The Tradition of the Actor-author in Italian Theatre
eBook - ePub

The Tradition of the Actor-author in Italian Theatre

  1. 230 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

The Tradition of the Actor-author in Italian Theatre

About this book

"The central importance of the actor-author is a distinctive feature of Italian theatrical life, in all its eclectic range of regional cultures and artistic traditions. The fascination of the figure is that he or she stands on both sides of one of theatre's most important power relationships: between the exhilarating freedom of performance and the austere restriction of authorship and the written text. This broad-ranging volume brings together critical essays on the role of the actor-author, spanning the period from the Renaissance to the present. Starting with Castiglione, Ruzante and the commedia dell'arte, and surveying the works of Dario Fo, De Filippo and Bene, among others, the contributors cast light on a tradition which continues into Neapolitan and Sicilian theatre today, and in Italy's currently fashionable 'narrative theatre', where the actor-author is centre stage in a solo performance."

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Yes, you can access The Tradition of the Actor-author in Italian Theatre by Donatella Fischer in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Languages. We have over one million books available in our catalogue for you to explore.

Information

Table of contents

  1. Cover
  2. Half Title
  3. Title
  4. Copyright
  5. CONTENTS
  6. Dedication
  7. Acknowledgements
  8. Introduction
  9. 1 The Actor-Author in Castiglione’s ā€˜Il Cortegiano’: ā€˜lo esser travestito porta secouna certa libertĆ  e licenzia’
  10. 2 ā€˜PerchĆ© molte cose stanno ben nella penna che nella scena starebben male’: Reading Between the Lines of the Surviving Ruzante Texts
  11. 3 Isabella Andreini’s Stage Repertoire: The ā€˜Lettere’ and ā€˜Fragmenti’
  12. 4 ā€˜Commedie fortunate…’: ā€˜Le due comedie in comedia’ di Giovan Battista Andreini
  13. 5 The Actor and the Author: Renaissance Theatre in England and Italy
  14. 6 Goldoni, Gozzi, e il lavoro conl’attore
  15. 7 Napoli tra Ottocento e Novecento: dalla drammaturgia dell’attore alla drammaturgia dell’autore e ritorno
  16. 8 Il dilemma del teatro: ā€˜La parte di Amleto’ di Eduardo De Filippo
  17. 9 Characters in an English Adaptation of Napoli milionaria!
  18. 10 La scrittura ā€˜sul pubblico’: The Fo-Rame Method
  19. 11 Franca Rame’s Dowry: How the Rame Family Tradition Lives on in the Theatre of Dario Fo and Franca Rame
  20. 12 Il ā€˜funerale dell’orale’. Carmelo Bene: la scena e la scena dellapagina
  21. 13 The Actor-Narrator
  22. 14 Marco Baliani’s Theatrical Storytelling of Wonderment
  23. 15 Sguardi su una Napoli contemporanea attraverso il teatro di Annibale Ruccello
  24. 16 Il buio in fondo alsacco: parole in fuga e corpi senza scampo nel teatro di Spiro Scimone
  25. General Bibliography
  26. Index