American artist Hassam (1859–1935), remembered mainly as an Impressionist, turned from painting to printmaking late in his career. The 94 representative etchings, drypoints, and lithographs in this handsome collection display the genteel urban middle class (primarily New York City), New England waterfronts and harbors, and the artist's Long Island summer retreat.
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The Clayton numbers of the etchings and drypoints are those assigned by Paula Eliasoph in her Handbook of the Complete Set of Etchings and Drypoints . . . of Childe Hassam, published by The Leonard Clayton Gallery, New York, 1933 (these numbers are also known as Eliasoph numbers). The Griffith numbers of the lithographs are those of Fuller Griffith, The Lithographs of Childe Hassam: a catalog, Smithsonian Institution, United States National Museum, Bulletin 232, Washington, D.C., 1962. The print titles given here are the same as those in the respective catalogues; thus, the spelling “Easthampton” for East Hampton, Long Island, is retained in the titles. In the dimensions, height precedes width; the size is that of the image.
Frontispiece.
SELF-PORTRAIT.
Etching, 1916. 10
x 7 inches. Clayton 114. Courtesy of the Corcoran Gallery of Art, Washington, D.C.
THE ATHENEUM. PORTSMOUTH. Etching, 1915. 8
x 5
inches. Clayton 14. Courtesy of Bush-Holley House (The Historical Society of the Town of Greenwich, Inc.).
THE CHIMNEYS. PORTSMOUTH Etching, 1915. 5 x 8
inches. Clayton 16. Courtesy of Bush-Holley House (The Historical Society of the Town of Greenwich, Inc.).
KITTY RESTING. Etching, 1915.
inches. Clayton 23. The subject is Hassam’s model Kitty Hughes. Courtesy of Kennedy Galleries, Inc., New York.
THE GEORGIAN CHAIR Etching, 1915. 5 x
inches. Clayton 29. The person is Dorothy Whitcomb; the place, Stratham, N.H. Courtesy of Bush-Holley House (The Historical Society of the Town of Greenwich, Inc.).
COS COB. Etching and drypoint, 1915. 7 x 5 inches. Clayton 32. Courtesy of Kennedy Galleries, Inc., New York.
THE OLD...
Table of contents
DOVER BOOKS ON FINE ART
Title Page
Copyright Page
Table of Contents
PREFACE AND ACKNOWLEDGMENTS
INTRODUCTION
LIST OF PLATES
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