
Cuba Represent!
Cuban Arts, State Power, and the Making of New Revolutionary Cultures
- English
- PDF
- Available on iOS & Android
Cuba Represent!
Cuban Arts, State Power, and the Making of New Revolutionary Cultures
About this book
Combining textual analyses of films, rap songs, and visual artworks; ethnographic material collected in Cuba; and insights into the nation's history and political economy, Fernandes details the new forms of engagement with official institutions that have opened up as a result of changing relationships between state and society in the post-Soviet period. She demonstrates that in a moment of extreme hardship and uncertainty, the Cuban state has moved to a more permeable model of power. Artists and other members of the public are collaborating with government actors to partially incorporate critical cultural expressions into official discourse. The Cuban leadership has come to recognize the benefits of supporting artists: rappers offer a link to increasingly frustrated black youth in Cuba; visual artists are an important source of international prestige and hard currency; and films help unify Cubans through community discourse about the nation. Cuba Represent! reveals that part of the socialist government's resilience stems from its ability to absorb oppositional ideas and values.
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Information
Table of contents
- Contents
- List of Illustrations
- Preface
- Acknowledgments
- Introduction: Artistic Public Spheres and the State
- 1. Remaking Conceptual Worlds: Changing Ideologies in Socialist Cuba
- 2. Old Utopias, New Realities: Film Publics, Critical Debates, and New Modes of Incorporation
- 3. Fear of a Black Nation: Local Rappers, Transnational Crossings, and State Power
- 4. Postwar Reconstructions: State Institutions, Public Art, and the New Market Conditions of Production
- Conclusion
- Notes
- Bibliography
- Index