
- 198 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
Men with stakes builds on recent discussions of television Gothic by examining the ways in which the Gothic mode is deployed specifically to call into question televisual realism and, with it, conventional depictions of masculinity. Released from the mandate of realism to describe the world as it is supposed to be, television Gothic calls attention to the constructedness of gender ā and therefore to the possibility of re-imagining men's agency, authority and the legitimated forms of knowledge with which men are traditionally associated (science in particular). In this context, after an overview of Gothic television's larger history, this study discusses in some depth seven series from the last two decades: American Gothic, Millennium, Angel, CarnivĆ le, Point Pleasant, Supernatural and American Horror Story.
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Information
Table of contents
- Cover
- Half Title
- Title Page
- Copyright
- Contents
- Acknowledgments
- Introduction
- 1 Bedeviling paternal discipline: fathers from American Gothic to Point Pleasant
- 2 Looking for daddy: CarnivĆ le, Supernatural, and Millennium
- 3 Latchkey hero: the horrors of class in Eric Kripkeās Supernatural
- 4 Gothic foundations: āThe Pest House,ā āHell House,ā and āThe Murder Houseā
- Conclusion: gothic conspiracy and the eyes of Lara Means
- Episodes discussed in detail
- Bibliography
- Index