Twice-Told Tales by Nathaniel Hawthorne - Delphi Classics (Illustrated)
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Twice-Told Tales by Nathaniel Hawthorne - Delphi Classics (Illustrated)

Nathaniel Hawthorne, Delphi Classics

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Twice-Told Tales by Nathaniel Hawthorne - Delphi Classics (Illustrated)

Nathaniel Hawthorne, Delphi Classics

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This eBook features the unabridged text of 'Twice-Told Tales by Nathaniel Hawthorne - Delphi Classics (Illustrated)' from the bestselling edition of 'The Complete Works of Nathaniel Hawthorne'.

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Volume I.
PREFACE
THE AUTHOR of TWICE-TOLD TALES has a claim to one distinction, which, as none of his literary brethren will care about disputing it with him, he need not be afraid to mention. He was, for a good many years, the obscurest man of letters in America.
These stories were published in Magazines and Annuals, extending over a period of ten or twelve years, and comprising the whole of the writer’s young manhood, without making (so far as he has ever been aware) the slightest impression on the Public. One or two among them — THE RILL FROM THE TOWN-PUMP in perhaps a greater degree than any other — had a pretty wide newspaper-circulation; as for the rest, he has no grounds for supposing, that, on their first appearance, they met with the good or evil fortune to be read by anybody. Throughout the time above-specified, he had no incitement to literary effort in a reasonable prospect of reputation or profit; nothing but the pleasure itself of composition — an enjoyment not at all amiss in its way, and perhaps essential to the merit of the work in hand, but which, in the long run, will hardly keep the chill out of a writer’s heart, or the numbness out of his fingers. To this total lack of sympathy, at the age when his mind would naturally have been most effervescent, the Public owe it, (and it is certainly an effect not to be regretted, on either part,) that the Author can show nothing for the thought and industry of that portion of his life, save the forty sketches, or thereabouts, included in these volumes.
Much more, indeed, he wrote; and some very small part of it might yet be rummaged out (but it would not be worth the trouble) among the dingy pages of fifteen-or-twenty-year old periodicals, or within the shabby morocco-covers of faded Souvenirs. The remainder of the works, alluded to, had a very brief existence, but, on the score of brilliancy, enjoyed a fate vastly superior to that of their brotherhood, which succeeded in getting through the press. In a word, the Author burned them without mercy or remorse, (and, moreover; without any subsequent regret,) and had more than one occasion to marvel that such very dull stuff, as he knew his condemned manuscripts to be, should yet have possessed inflammability enough to set the chimney on fire!
After a long while, the first collected volume of the Tales was published. By this time, if the Author had ever been greatly tormented by literary ambition, (which he does not remember or believe to have been the case,) it must have perished, beyond resuscitation, in the dearth of nutriment. This was fortunate; for the success of the volume was not such as would have gratified a craving desire for notoriety. A moderate edition was “got rid of” (to use the Publisher’s very significant phrase) within a reasonable time, but apparently without rendering the writer or his productions much more generally known than before. The great bulk of the reading Public probably ignored the book altogether. A few persons read it, and liked it better than it deserved. At an interval of three or four years, the second volume was published, and encountered much the same sort of kindly, but calm, and very limited reception. The circulation of the two volumes was chiefly confined to New England; nor was it until long after this period, if it even yet be the case, that the Author could regard himself as addressing the American Public, or, indeed, any Public at all. He was merely writing to his known or unknown friends.
As he glances over these long-forgotten pages, and considers his way of life, while composing them, the Author can very clearly discern why all this was so. After so many sober years, he would have reason to be ashamed if he could not criticise his own work as fairly as another man’s; and — though it is little his business, and perhaps still less his interest — he can hardly resist a temptation to achieve something of the sort. If writers were allowed to do so, and would perform the task with perfect sincerity and unreserve, their opinions of their own productions would often be more valuable and instructive than the works themselves.
At all events, there can be no harm in the Author’s remarking, that he rather wonders how the TWICE-TOLD TALES should have gained what vogue they did, than that it was so little and so gradual. They have the pale tint of flowers that blossomed in too retired a shade — the coolness of a meditative habit, which diffuses itself through the feeling and obsenation of every sketch. Instead of passion, there is sentiment; and, even in what purport to be pictures of actual life, we have allegory, not always so warmly dressed in its habiliments of flesh and blood, as to be taken into the reader’s mind without a shiver. Whether from lack of power, or an unconquerable reserve, the Author’s touches have often an effect of tameness; the merriest man can hardly contrive to laugh at his broadest humor; the tenderest woman, one would suppose, will hardly shed warm tears at his deepest pathos. The book, if you would see anything in it, requires to be read in the clear, brown, twilight atmosphere in which it was written; if opened in the sunshine, it is apt to look exceedingly like a volume of blank pages.
With the foregoing characteristics, proper to the productions of a person in retirement, (which happened to be the Author’s category, at the time,) the book is devoid of others that we should quite as naturally look for. The sketches are not, it is hardly necessary to say, profound; but it is rather more remarkable that they so seldom, if ever, show any design on the writer’s part to make them so. They have none of the abstruseness of idea, or obscurity of expression, which mark the written communications of a solitary mind with itself. They never need translation. It is, in fact, the style of a man of society. Every sentence, so far as it embodies thought or sensibility, may be understood and felt by anybody, who will give himself the trouble to read it, and will take up the book in a proper mood.
This statement of apparently opposite peculiarities leads us to a perception of what the sketches truly are. They are not the talk of a secluded man with his own mind and heart, (had it been so, they could hardly have failed to be more deeply and permanently valuable,) but his attempts, and very imperfectly successful ones, to open an intercourse with the world.
The Author would regret to be understood as speaking sourly or querulously of the slight mark, made by his earlier literary efforts, on the Public at large. It is so far the contrary, that he has been moved to write this preface, chiefly as affording him an opportunity to express how much enjoyment he has owed to these volumes, both before and since their publication. They are the memorials of very tranquil and not unhappy years. They failed, it is true — nor could it have been otherwise — in winning an extensive popularity. Occasionally, however, when he deemed them entirely forgotten, a paragraph or an article, from a native or foreign critic, would gratify his instincts of authorship with unexpected praise; — too generous praise, indeed, and too little alloyed with censure, which, therefore, he learned the better to inflict himself. And, by-the-by, it is a very suspicious symptom of a deficiency of the popular element in a book, when it calls forth no harsh criticism. This has been particularly the fortune of the TWICE-TOLD TALES. They made no enemies, and were so little known and talked about, that those who read, and chanced to like them, were apt to conceive the sort of kindness for the book, which a person naturally feels for a discovery of his own.
This kindly feeling, (in some cases, at least,) extended to the Author, who, on the internal evidence of his sketches, came to be regarded as a mild, shy, gentle, melancholic, exceedingly sensitive, and not very forcible man, hiding his blushes under an assumed name, the quaintness of which was supposed, somehow or other, to symbolize his personal and literary traits. He is by no means certain, that some of his subsequent productions have not been influenced and modified by a natural desire to fill up so amiable an outline, and to act in consonance with the character assigned to him; nor, even now, could he forfeit it without a few tears of tender sensibility. To conclude, however; — these volumes have opened the way to most agreeable associations, and to the formation of imperishable friendships; and there are many golden threads, interwoven with his present happiness, which he can follow up more or less directly, until he finds their commencement here; so that his pleasant pathway among realities seems to proceed out of the Dream-Land of his youth, and to be bordered with just enough of its shadowy foliage to shelter him from the heat of the day. He is therefore satisfied with what the TWICE-TOLD TALES have done for him, and feels it to be far better than fame.
LENOX, January 11, 1851.

THE GRAY CHAMPION.

There was once a time when New England groaned under the actual pressure of heavier wrongs than those threatened ones which brought on the Revolution. James II., the bigoted successor of Charles the Voluptuous, had annulled the charters of all the colonies and sent a harsh and unprincipled soldier to take away our liberties and endanger our religion. The administration of Sir Edmund Andros lacked scarcely a single characteristic of tyranny — a governor and council holding office from the king and wholly independent of the country; laws made and taxes levied without concurrence of the people, immediate or by their representatives; the rights of private citizens violated and the titles of all landed property declared void; the voice of complaint stifled by restrictions on the press; and finally, disaffection overawed by the first band of mercenary troops that ever marched on our free soil. For two years our ancestors were kept in sullen submission by that filial love which had invariably secured their allegiance to the mother-country, whether its head chanced to be a Parliament, Protector or popish monarch. Till these evil times, however, such allegiance had been merely nominal, and the colonists had ruled themselves, enjoying far more freedom than is even yet the privilege of the native subjects of Great Britain.
At length a rumor reached our shores that the prince of Orange had ventured on an enterprise the success of which would be the triumph of civil and religious rights and the salvation of New England. It was but a doubtful whisper; it might be false or the attempt might fail, and in either case the man that stirred against King James would lose his head. Still, the intelligence produced a marked effect. The people smiled mysteriously in the streets and threw bold glances at their oppressors, while far and wide there was a subdued and silent agitation, as if the slightest signal would rouse the whole land from its sluggish despondency. Aware of their danger, the rulers resolved to avert it by an imposing display of strength, and perhaps to confirm their despotism by yet harsher measures.
One afternoon in April, 1689, Sir Edmund Andros and his favorite councillors, being warm with wine, assembled the red-coats of the governor’s guard and made their appearance in the streets of Boston. The sun was near setting when the march commenced. The roll of the drum at that unquiet crisis seemed to go through the streets less as the martial music of the soldiers than as a muster-call to the inhabitants themselves. A multitude by various avenues assembled in King street, which was destined to be the scene, nearly a century afterward, of another encounter between the troops of Britain and a people struggling against her tyranny.
Though more than sixty years had elapsed since the Pilgrims came, this crowd of their descendants still showed the strong and sombre features of their character perhaps more strikingly in such a stern emergency than on happier occasions. There was the sober garb, the general severity of mien, the gloomy but undismayed expression, the scriptural forms of speech and the confidence in Heaven’s blessing on a righteous cause which would have marked a band of the original Puritans when threatened by some peril of the wilderness. Indeed, it was not yet time for the old spirit to be extinct, since there were men in the street that day who had worshipped there beneath the trees before a house was reared to the God for whom they had become exiles. Old soldiers of the Parliament were here, too, smiling grimly at the thought that their aged arms might strike another blow against the house of Stuart. Here, also, were the veterans of King Philip’s war, who had burned villages and slaughtered young and old with pious fierceness while the godly souls throughout the land were helping them with prayer. Several ministers were scattered among the crowd, which, unlike all other mobs, regarded them with such reverence as if there were sanctity in their very garments. These holy men exerted their influence to quiet the people, but not to disperse them.
Meantime, the purpose of the governor in disturbing the peace of the town at a period when the slightest commotion might throw the country into a ferment was almost the Universal subject of inquiry, and variously explained.
“Satan will strike his master-stroke presently,” cried some, “because he knoweth that his time is short. All our godly pastors are to be dragged to prison. We shall see them at a Smithfield fire in King street.”
Hereupon the people of each parish gathered closer round their minister, who looked calmly upward and assumed a more apostolic dignity, as well befitted a candidate for the highest honor of his profession — a crown of martyrdom. It was actually fancied at that period that New England might have a John Rogers of her own to take the place of that worthy in the Primer.
“The pope of Rome has given orders for a new St. Bartholomew,” cried others. “We are to be massacred, man and male-child.”
Neither was this rumor wholly discredited; although the wiser class believed the governor’s object somewhat less atrocious. His predecessor under the old charter, Bradstreet, a venerable companion of the first settlers, was known to be in town. There were grounds for conjecturing that Sir Edmund Andros intended at once to strike terror by a parade of military force and to confound the opposite faction by possessing himself of their chief.
“Stand firm for the old charter-governor!” shouted the crowd, seizing upon the idea— “the good old Governor Bradstreet!”
While this cry was at the loudest the people were surprised by the well-known figure of Governor Bradstreet himself, a patriarch of nearly ninety, who appeared on the elevated steps of a door and with characteristic mildness besought them to submit to the constituted authorities.
“My children,” concluded this venerable person, “do nothing rashly. Cry not aloud, but pray for the welfare of New England and expect patiently what the Lord will do in this matter.”
The event was soon to be decided. All this time the roll of the drum had been approaching through Cornhill, louder and deeper, till with reverberations from house to house and the regular tramp of martial footsteps it burst into the street. A double rank of soldiers made their appearance, occupying the whole breadth of the passage, with shouldered matchlocks and matches burning, so as to present a row of fires in the dusk. Their steady march was like the progress of a machine that would roll irresistibly over everything in its way. Next, moving slowly, with a confused clatter of hoofs on the pavement, rode a party of mounted gentlemen, the central figure being Sir Edmund Andros, elderly, but erect and soldier-like. Those around him were his favorite councillors and the bitterest foes of New England. At his right hand rode Edward Randolph, our arch-enemy, that “blasted wretch,” as Cotton Mather calls him, who achieved the downfall of our ancient government and was followed with a sensible curse-through life and to his grave. On the other side was Bullivant, scattering jests and mockery as he rode along. Dudley came behind with a downcast look, dreading, as well he might, to meet the indignant gaze of the people, who beheld him, their only countryman by birth, among the oppressors of his native land. The captain of a frigate in the harbor and two or three civil officers under the Crown were also there. But the figure which most attracted the public eye and stirred up the deepest feeling was the Episcopal clergyman of King’s Chapel riding haughtily among the magistrates in his priestly vestments, the fitting representative of prelacy and persecution, the union of Church and State, and all those abominations which had driven the Puritans to the wilderness. Another guard of soldiers, in double rank, brought up the rear.
The whole scene was a picture of the condition of New England, and its moral, the deformity of any government that does not grow out of the nature of things and the character of the people — on one side the religious multitude with their sad visages and dark attire, and on the other the group of despotic rulers with the high churchman in the midst and here and there a crucifix at their bosoms, all magnificently clad, flushed with wine, proud of unjust authority and scoffing at the universal groan. And the mercenary soldiers, waiting but the word to deluge the street with blood, showed the only means by which obedience could be secured.
“O Lord of hosts,” cried a voice among the crowd, “provide a champion for thy people!”
This ejaculation was loudly uttered, and served as a herald’s cry to introduce a remarkable personage. The crowd had rolled back, and were now huddled together nearly at the extremity of the street, while the soldiers had advanced no more than a third of its length. The intervening space was empty — a paved solitude between lofty edifices which threw almost a twilight shadow over it. Suddenly there was seen the figure of an ancient man who seemed to have emerged from among the people and was walking by himself along the centre of the street to confront the armed band. He wore the old Puritan dress — a dark cloak and a steeple-crowned hat in the fashion of at least fifty years before, with a heavy sword upon his thigh, but a staff in his hand to assist the tremulous gait of age.
When at some distance from the multitude, the old man turned slowly round, displaying a face of antique majesty rendered doubly venerable by the hoary beard that descended on his breast. He made a gesture at once of encouragement and warning, then turned again and resumed his way.
“Who is this gray patriarch?” asked the young men of their sires.
“Who is this venerable brother?” asked the old men among themselves.
But none could make reply. The fathers of the people, those of fourscore years and upward, were disturbed, deeming it strange that they should forget one of such evident authority whom they must have known in their early days, the associate of Winthrop and all the old councillors, giving laws and making prayers an...

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