The Silents of Jesus in the Cinema (1897-1927)

David Shepherd

• Publisher: Routledge
• Year: 2016
• Print ISBN:
  9780415741699
• eBook ISBN:
  9781317806721
• Topic: Theology & Religion
• Subtopic: Film History & Criticism

While Jesus has attracted the sporadic interest of film-makers since the epics of the Sixties, it is often forgotten that between the advent of motion pictures in the 1890s and the close of the "silent" era at the end of the 1920s, some of the longest, most expensive and most watched films on both sides of the Atlantic were focused on the Life and Passion of the Christ. Drawing upon rarely seen archival footage and the work of both the era's most important directors (e.g. Alice Guy, Ferdinand Zecca, Sidney Olcott, D.W. Griffith, Carl Dreyer, and C.B. DeMille) and others who have been all but forgotten, this collection of essays offers a representative survey of the Silents of Jesus, illustrating the ways in which the earliest films and those which followed were influenced by a multiplicity of factors. Written by leading scholars in biblical and early film studies this collection explores the ways in which the Silents of Jesus were shaped not only by the performing and visual arts of the nineteenth century and the technological challenges and opportunities of a new medium and industry, but also by the artistic, theological and ideological predilections of studios and directors, and the expectations of audiences as the genre evolved. Taken together, the essays collected here offer a seminal treatment of the genesis and early evolution of the cinematic Jesus.

Table of contents

• Cover
• Title
• Copyright
• Contents
• List of Figures
• Acknowledgements
• Introduction: The Silence/Silents of Jesus
• 1 The Passion of Christ: A Form, a Genre, a Discourse
• 2 La Vie et Passion de Notre Seigneur Jésus-Christ (Pathé-Frères, 1902–05): Tableau Variation in the Early Cinema
• 3 La naissance, la vie et la mort du Christ (Gaumont, 1906): The Gospel According to Alice Guy
• 4 La Vie et Passion de Notre Seigneur Jésus-Christ (Pathé-Frères, 1907): The Preservation and Transformation of Zecca’s Passion
• 5 Sidney Olcott’s From the Manger to the Cross (Kalem, 1912): Out of Egypt and Palestine
• 6 The Star of Bethlehem (Thanhouser, 1912): The Sacred Story from King Herod to the Crib
• 7 The Shadow of Nazareth (Venus Features/Warner Features, 1913): The Hermeneutics of an Unauthorized Adaptation
• 8 La Vie et Passion de Notre Seigneur Jésus-Christ (Pathé-Frères, 1913/14): Pathé’s Inclination to Tell and Maître’s Instinct to Show
• 9 The Birth of a Nation (D.W. Griffith, 1915) and Intolerance (Triangle/Wark, 1916): Griffith’s Talismanic Jesus
• 10 Christus (Cines, 1916): Italy’s First Religious “Kolossal” by Antamoro and Salvatori
• 11 Der Galiläer (Express-Film, 1921) and I.N.R.I. (Neumann-Film, 1923): The Silence of Jesus in the German Cinema
• 12 Leaves from Satan’s Book (Nordisk, 1921) and Dreyer’s Script Jesus of Nazareth (1950): The Jewishness of Jesus
• 13 The King of Kings (DeMille Pictures, 1927): The Body and the Word on Film
• Final Reflections: Silence and Spectacle: the Cinematic Jesus from Kirchner to Duvivier
• Contributors
• Index