Focus: Scottish Traditional Music

Simon McKerrell

• Publisher: Routledge
• Year: 2015
• Print ISBN: 9780415741927
• eBook ISBN: 9781317806219
• Topic: Media & Performing Arts
• Subtopic: Ethnomusicology

Focus: Scottish Traditional Music engages methods from ethnomusicology, popular music studies, cultural studies, and media studies to explain how complex Scottish identities and culture are constructed in the traditional music and culture of Scotland. This book examines Scottish music through their social and performative contexts, outlining vocal traditions such as lullabies, mining songs, Scottish ballads, herding songs, and protest songs as well as instrumental traditions such as fiddle music, country dances, and informal evening pub sessions. Case studies explore the key ideas in understanding Scotland musically by exploring ethnicity, Britishness, belonging, politics, transmission and performance, positioning the cultural identity of Scotland within the United Kingdom.

Visit the author's companion website at http://www.scottishtraditionalmusic.org/ for additional resources.

FOCUS ON WORLD MUSIC

Series Editor: Michael B. Bakan

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Focus: Scottish Traditional Music

Simon McKerrell

Newcastle University, UK

Acquisitions Editor: Constance Ditzel

Series Editor: Michael Bakan

Marketing Manager: Emily Littlehales

Copy Editor: Alex Woodcock

Cover Design: Jayne Varney

Production Manager: Sarah Hudson

Proofreader: Elizabeth Kent

Companion Website Designer: Lauren Nauheimer

First published 2016

by Routledge

605 Third Avenue, New York, NY 10017

and by Routledge

2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN

Routledge is an imprint of the Taylor & Francis Group, an informa business

© 2016 Taylor & Francis

The right of Simon McKerrell to be identified as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

Library of Congress Cataloging in Publication Data

A catalog record for this book has been requested

ISBN: 978-0-415-74192-7 (hbk)

ISBN: 978-0-415-74193-4 (pbk)

ISBN: 978-1-315-81499-5 (ebk)

DOI: 10.4324/9781315814995

Typeset in Minion

by Swales & Willis Ltd, Exeter, Devon, UK

This book is for Stephanie, Niamh and Kinnon; unsurpassed joy.

Contents

• List of figures
• List of tracks
• Series Foreword by Michael B. Bakan
• Preface
• Acknowledgements
• PART I The Social Life of Scottish Traditional Music
  • 1 Introduction
    • Authenticity and Belonging
    • The Sound of Scottish Music
  • 2 The Social Life of Scottish Traditional Music
    • Scottish Traditional Music and the Family
    • Intimate Social Musical Life
    • Organised Solo Performance
    • Organised Social Music
    • Mass-Mediated Music
  • 3 Auld Lang Syne
    • Scottish Musical Beginnings
    • Early Modern Scottish Traditional Music
    • Enlightenment Scotland and Traditional Music
    • Romanticism and Scottishness in Traditional Music
    • Summary
• PART II Scottish Traditional Music: Politics, People and Place
  • 4 The Politics of Scottish Traditional Music
    • Jacobite Song
    • Whigs, Tories and Romantics
    • Marxism, Red Clydeside and the Revival
    • The Folk Revival
    • Protest Song
    • Race, Ethnicity and Whiteness in Scottish Traditional Music
  • 5 The People of Scottish Traditional Music
    • Surveying the Community of Practice
  • 6 The Place of Scottish Traditional Music
    • The...

Table of contents

• Cover Page
• Half Title Page
• Frontmatter 1
• Title Page
• Copyright Page
• Dedication
• Table of Contents
• List of figures
• List of tracks
• Series Foreword by Michael B. Bakan
• Preface
• Acknowledgements
• PART I The Social Life of Scottish Traditional Music
• PART II Scottish Traditional Music: Politics, People and Place
• PART III Theorising Scottish Traditional Music
• References
• Index