
- 172 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
Grounded in the fields of Ethnomusicology, Anthropology, Popular Music Studies, and Japanese Studies, this book explores the underground Tokyo hardcore scene, ultimately asking what play as resistance through performance of the scene tells us about Japanese society in general. Matsue highlights the complicated positioning of young adult Japanese in contemporary Japan as they negotiate both increasing social demands and increasing problems in society at large. Further drawing on theories of play, identity building, and the construction of gender, all informed by the increasingly influential field of Performance Studies, the book offers a highly interdisciplinary look at the importance of musical scenes for expressing resistance at the turn of the 21st century. Within the underground Tokyo hardcore scene this resistance is expressed through play with individual and collective identity, in intimate and potentially illicit spaces, with an arguably challenging sound and performance style.
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Information
Table of contents
- East Asia
- Contents
- List of Figures
- Note on Translations, Japanese, Names, and Sources
- Acknowledgments
- Introduction
- 1 The Underground Tokyo Hardcore Scene
- 2 Trains, 20,000volt, Tower Records, and the Illicit Intimacy of the Spaces of Play
- 3 Schoolboys, Aspiring Stars, Underground Girls, and the Multiple Identities of the People who Play
- 4 More Than the Musical in the Performance of Hardcore
- Conclusion
- Epilogue
- Notes
- References
- Index