESTED FOR OMISSION IN REPRESENTATION ARE ENCLOSED IN SQUARE BRACKETS, THUS [ ].
  95. SCENE I
  96. SCENE II
  97. SCENE III
  98. SCENE IV
  99. SCENE V
  100. SCENE VI
  101. SCENE VII
  102. SCENE VIII
  103. (HE GOES TAPPING UP TO DOOR, TURNS ON THE THRESHOLD, AND LISTENS. GAUNT TURNS A PAGE. PEW, WITH A GRIMACE, STRIKES HIS HAND UPON THE POCKET WITH THE KEYS, AND GOES.)
  104. SCENE I
  105. SCENE II
  106. SCENE III
  107. SCENE IV
  108. SCENE V
  109. SCENE VI
  110. PEW AND KIT (IN CHORUS) -
  111. PEW (SINGS) -
  112. PEW AND KIT (IN CHORUS) -
  113. KIT AND PEW (IN CHORUS) -
  114. DROP
  115. SCENE I
  116. ARETHUSA. O!
  117. SCENE II
  118. SCENE III
  119. SCENE IV
  120. SCENE V
  121. SCENE VI
  122. (GAUNT RE-ENTERS, C., AS THE DROP FALLS.)
  123. SCENE I
  124. SCENE II
  125. ARETHUSA. O!
  126. SCENE III
  127. SCENE IV
  128. (HE DIES.)
  129. CURTAIN
  130. PERSONS REPRESENTED
  131. NOTE. - THE TIME BETWEEN THE ACTS SHOULD BE AS BRIEF AS POSSIBLE, AND THE PIECE PLAYED, WHERE IT IS MERELY COMIC, IN A VEIN OF PATTER.
  132. SCENE I
  133. SCENE II
  134. SCENE III
  135. SCENE IV
  136. SCENE V
  137. SCENE VI
  138. SCENE VII
  139. SCENE VIII
  140. (REPLACES BOX IN OFFICE.)
  141. DROP.
  142. SCENE I
  143. SCENE II
  144. SCENE III
  145. SCENE IV
  146. SCENE V
  147. SCENE VI
  148. ALL (WITH FURY). O!!
  149. (ALINE AND MAIDS EXTINGUISH HANGING LAMPS OVER TABLES, R. AND L. STAGE LIGHTED ONLY BY GUESTS' CANDLES.)
  150. DROP
  151. SCENE II
  152. BERTRAND. O!
  153. SCENE III
  154. SCENE IV
  155. ENTER ON BOTH SIDES OF GALLERY THE REMAINING CHARACTERS OF THE PIECE, EXCEPT THE NOTARY AND THE MARQUIS.)
  156. Copyright