The Kill by Emile Zola (Illustrated)
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The Kill by Emile Zola (Illustrated)

Emile Zola, Delphi Classics

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eBook - ePub

The Kill by Emile Zola (Illustrated)

Emile Zola, Delphi Classics

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This eBook features the unabridged text of 'The Kill' from the bestselling edition of 'The Complete Works of Emile Zola'.

Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Zola includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily.

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Information

Year
2017
ISBN
9781786562425
Subtopic
Classics

CHAPTER I

On the drive home, the calash could make but little way against the obstruction of carriages returning by the edge of the lake. At one moment the block became such that it was even necessary to pull up.
The sun was setting in a pale gray October sky, streaked on the horizon with thin clouds. One last ray, falling from the distant shrubberies of the cascade, pierced the roadway, and flooded the long array of stationary carriages with pale red light. The golden glints, the bright flashes thrown by the wheels, seemed to have settled along the straw-coloured edges of the calash, while the dark-blue panels reflected bits of the surrounding landscape. And higher up, full in the red light that lit them up from behind, and gave effulgence to the brass buttons of their capes half-folded across the back of the box, sat the coachman and footman, in their dark-blue liveries, their drab breeches, and their yellow-and-black striped waist-coats, erect, solemn and patient, after the manner of well-bred servants who are in no way put out by a block of carriages. Their hats, adorned with black cockades, looked very dignified. The horses alone, a pair of splendid bays, snorted with impatience.
“Look,” said Maxime, “Laure d’Aurigny, over there, in that brougham
. Do look, RenĂ©e.”
Renée raised herself slightly, and blinked her eyes with the exquisite grimace caused by the shortness of her sight.
“I thought she had vanished from the scene,” said RenĂ©e
. “She has changed the colour of her hair, has she not?”
“Yes,” replied Maxime, laughing; “her new lover hates red.”
Awakened from the melancholy dream that for an hour had kept her silent, stretched out in the back seat of the carriage as in an invalid’s long-chair, RenĂ©e leaned forward and looked, resting her hand on the low door of the calash. Over a gown consisting of a mauve silk polonaise and tunic, trimmed with wide plaited flounces, she wore a little coat of white cloth with mauve velvet lapels, which gave her a look of great smartness. Her strange, pale, fawn-coloured hair, whose shade recalled the colour of good butter, was barely concealed by a tiny bonnet adorned with a cluster of Bengal roses. She continued to screw up her eyes with her look of an impertinent boy, her pure forehead furrowed by one long wrinkle, her upper lip protruding like a sulky child’s. Then, finding that she could not see, she took her eye-glass, a man’s double eye-glass framed in tortoise-shell, and, holding it in her hand without placing it on her nose, at her ease examined the fat Laure d’Aurigny, with an air of absolute calmness.
The carriages were still blocked. Among the massed dark patches made by the long line of broughams, of which numbers that autumn afternoon had crowded to the Bois, gleamed the glass of a carriage-window, the bit of a bridle, the plated socket of a lamp, the braid on the livery of a lackey perched on his box. Here and there a bit of stuff, a bit of a woman’s dress, silk or velvet, flashed from an open landau. Little by little a deep silence had taken the place of all the bustle that now stood dead and motionless. The occupants of the carriages could distinguish the conversation of the people on foot. Silent glances were exchanged from window to window; and all ceased talking during this wait, whose silence was broken only by the creaking of a set of harness, or the impatient pawing of a horse’s hoof. The blurred voices of the Bois died away in the distance.
All Paris was there, in spite of the lateness of the season: the Duchesse de Sternich, in a chariot; Mme. de Lauwerens, in a smart victoria and pair; the Baronne de Meinhold, in an enchanting light-brown cab; the Comtesse Vanska, with her piebald ponies; Mme. Daste, with her famous black steppers; Mme. de Guende and Mme. TeissiĂšre in a brougham; little Sylvia in a dark-blue landau. And then there was Don Carlos, in mourning, with his solemn, old-fashioned liveries; and Selim Pasha, with his fez and without his tutor; the Duchesse de Rozan, in a miniature brougham, with her powdered livery; the Comte de Chibray, in a dog-cart; Mr. Simpson, driving his perfectly-appointed drag; and the whole American colony. Then, finally, two Academicians in a hired cab.
The front carriages were released, and one by one the whole line began to move slowly on. It resembled an awakening. A thousand lively coruscations sprang up, quick flashes played among the wheels, sparks flew from the horses’ harness. On the ground, on the trees, were broad reflections of trotting glass. This glitter of wheels and harness, this blaze of varnished panels glowing with the red gleam of the setting sun, the bright notes of colour cast by the dazzling liveries perched up full against the sky, and by the rich costumes projecting beyond the carriage-doors, were carried along amid a hollow, sustained rumbling sound, timed by the trot of the horses. And the procession went on, with the same noise, the same effects of light, unceasingly and with one impulse, as though the foremost carriages were dragging all the others behind them.
Renée yielded to the first slight jolt of the calash, and lowering her eye-glass, threw herself back on the cushions. Shivering, she drew towards her a corner of the bearskin that filled the body of the carriage as with a sheet of silky snow, and plunged her gloved hands into the long, soft, curly hair. The wind began to blow from the North. The warm October day, which had given the Bois an aftermath of spring and brought the great ladies out in open carriages, threatened to end in a bitterly cold evening.
For a moment Renée remained huddled in the warmth of her corner, giving way to the pleasurable lullaby of wheels turning before her. Then, raising her head towards Maxime, whose eyes were calmly undressing the women spread out in the adjacent broughams and landaus:
“Tell me,” she said, “do you really think that Laure d’Aurigny handsome? How you sang her praises the other day, when they were discussing the sale of her diamonds!
 By the way, did you not see the necklace and the aigrette your father bought me at the sale?”
“Yes, he does things well,” said Maxime, without answering, laughing mischievously. “He finds means to pay Laure’s debts and to give diamonds to his wife.”
Renée made a slight movement with her shoulders.
“Wretch!” she murmured, with a smile.
But Maxime was leaning forward, following with his gaze a lady whose green dress interested him. RenĂ©e had thrown back her head, and with half-closed eyes glanced listlessly at the two sides of the avenue, seeing nothing. On the right, copses and low-cut plantations with reddened leaves and slender branches passed slowly by; at intervals, on the track reserved for riders, slim-waisted gentlemen galloped past, their steeds raising little clouds of fine dust behind them. On the left, at the foot of the narrow grass-plots that run down intersected by flower-beds and shrubs, the lake, clear as crystal, without a ripple, lay as though neatly trimmed along its edges by the gardeners’ spades; and on the further side of this translucent mirror, the two islands, with between them the gray bar formed by the connecting bridge, displayed their smiling slopes and the theatrical outlines of fir-trees and evergreens, whose black foliage, resembling the fringe of curtains cunningly draped along the edge of the horizon, was reflected in the water. This scrap of nature, that seemed like a newly-painted piece of scenery, lay bathed in a faint shadow, in a pale blue vapour which succeeded in lending to the background an exquisite charm, an air of entrancing artificiality. On the other bank, the ChĂąlet des Îles, as though newly varnished, shone like an unused toy; and the paths of yellow sand, the narrow garden walks that wind among the lawns and run along the lake, edged with iron hoops in imitation of rustic woodwork, stood out more curiously, in this last hour of daylight, against the softened green of grass and water.
Accustomed to the ingenious charms of this perspective, RenĂ©e, once more yielding to her languor, had lowered her eyelids altogether, and looked only at her slender fingers twisting the long hairs of the bearskin. But there came a jolt in the even trot of the line of carriages. And, raising her head, she nodded to two ladies lolling languidly, amorously, side by side, in a chariot which was nosily leaving the road that skirts the lake, in order to go down one of the side avenues. The Marquise d’Espanet, whose husband, lately an aide-de-camp to the Emperor, had just created a great scandal by allying himself with the discontented members of the old nobility, was one of the most prominent leaders of society of the Second Empire; her companion, Mme. Haffner, was the wife of a celebrated manufacturer of Colmar, a millionaire twenty times over, whom the Empire was transforming into a politician. RenĂ©e, a schoolfellow of the two inseparables, as people nicknamed them with a knowing air, called them by their Christian names, Adeline and Suzanne.
As, after smiling to them, she was about to sink afresh into her corner, a laugh from Maxime made her turn round.
“No, really, I feel too sad: don’t laugh, I mean what I say,” she said, seeing that the young man was watching her ironically, making merry over her huddled attitude.
Maxime put on a comedy voice:
“How unhappy we are: how jealous!”
She seemed quite amazed.
“I!” she said. “Jealous of what?”
And then added, with a pout of contempt, as though remembering:
“Ah, to be sure, that fat Laure! I had not given her a thought, believe me. If Aristide has, as you say, paid that woman’s debts and saved her from having to pack up her trunks, it only proves that he is less fond of money than I thought. This will restore him to the ladies’ good graces
. The dear man, I leave him every liberty.”
She smiled, and pronounced the words “the dear man” in a voice full of friendly indifference. And suddenly, becoming very sad again, casting around her the despairing glance of women who do not know in what form of amusement to take refuge, she murmured:
“Oh, I should like to
. But no, I am not jealous, not at all jealous.”
She stopped, doubtfully:
“You see, I am bored,” she said at last, abruptly.
Then she sat silent, with her lips pressed together. The line of carriages still rolled along the lake with its even trot and a noise singularly resembling a distant water-fall. Now, on the left, there rose, between the water and the roadway, little bushes of evergreens with thin straight stems, forming curious little clusters of pillars. On the right, the copses and plantations had come to an end; the Bois opened out into broad lawns, into vast expanses of grass, with here and there a clump of tall trees; the green-sward ran on, with gentle undulations, to the Porte de la Muette, whose low gates, that seemed like a piece of black lace stretched on the level of the ground, could be distinguished at a very great distance; and on the slopes, at the places where the undulations sank in, the grass seemed quite blue. Renée stared fixedly before her, as though this widening of the horizon, these gentle meadows, soaked in the evening air, had caused her to feel more keenly the void in her existence.
After a pause she repeated, querulously:
“Oh, I am bored, bored to death.”
“This is not amusing, you know,” said Maxime, calmly. “Your nerves are out of order, undoubtedly.”
Renée threw herself back in the carriage.
“Yes, my nerves are out of order,” she replied, dryly.
Then she became motherly:
“I am growing old, my dear child; I shall soon be thirty. It’s terrible. Nothing gives me pleasure
. You, who are twenty, cannot know
.”
“Was it to hear your confession that you brought me out?” interrupted the young man. “It would take the devil of a long time.”
She received this impertinence with a faint smile, as though it were the outburst of a spoilt child that knows no restraint.
“I should recommend you to complain,” continued Maxime. “You spend more than a hundred thousand francs a year on your dress, you live in a sumptuous house, you have splendid horses, your caprices are law, and the papers discuss each of your new gowns as an event of the most serious importance; the women envy you, the men would give ten years of their lives for leave to kiss the tips of your fingers
. Is what I say true?”
She nodded affirmatively, without replying. Her eyes cast down, she had resumed her task of curling the hairs of the bearskin.
“Come, don’t be modest,” Maxime continued; “confess roundly that you are one of the pillars of the Second Empire. We need not hide these things from one another. Wherever you go, at the Tuileries, at the houses of ministers, at the houses of mere millionaires, high or low, you reign a queen. There is not a pleasure of which you have not had your fill, and if I dared, if the respect I owe you did not restrain me, I should say
.”
He paused for a few seconds, laughing, then finished his sentence cavalierly:
I should say you had bitten at every apple.”
She moved no muscle.
“And you are bored!” resumed the young man, with droll vivacity. “But it’s scandalous!
 What is it you want? What on earth do you dream of?”
She shrugged her shoulders to imply that she did not know. Though she kept her head down, Maxime was able to see that she looked so serious, so melancholy, that he thought it best to hold his tongue. He watched the line of carriages, which, when they reached the end of the lake, spread out, filling the whole of the open space. The carriages, packed less closely, swept round with majestic grace; the quicker trot of the horses sounded noisily on the hard ground.
The calash, on going the round to join the line, rocked in a way that filled Maxime with vague enjoyment. Then, yielding to his wish to crush Renée:
“Look here,” he said, “you deserve to ride in a cab! That would serve you right!
 Why, look at these people returning to Paris, people who are all at your feet. They hail you as their queen, and your sweetheart, M. de Mussy, can hardly refrain from blowing kisses to you.”
A horseman was, in fact, bowing to Renée. Maxime had been talking in a hypocritical, mocking voice. But Renée barely turned round, and shrugged her shoulders. At last the young man made a gesture of despair.
“Really,” he said; “have we come to that?
 But, good God, you have everything: what do you want more?”
Renée raised her head. In her eyes was a glow of light, the ardent desire of unsatisfied curiosity.
“I want something different,” she replied, in a low voice.
“But since you have everything,” resumed Maxime, laughing, “there is nothing different
. What is the ‘something different’?”
“What?” she repeated.
And she did not continue. She had turned right round, and was watching the strange picture fading behind her. It was almost night; twilight was falling slowly like fine ashes. The lake, seen from the front, in the pale daylight that still hovered over the water, became rounder, like a huge tin dish; on either side the plantations of evergreens, whose slim straight stems seemed to issue from its slumbering surface, assumed at this hour the appearance of purple colonnades, delineating with the evenness of their architecture the studied curves of the shores; and again, in the background, rose shrubberies, confused masses of foliage, whose large black patches closed up the horizon. Behind these patches shone the glow of the expiring sunset, that set fire to but a small portion of the gray immensity. Above this placid lake, these low copses, this singularly flat perspective, stretched the vault of heaven, infinite, deepened and widened. This great slice of sky hanging over this small morsel of nature caused a thrill, an undefinable sadness; and from these paling heights fell so deep an autumnal melancholy, so sweet and so heart-breaking a darkness, that the Bois, wound little by little in a shadowy shroud, lost its mundane graces, widened, full of the puissant charm that forests have. The trot of the carriages, whose bright colouring was swept away in the twilight, sounded like the distant voices of leaves and running water. All died away as it went. In the centre of the lake, in the general evanescence, the lateen sail of the great pleasure-boat stood out, strongly defined against ...

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