
- 270 pages
- English
- PDF
- Available on iOS & Android
Gertrude Stein and the Essence of What Happens
About this book
Seeking to sustain Stein's lively, pleasant, populist spirit, Watson shows how the writer's playful entanglement of sight and sound--of silent reading and social speaking--reveals the crucial ambiguity by which reading and conversation build communities of meaning, and thus form not only personal relationships but also our very selves and the larger political structures we inhabit. Stein reminds us that the residual properties of words and the implications behind the give-and-take of ordinary conversation offer alternatives to linear structures of social order, alternatives especially precious in times of political oppression. For example, her novels Mrs. Reynolds and Brewsie and Willie, both written in embattled Vichy France, contemplate the speech patterns of totalitarian leaders and the ways in which everyday discourse might capitulate to--or resist--such verbal tyranny.
Like recent theorists, Stein recognized the repressiveness of conventional order--carried in language and thus in thought and social organization--but as Watson persuasively shows, she also insisted that the free will of individuals can persist in language and enable change. In the play of literary aesthetics, Stein saw a liberating force.
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Information
Table of contents
- Cover
- Title Page
- Table of Contents
- Acknowledgments
- Introduction
- Chapter 1. Talking and Listening in Stein's Early Life and Works
- Chapter 2. Modifying the Mind: William James and Tender Buttons
- Chapter 3. Conversational Relations in Geography and Plays
- Chapter 4. Talk in the Thirties: In the Present, with the Past
- Chapter 5. Talking Boundaries into Thresholds in Ida
- Chapter 6. Expressing a State of Mind: Conversation, Politics, and Individuality in Mrs. Reynolds and Brewsie and Willie
- Conclusions
- Notes
- Bibliography
- News Articles Relevant to Stein's 1934–1935 Lecture Tour
- Index