The Edinburgh Companion to Twentieth-Century British and American War Literature
eBook - PDF

The Edinburgh Companion to Twentieth-Century British and American War Literature

  1. 592 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

The Edinburgh Companion to Twentieth-Century British and American War Literature

About this book

The first reference book to deal so fully and incisively with the cultural representations of war in 20th-century English and US literature and film. The volume covers the two World Wars as well as specific conflicts that generated literary and imaginative responses from English and US writers.

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Yes, you can access The Edinburgh Companion to Twentieth-Century British and American War Literature by Adam Piette, Mark Rawlinson, Adam Piette,Mark Rawlinson in PDF and/or ePUB format, as well as other popular books in Literature & Literary Criticism History & Theory. We have over one million books available in our catalogue for you to explore.

Table of contents

  1. COVER
  2. Copyright
  3. CONTENTS
  4. ILLUSTRATIONS
  5. ILLUSTRATIONS ACKNOWLEDGEMENTS
  6. INTRODUCTION: THE WARS OF THE TWENTIETH CENTURY
  7. Part I: Wars and their Literatures
  8. 1 OCCASIONING PEACE: THREE POEMS OF THE ANGLO-BOER WAR
  9. 2 ‘THE ESSENTIALLY MODERN ATTITUDE TOWARD WAR’: ENGLISH POETRY OF THE GREAT WAR
  10. 3 DEBATABLE GROUND: FREEDOM AND CONSTRAINT IN BRITISH FIRST WORLD WAR PROSE FICTION
  11. 4 ONE OF OURS IN CONTEXT: THE AMERICAN WORLD WAR I NOVEL
  12. 5 THE ‘MOANING OF THE WORLD’ AND THE ‘WORDS THAT BRING ME PEACE’: MODERNISM AND THE FIRST WORLD WAR
  13. 6 THE GREAT WAR AND THE MOVING IMAGE: CINEMA AND MEMORY
  14. 7 IRISH WRITING OF INSURRECTION AND CIVIL WAR, 1916–39
  15. 8 THE POETRY OF THE SPANISH CIVIL WAR
  16. 9 ‘LUCID SONG’: THE POETRY OF THE SECOND WORLD WAR
  17. 10 AMERICAN POETS OF WORLD WAR II
  18. 11 WRITING AFTER NUREMBERG: THE JUDICIAL IMAGINATION IN THE AGE OF THE TRAUMA TRIAL
  19. 12 THE SECOND WORLD WAR IN AMERICAN FICTION
  20. 13 THE SECOND WORLD WAR IN BRITISH DRAMA SINCE 1968
  21. 14 HOLOCAUST TESTIMONY: UNDERSTANDING AND CRITICISM
  22. 15 HOLOCAUST FILM
  23. 16 O, DO NOT DREAM OF PEACE: AMERICAN POETRY OF THE KOREAN WAR
  24. 17 THE FICTIONS OF NUCLEAR WAR, FROM HIROSHIMA TO VIETNAM
  25. 18 COLD WAR FILMS
  26. 19 BRITAIN’S SMALL WARS: DOMESTICATING ‘EMERGENCY’
  27. 20 THE DISAPPEARED AND THEDAMNED: DUPLICITY, COMPLICITY AND REALITY IN THE LITERATURE OF THE PAX AMERICANA
  28. 21 VIETNAM FICTIONS
  29. 22 ‘WILL THERE BE PEACE AGAIN?’: AMERICAN AND VIETNAMESE POETRY ON THE VIETNAM/AMERICAN WAR
  30. 23 POETRY AND THE NORTHERN IRELAND ‘TROUBLES’
  31. 24 THE LITERATURE OF THE FALKLANDS/MALVINAS WAR
  32. 25 ‘AN UNEVEN KILLING FIELD’: BRITISH LITERATURE AND THE FORMER YUGOSLAVIA
  33. 26 SACRIFICE AND THE SUBLIME SINCE 11 SEPTEMBER 2001
  34. Part II: Bodies, Behaviour, Cultures
  35. INTRODUCTION: BODIES, BEHAVIOUR, CULTURES
  36. 27 WAR MEMORIALS
  37. 28 UNSETTLED MEMORY: AMEDITATION ON CONTESTED GROUND
  38. 29 WAR, POLICING AND SURVEILLANCE: PAT BARKER AND THE SECRET STATE
  39. 30 AMERICAN PSYCHIATRY, WORLD WAR II AND THE KOREAN WAR
  40. 31 PACIFISTS AND CONSCIENTIOUS OBJECTORS
  41. 32 THE REPRESENTATION OF REFUGEES IN ARTHUR KOESTLER’S ARRIVAL AND DEPARTURE AND CARYL PHILLIPS’S A DISTANT SHORE
  42. 33 ‘THESE ROOMS / RUN INTO EACH OTHER LIKE TUNNELS / LEADING TO THE UNDERWORLD’: RACE IN WAR LITERATURE
  43. 34 A SPY UNDER EVERY BED: ESPIONAGE AND POPULAR LITERATURE FROM THE FIRST WORLD WAR
  44. 35 REFLECTIONS ON THE ENEMY: FROM EVIL NAZIS TO GOOD GERMANS
  45. Part III: Technology
  46. INTRODUCTION: TECHNOLOGY
  47. 36 CAMOUFLAGE AND THE RE-ENCHANTMENT OF WARFARE
  48. 37 WARPLANE
  49. 38 MONSARRAT’S CORVETTES AND THE BATTLE OF THE ATLANTIC
  50. 39 SUBMARINE NOVELS ‘AFTER HISTORY’
  51. 40 ‘AN ECSTASY OF FUMBLING’: GAS WARFARE, 1914–18 AND THE USES OF AFFECT
  52. 41 PAUL VIRILIO AS TWENTIETH-CENTURY MILITARY STRATEGIST: WAR, CINEMA AND THE LOGISTICS OF PERCEPTION
  53. 42 WORD ELECTRIC, SO FINITE: RADIO, POETRY AND THE SÉANCE IN WORLD WAR I
  54. Part IV: Spaces
  55. INTRODUCTION: SPACES
  56. 43 THE TRENCHES
  57. 44 LITERATURE OF THE CAMPS IN THE SECOND WORLD WAR
  58. 45 ‘THAT FIGHTING WAS A LONG WAY OFF ’: DESERT AND JUNGLE WAR POEMS
  59. 46 CITYSCAPE: THE BOMBED CITY IN THE SECOND WORLD WAR
  60. 47 THE EIGHT-WEEK COLLEGE OF THE AGE OF EXTREMES: THE BARRACKS AND THE TRAINING GROUND
  61. Part V: Genres
  62. INTRODUCTION: GENRES
  63. 48 CONTEMPORARY WAR DRAMA: CARYL CHURCHILL
  64. 49 NUCLEAR WAR IN SCIENCE FICTION
  65. 50 THE CHILDREN’S WAR
  66. 51 THE TROUBLES WITH THE THRILLER: NORTHERN IRELAND, POLITICAL VIOLENCE AND THE PEACE PROCESS
  67. 52 FANTASIES OF COMPLICITY IN THE SECOND WORLD WAR
  68. 53 VISUALISING THE TRANSFORMATIONS OF WAR: WAR AND ART IN THE TWENTIETH CENTURY
  69. 54 TWENTIETH-CENTURY SPY FICTION
  70. 55 ‘PLAY UP AND PLAY THE GAME!’: THE NARRATIVE OF WAR GAMES
  71. 56 WAR CORRESPONDENCE
  72. 57 THINKING WAR
  73. NOTES ON CONTRIBUTORS
  74. INDEX