
- 240 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
Global Finance on Screen is the first collection exclusively dedicated to a growing body of multi-format and multimedia audiovisual work that this book designates as the finance film. Finance film provides critical visualizations of the secretive, elitist, PR firewalled, and gender and race-biased world of finance, and its mysterious characters, jargon and products. It reconstructs for the screen and for broader audiences finance's logics, responsibilities, practices, and ethos, and traces the effects of money, markets, investment, credit, debt, bubbles, and crashes on our well-being, desires, values, and actions.
The chapters for this interdisciplinary collection are written by European and North American scholars in film studies, anthropology, business ethics, cultural studies, political economy, and sociology. They reveal and evaluate the ability of film to document financial cultures; reflect economic, cultural and political transformations related to financialization; indicate the alienating and exploitative consequences of the growing role played by financial services in the global economy; mobilize social action against finance's excesses; as well as spread finance and capitalist mythology. The collection offers in-depth investigations of feature films such as Wall Street, Freefall, Margin Call, Justice&Co, The Wolf of Wall Street, and The Big Short, and documentaries such as Inside Job, Capitalism: A Love Story and In a Strange Land.
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Information
Table of contents
- Cover
- Endorsement
- Half Title
- Title Page
- Copyright Page
- Contents
- List of figures
- List of tables
- List of boxes
- List of Contributors
- Acknowledgements
- Introduction
- Section 1 Telling finance stories
- Section 2 Critical interventions
- Section 3 Screening crisis and recessions
- PostScript: Notes of a filmmaker
- Index