
K-pop – The International Rise of the Korean Music Industry
- 182 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
K-pop – The International Rise of the Korean Music Industry
About this book
K-pop, described by Time Magazine in 2012 as "South Korea's greatest export", has rapidly achieved a large worldwide audience of devoted fans largely through distribution over the Internet. This book examines the phenomenon, and discusses the reasons for its success. It considers the national and transnational conditions that have played a role in K-pop's ascendancy, and explores how they relate to post-colonial modernisation, post-Cold War politics in East Asia, connections with the Korean diaspora, and the state-initiated campaign to accumulate soft power. As it is particularly concerned with fandom and cultural agency, it analyses fan practices, discourses, and underlying psychologies within their local habitus as well as in expanding topographies of online networks. Overall, the book addresses the question of how far "Asian culture" can be global in a truly meaningful way, and how popular culture from a "marginal" nation has become a global phenomenon.
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Information
Table of contents
- Cover
- Half Title
- Title Page
- Copyright Page
- Table of Contents
- List of Figures
- Contributors
- Introduction
- 1 Same look through different eyes
- 2 “Into the New World”
- 3 The political economy of idols
- 4 Despite not being Johnny’s
- 5 SBS PopAsia
- 6 Loyalty transmission and cultural enlisting of K-pop in Latin America
- 7 Hallyu and the K-pop boom in Japan
- 8 The dynamics of K-pop spectatorship
- 9 “We keep it local” – Malaysianising “Gangnam Style”
- 10 A sound wave of effeminacy
- Index