In Visual Occupations Gil Z. Hochberg shows how the Israeli Occupation of Palestine is driven by the unequal access to visual rights, or the right to control what can be seen, how, and from which position. Israel maintains this unequal balance by erasing the history and denying the existence of Palestinians, and by carefully concealing its own militarization. Israeli surveillance of Palestinians, combined with the militarized gaze of Israeli soldiers at places like roadside checkpoints, also serve as tools of dominance. Hochberg analyzes various works by Palestinian and Israeli artists, among them Elia Suleiman, Rula Halawani, Sharif Waked, Ari Folman, and Larry Abramson, whose films, art, and photography challenge the inequity of visual rights by altering, queering, and manipulating dominant modes of representing the conflict. These artists' creation of new ways of seeing—such as the refusal of Palestinian filmmakers and photographers to show Palestinian suffering or the Israeli artists' exposure of state manipulated Israeli blindness —offers a crucial gateway, Hochberg suggests, for overcoming and undoing Israel's militarized dominance and political oppression of Palestinians.
- 225 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
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Information
Publisher
Duke University Press BooksYear
2015Print ISBN
9780822358879
9780822359012
eBook ISBN
9780822375517
Subtopic
Middle Eastern HistoryTable of contents
- Contents
- Acknowledgments
- Introduction: Visual Politics at a Conflict Zone
- Part I. Concealment
- Part II. Surveillance
- Part III. Witnessing
- Closing Words
- Notes
- Bibliography
- Index
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Yes, you can access Visual Occupations by Gil Z. Hochberg in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Middle Eastern History. We have over 1.5 million books available in our catalogue for you to explore.