KAYLA and G are at The Wedding. These short sharp sections of text show the progression of the day. They could lose jackets, ties, pashminas, shoes; generally get more dishevelled and boozy as time goes on.
They start by addressing ushers in church.
KAYLA. Bride.
G. Groom.
KAYLA (taking order of service). Thanks. What? (Indicates to G behind her.) Us?
G. No itâs cool Iâll only need â
KAYLA. No weâre not together Iâm â
G. One.
KAYLA. Alone.
The word âAloneâ resonates. They sit.
Snap to: Them watching Jade and Miles walk down the aisle.
Snap to: Them both holding hymn sheets up, singing in that self-conscious way that you do at a wedding, looking around them. They sing âAll Things Bright and Beautifulâ.
TOGETHER. He made their glowing colours,
He made their tiny wings.
Snap to: Outside they both throw confetti over the bride and groom.
Snap to: Later. At the bar. They almost overlap.
KAYLA. Gin and tonic.
G. Just a Coke.
KAYLA. What free all night?
G. With some vodka.
KAYLA. Can you do a triple? Just joking.
TOGETHER. Double.
Snap to: Seated separately at the meal â they talk to strangers at the table.
KAYLA. Iâm a childhood friend of Jadeâs.
G. Miles is a family friend.
KAYLA. No you could bring a plus one I just didnât really have a /
G. Iâm from⊠here.
KAYLA. Iâm fine on my own.
G. Yeah, originally from here. I was born here. In Kingbrook General.
KAYLA (singing Destinyâs Child awkwardly). All the women â independent!
G. Can you pass the red?
KAYLA (to a passing waiter). Is there any more white?
TOGETHER. TO JADE AND MILES!
They raise their glasses, grimace a bit, then down it. They talk to the audience.
G. Actually, Iâd like to propose a toast.
KAYLA. To those of us who need it most.
TOGETHER. A TOAST TO THE SPARE PRICKS AT A WEDDING. CHEERS!
G. With dry-cleaned suit and polished shoes
He charges into unknown lands
He navigates, propped up by booze
The loud-mouthed lads and racist nans
KAYLA. And as her new Spanx knickers chafe
She hovers by the crudités
As yummy mums and teenage waifs
And lovers to the first dance sway
A blast of âAll of Meâ by John Legend.
Bet you wouldnât love my curves and edges, John.
G. Thereâs nothing like a wedding see
To show how great your life could be
If you were just a bit:
KAYLA. Thinner
G. Braver
KAYLA. Younger
G. Fitter
KAYLA. Cooler
G. Happier
KAYLA. Not so
TOGETHER. Alone.
Beat.
KAYLA. SOD IT. Youâre done. Youâve had enough. Youâve done the rounds. Youâre going home.
G. But wait â a tiny ray of light â Five words spoken into a microphone:
The sound of mic feedback then a rather lacklustre DJ voice.
VOICE OF DANNY D. Are you ready to party??
G. And we think YES Danny Danger, resident DJ at Glamour in Beesley!
KAYLA. YES competitively priced balding wedding DJ in his early forties!
TOGETHER. We ARE ready!
KAYLA. To rip it up
G. Have it large
KAYLA. Shake it off
G. Go hard
KAYLA. Or go home!
G. Alone.
They clock each other.
TOGETHER. NO.
They might down a bit more booze. Whatever they do â theyâre fucking up for it.
G. So we call upon The DJ to
TOGETHER. SAVE ME SAVE ME!
KAYLA. Little old brave me.
G. From grey grey days
KAYLA. And long long fuckless nights.
Cos all we need
They glance at each other.
TOGETHER. Is music
G. Right?
âAll About Tonightâ by Pixie Lott plays (loop intro once).
And there it is.
The perfect pop songâs perfect opening moments
That glittery synth chord intro
Gives you itchy feet
Makes your heart beat that little bit faster
Makes your arm hairs stand on end
Our spirits ascend!
KAYLA. Letâs claim this night
All soaked in booze as it is
Fuelled by big cheap dirty beats
Itâs lipstick smudged
Itâs tired feet â
Letâs jump on the back of this bitch
And ride her to the skyâŠ
G. To oblivion,
to the bus stationâŠ
KAYLA. Cue life lessons from Pixie Lott:
KAYLAâs lines are in response to each line of the lyrics of the first verse of âAll About Tonightâ.
Four-inch heel. Primarkâs finest
Now I look like Iâve got rickets
Thatâs why Iâm singing a frigginâ song about you
Well sheâs got one thing right at least
Oh an evening of oestrogen and prosecco!
Thrush
Let it go, Pixie â better out than in, love
YES IT IS!
Both sing the chorus.
(Speaking over lyrics of second half of chorus.) Yep!
Tomorrow doesnât matter
The walk of shame â doesnât matter
Pissing in a drain â doesnât matter
Maxing your credit card â doesnât matter
Broke a heel â doesnât matter
copped a feel of someone you shouldnât â doesnât matter
Ordering twenty-four chicken nuggets because it seems like a good idea at the time â doesnât fucking matter
G (speaking over second verse). And what makes a truly great pop song
Is its capacity to make you look up, look out
No matter what horrors go on in your life
It brings hope. It brings light.
And sometimes weâd be forgiven for losing that hope Right?
Just a tiny bit of that hope.
KAYLA. A tiny bit?
Are you joking?
A truckload of hope.
A fatberg of hope.
We are flytipping hope
From up high shitting hope
We haemorrhage hope
It gushes like blood into a toilet bowl
Hope is a deflating balloon in place of your soul
G. Jesus Christ!
They sing and dance to the chorus.
And for a few precious hours it doesnât matter tha...