
- 210 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
Progress & Identity in the Plays of W.B. Yeats, 1892-1907
About this book
Progress and Identity in the Poems of W. B. Yeats explores the ways in which Yeats's plays offer an alternative form of progress via a philosophical system of opposites: Always seeking the opposite, the nature of which changes as we change, we continually augment our personalities, and ultimately improve society, with the inclusion of the Other. This system, which eventually became Yeats's doctrine of the mask, provided his contemporaries with a method of changing what science, Platonism, and Victorian bourgeois ideologies claimed to be inescapable qualities of self. Progress and Identityn relocates Yeats's literary, social, and political relevance from his essentializing cultural nationalism to his later, more broad-minded definitions of progress.
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Information
Table of contents
- Cover
- Half Title
- Title Page
- Copyright Page
- Dedication
- Table of Contents
- ACKNOWLEDGMENTS
- ABBREVIATIONS
- INTRODUCTION
- CHAPTER ONE “[F]ull of personified averages”: Progress in the Victorian and Edwardian Eras
- CHAPTER TWO Literatures of Progress
- CHAPTER THREE Progress as Material Gain: The Bourgeois Peasant as Invented Tradition in The Countess Cathleen, Cathleen ni Houlihan, and The Land of Heart’s Desire
- CHAPTER FOUR Recovering the Feminized Other: Psychological Androgyny in The King’s Threshold, On Baile’s Strand, and Deirdre
- CHAPTER FIVE “[N]ice little playwrights, making pretty little plays”: Yeats, Irish Identity, and the Critical Response
- NOTES
- BIBLIOGRAPHY
- INDEX