
Above sea
Contemporary art, urban culture, and the fashioning of global Shanghai
- 200 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
Shanghai, long known as mainland China's most cosmopolitan city, is today a global cultural capital. This book offers the first in-depth examination of contemporary Shanghai-based art and design – from state-sponsored exhibitions to fashionable cultural complexes to cutting edge films and installations. Informed by years of in-situ research, the book looks beyond contemporary art's global hype to reveal the socio-political tensions accompanying Shanghai's transitions from semi-colonial capitalism to Maoist socialism to Communist Party-sponsored capitalism. Case studies reveal how Shanghai's global aesthetic constructs glamorising artifices that mask the conflicts between vying notions of foreign-influenced modernity and anti-colonialist nationalism, as well as the city's repressed socialist past and its consumerist present.
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Information
Table of contents
- Cover
- Half-Title
- Series
- Title
- Copyright
- Dedication
- Contents
- Lists of illustrations
- Preface: On naming
- Acknowledgments
- Notes on Chinese-to-English translations
- Glossary
- Introduction: Locating global contemporary art in global China
- 1 From the ruins of heaven on earth
- 2 Shanghai’s art in fashion
- 3 Biennialization-as-banalization, promotion, and resistance
- 4 Installing a world city
- From Shanghai to New York by way of conclusion
- Epilogue: Forgotten corners
- Bibliography
- Index
- Plates