ACT ONE
THE MAN IN PINK SAYS A FEW WORDS
The MAN IN PINK enters with some ceremony.
He stands very still.
He regards us for some time.
Perhaps he is wondering if we are a worthy audience.
PINK. Welcome.
Cecile!
He claps his hands. CECILE enters.
I expect your parents often tell you that it is very wicked to steal things.
They are wrong, of course (as they so often are).
The important thing to remember is this:
It is only wrong to steal if you get caught.
Cecile! The rose!
CECILE passes to him⊠a rose.
Merci.
CECILE. De rien.
She remains, a little too close to him. Hovering.
PINK. The rose you see in my hand, my friends, is a stolen rose.
Stolen from the palace of a Beast on a winterâs morning, and tonight, here, on this very stage, I will show you how the theft of this single rose, in itself nothing but a soft fist of petals and scent, will have catastrophic consequences. I expect â
CECILE coughs. He turns, irritated. She holds out some sheet music.
What is it, Cecile?
CECILE. It is the music. For my song. You said tonight I could have a / song â
She tries to give him the sheet music. He dismisses her.
PINK. Yes, yes, later! Youâve put me off my stride now, Cecile, Cecile, my stride is off, where was I, Cecile, where was I before you put me off my stride?
CECILE (prompting). I expect.
PINK. Yes! Yes:
He takes a breath. He gathers himself.
I expect you have been told fairytales before.
But you have never really heard a fairytale until you have heard it told by a real fairy.
And I, my friends, am a real fairy.
CECILE. So am I.
PINK. Yes, yes, so is she (donât interrupt, Cecile).
The Health and Safety Officers of this theatre have demanded I warn you:
There will be magic here tonight. But do not be fooled: I will not pull rabbits from hats, or pluck pigeons from my eyes, or saw Cecile in half (much as that would give me pleasure)
no.
I have real magic at my fingertips.
PINK performs a piece of magic.
Please: do not be frightened!
For some of these things will be frightening but all is within my power. Everything is under my control. Even poor pathetic Cecile here.
See how I make her dance!
He gestures to CECILE, as if casting a spell. She does not dance.
CECILE. I would like to discuss my song.
He ignores her, repeats the gesture, more forcefully.
PINK. See! How I make her dance!
CECILE. Non, ce nâest pas juste! Every night you say to me I can sing and then this you do not allow, every night the same, I will stand it no more. I put down the foot.
PINK. Cecile! Sâil vous plaĂźt!
CECILE stamps her foot, and performs a small, sarcastic dance.
Iâm so sorry, ladies and gentlemen. Sheâs French. Cecile! Fermez la bouche! We begin!
Pause. They take their positions. PINK takes a breath.
Once upon a time
CECILE. Il Ă©tait une fois
PINK. Once upon / a time.
CECILE. Il Ă©tait une fois.
Pause.
PINK. In a faraway land known as France
CECILE. Dans un pays magnifique! Ah la France!
PINK. Many years / ago
CECILE. Il y a longtemps
PINK. What has got into you tonight?
CECILE. Comment? I am just excited about my song.
PINK. Stop it.
CECILE. Starp eeet.
PINK. May I go on?
CECILE. Oui, oui, continuez, je ne vous empĂȘche pas.
PINK. Yes you are, you know you are.
CECILE. JE VEUX CHANTER.
PINK. Speak English!
CECILE. Why should I speak English, I am French, and it is a French story, it is not an English story, why donât you speak French?
PINK. Because they wouldnât understand it, you infuriating little frog!
They speak rapidly in French. PINK slaps her face. CECILE slaps back. They exchange a quick-fire series of slaps. PINK produces his wand and brandishes it at her. CECILE squeals and retreats.
Good girl. To the shadows, if you please.
A SHADOW PLAY
CECILE runs to the projection machine, located somewhere in the audience. PINK claps his hands and RABBIT enters, bearing a wooden box with a hinged lid.
PINK. My friends, tonight we are joined by some very special guests. Inside this small box, tuning up as we speak, is an entire orchestra made up of the lightest, the smallest, the creepiest, crawliest musicians in the Empire.
We have fleas, we have flies, we have lices and louses,
The tiniest pests that you shoo from your houses,
Please welcome them warmly,
Theyâve travelled so far,
Ladies and gentlemen,
The Insect Orchestra!
He opens the lid. A blast of high pitched orchestral splendour. As he introduces each section, we hear a snatch of their solo.
We have the ants on strings.
The fleas, on flutes.
On horns, the aphids. They donât have a lot of puff, boys and girls, but they certainly know how to use it!
Madame Housefly, our oboe soloist. (Wonderful, Zelda.)
Monsieur Beetle, on the tuba.
And last, but not least, the fabulous mosquitoes on percussion.
The music dies a little chaotically, until we can hear only the high-pitched tootling of a solitary insect clari...