How is affective experience produced in the cinema? And how can we write a history of this experience? By asking these questions, this study by Hauke Lehmann aims at rethinking our conception of a critical period in US film history – the New Hollywood: as a moment of crisis that can neither be reduced to economic processes of adaption nor to a collection of masterpieces. Rather, the fine-grained analysis of core films reveals the power of cinematic images to affect their audiences – to confront them with the new. The films of the New Hollywood redefine the divisions of the classical genre system in a radical way and thereby transform the way spectators are addressed affectively in the cinema. The study describes a complex interplay between three modes of affectivity: suspense, paranoia, and melancholy. All three, each in their own way, implicate spectators in the deep-seated contradictions of their own feelings and their ways of being in the world: their relations to history, to society, and to cultural fantasy. On this basis, Affect Poetics of the New Hollywood projects an original conception of film history: as an affective history which can be re-written up to the present day.
eBook - PDF
Affect Poetics of the New Hollywood
Suspense, Paranoia, and Melancholy
- 284 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
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Table of contents
- Contents
- Acknowledgments
- 1 Splitting the Spectator
- 2 Suspense: Forms of Cinematic Thinking
- 3 Paranoia: Forms of Mediatization
- 4 Melancholy: Ways of Perceiving History
- 5 A History of Feeling
- List of figures
- Bibliography
- Subject index
- Name index
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Yes, you can access Affect Poetics of the New Hollywood by Hauke Lehmann, James Lattimer in PDF and/or ePUB format, as well as other popular books in Social Sciences & Film & Video. We have over 1.5 million books available in our catalogue for you to explore.