Void
The lights fade up from black. We are in a seemingly vast space, largely empty and without recognisable dimensions. Light floods in from an unknown source. This is the Void, an otherworldly place, perhaps outside time and space. The stage area contains four, apparently randomly placed, boxes.
After a few seconds we become aware of movement.
KETU appears, like a shadow in the outermost edge of the space. Apparently in his mid to late thirties, his movements have something distinctly animal about them. He is clearly confused and disorientated.
Then SOPHIE appears, a woman in her late twenties / early thirties. She, too, is disorientated.
The two try independently to make sense of their new environment.
KETU discovers SOPHIE. He stares at her. She returns his gaze for a moment.
ALEX runs onstage. He is a young man, self-assured and brash, with a childlike quality that makes him attractive and likable.
All three look at each other.
Ketu
1 . . . 2 . . .
ALEX turns and looks around, trying to work out where he is.
Ketu
3 . . .
SOPHIE looks at KETU.
4.
Sophie (to ALEX)
Whatās he doing?
Alex
At a guess . . . counting.
Sophie
Counting what?
Alex (looks around)
The seats?
Ketu
5.
Alex
Apparently not.
KETU is confused. Lost in thought for a moment.
(To KETU, helpfully.) 6?
KETU wheels around, seeing ALEX for the first time.
Ketu
What?
Alex
Nothing. Just . . . joining in.
KETU looks at ALEX as if it is ALEX that is mad. KETU examines one of the boxes. ALEX looks around again.
Sophie (a realisation)
Iāve been here before.
Alex
Oh?
Sophie
I think so yes. This . . . sensation . . . itās familiar.
Alex
Where exactly is here?
Sophie
I . . . I donāt know.
SOPHIE tries to think.
Ketu
7.
Sophie
I wish heād stop that!
Ketu
8.
Just then KETU comes up to SOPHIE. He looks at her closely.
Sophie
Hello.
KETU flinches and rubs his neck. KETU is confused by the sensation.
Whatās wrong?
Ketu
What?
Sophie
With your neck?
Ketu (offended)
Thereās nothing wrong with my neck . . . you donāt like my neck . . . you donāt have to look at it!
The two part. SOPHIE slowly reaches for the top of her head.
Sophie
I have a cut . . . here.
She traces her hand along the extensive incision.
Alex
What?
Sophie (not wishing to pursue the thought)
Nothing . . . it doesnāt matter!
KETU comes to a realisation, he sniffs the air.
Ketu
There is no smell.
They all look at their surroundings.
Alex
This isnāt right. This is not right at all.
They all look at each other.
Just then a voice is heard from the darkness.
Guide
Good . . . this is very encouraging. Very encouraging.
The others are startled. KETU dashes and hides behind a box. A figure enters the space. He appears to be a man in his fifties. As we shall see, he is something of a chameleon. He is able to change his physical and vocal characteristics with remarkable speed. He is the GUIDE. Though at times he appears more of a jester or a clown. Unlike the others, he appears to belong to this place.
Iām sorry to have left you alone all this time . . . thereās a bit of a backlog. Well, backlogās the wrong word really . . . since time doesnāt exactly . . .
Alex
Who the hell are you?
Guide
Iām coming to that . . .
The GUIDE takes centre stage.
If I could have your attention for a moment . . . I have a short presentation.
Alex
Look this is very interesting but . . . !
The GUIDE suddenly changes to...