The Catacombs of Rome

W. H. Withrow

• Publisher: Books on Demand
• Year: 2018
• Edition: 1
• eBook ISBN:
  9783748181262
• Topic: History
• Subtopic: World History
• Index: History

The present work, it is hoped, will supply a want long felt in the literature of the Catacombs. That literature, it is true, is very voluminous; but it is for the most part locked up in rare and costly folios in foreign languages, and inaccessible to the general reader. Recent discoveries have refuted some of the theories and corrected many of the statements of previous books in English on this subject; and the present volume is the only one in which the latest results of exploration are fully given, and interpreted from a Protestant point of view.The writer has endeavored to illustrate the subject by frequent pagan sepulchral inscriptions, and by citations from the writings of the Fathers, which often throw much light on the condition of early Christian society. The value of the work is greatly enhanced, it is thought, by the addition of many hundreds of early Christian inscriptions carefully translated, a very large proportion of which have never before appeared in English. Those only who have given some attention to epigraphical studies can conceive the difficulty of this part of the work. The defacements of time, and frequently the original imperfection of the inscriptions and the ignorance of their writers, demand the utmost carefulness to avoid errors of interpretation.

CHAPTER I.

STRUCTURE OF THE CATACOMBS.

“ Among the cultivated grounds not far from the city of Rome,” says the Christian poet Prudentius, “lies a deep crypt, with dark recesses. A descending path, with winding steps, leads through the dim turnings, and the daylight, entering by the mouth of the cavern, somewhat illumines the first part of the way. But the darkness grows deeper as we advance, till we meet with openings, cut in the roof of the passages, admitting light from above. On all sides spreads the densely-woven labyrinth of paths, branching into caverned chapels and sepulchral halls; and throughout the subterranean maze, through frequent openings, penetrates the light.” [1]

This description of the Catacombs in the fourth century is equally applicable to their general appearance in the nineteenth. Their main features are unchanged, although time and decay have greatly impaired their structure and defaced their beauty. These Christian cemeteries are situated chiefly near the great roads leading from the city, and, for the most part, within a circle of three miles from the walls. From this circumstance they have been compared to the “encampment of a Christian host besieging Pagan Rome, and driving inward its mines and trenches with an assurance of final victory.” The openings of the Catacombs are scattered over the Campagna, whose mournful desolation surrounds the city; often among the mouldering mausolea that rise, like stranded wrecks, above the rolling sea of verdure of the tomb-abounding plain. [2] On every side are tombs—tombs above and tombs below—the graves of contending races, the sepulchres of vanished generations: “ Piena di sepoltura è la Campagna .” [3]
How marvelous that beneath the remains of a proud pagan civilization exist the early monuments of that power before which the myths of paganism faded away as the spectres of darkness before the rising sun, and by which the religion and institutions of Rome were entirely changed. [4] Beneath the ruined palaces and temples, the crumbling tombs and dismantled villas, of the august mistress of the world, we find the most interesting relics of early Christianity on the face of the earth. In traversing these tangled labyrinths we are brought face to face with the primitive ages; we are present at the worship of the infant Church; we observe its rites; we study its institutions; we witness the deep emotions of the first believers as they commit their dead, often their martyred dead, to their last long resting-place; we decipher the touching record of their sorrow, of the holy hopes by which they were sustained, of “their faith triumphant o’er their fears,” and of their assurance of the resurrection of the dead and the life everlasting. We read in the testimony of the Catacombs the confession of faith of the early Christians, sometimes accompanied by the records of their persecution, the symbols of their martyrdom, and even the very instruments of their torture. For in these halls of silence and gloom slumbers the dust of many of the martyrs and confessors, who sealed their testimony with their blood during the sanguinary ages of persecution; of many of the early bishops and pastors of the Church, who shepherded the flock of Christ amid the dangers of those troublous times; of many who heard the words of life from teachers who lived in or near the apostolic age, perhaps from the lips of the apostles themselves. Indeed, if we would accept ancient tradition, we would even believe that the bodies of St. Peter and St. Paul were laid to rest in those hallowed crypts—a true terra sancta , inferior in sacred interest only to that rock-hewn sepulchre consecrated evermore by the body of Our Lord. These reflections will lend to the study of the Catacombs an interest of the highest and intensest character.
It is impossible to discover with exactness the extent of this vast necropolis on account of the number and intricacy of its tangled passages. That extent has been greatly exaggerated, however, by the monkish ciceroni , who guide visitors through these subterranean labyrinths. [5] There are some forty-two of these cemeteries in all now known, many of which are only partially accessible. Signor Michele De Rossi, from an accurate survey of the Catacomb of Callixtus, computes the entire length of all the passages to be eight hundred and seventy-six thousand mètres , or five hundred and eighty-seven geographical miles, equal to the entire length of Italy, from Ætna’s fires to the Alpine snows.
The entrance to the abandoned Catacomb is sometimes a low-browed aperture like a fox’s burrow, almost concealed by long and tangled grass, and overshadowed by the melancholy cypress or gray-leaved ilex. Sometimes an ancient arch can be discerned, as at the Catacomb of St. Priscilla, [6] or the remains of the chamber for the celebration of the festivals of the martyrs, as at the entrance of the Cemetery of St. Domitilla. In a few instances it is through the crypts of an ancient basilica, as at St. Sebastian, and sometimes a little shrine or oratory covers the descent, as at St. Agnes, [7] St. Helena, [8] and St. Cyriaca. In all cases there is a stairway, often long and steep, crumbling with time and worn with the feet of pious generations. The following illustration shows the entrance to the Catacomb of St. Prætextatus on the Appian Way, trodden in the primitive ages by the early martyrs and confessors, or perhaps by the armed soldiery of the oppressors, hunting to earth the persecuted flock of Christ. Here, too, in mediæval times, the martial clang of the armed knight may have awaked unwonted echoes among the hollow arches, or the gliding footstep of the sandaled monk scarce disturbed the silence as he passed. In later times pilgrims from every land have visited, with pious reverence or idle curiosity, this early shrine of the Christian faith.

The Catacombs are excavated in the volcanic rock which abounds in the neighborhood of Rome. It is a granulated, grayish breccia , or tufa , as it is called, of a coarse, loose texture, easily cut with a knife, and bearing still the marks of the mattocks with which it was dug. In the firmer volcanic rock of Naples the excavations are larger and loftier than those of Rome; but the latter, although they have less of apparent majesty, have more of funereal mystery. The Catacombs consist essentially of two parts—corridors and chambers, or cubicula . The corridors are long, narrow and intricate passages, forming a complete underground net-work. They are for the most part straight, and intersect each other at approximate right angles. The accompanying map of part of the Catacomb of Callixtus will indicate the general plan of these subterranean galleries.

The main corridors vary from three to five feet in width, but the lateral passages are much narrower, often affording room for but one person to pass. They will average about eight feet in height, though in some places as low as five or six, and in others, under peculiar circumstances, reaching to twelve or fifteen feet. The ceiling is generally vaulted, though sometimes flat; and the floor, though for the most part level, has occasionally a slight incline, or even a few steps, caused by the junction of areas of different levels, as hereafter explained. The walls are generally of the naked tufa , though sometimes plastered; and where they have given way are occasionally strengthened with masonry. At the corners of these passages there are frequently niches, in which lamps were placed, without which, indeed, the Catacombs must have been an impenetrable labyrinth. Cardinal Wiseman recounts a touching legend of a young girl who was employed as a guide to the places of worship in the Catacombs because, on account of her blindness, their sombre avenues were as familiar to her accustomed feet as the streets of Rome to others.
Both sides of the corridors are thickly lined with loculi or graves, which have somewhat the appearance of berths in a ship, or of the shelves in a grocer’s shop; but the contents are the bones and ashes of the dead, and for labels we have their epitaphs. Figure 4 will illustrate the general character of these galleries and loculi .
The following engraving, after a sketch by Maitland, shows a gallery wider and more rudely excavated. On the right hand is seen a passage blocked up with stones, as was frequently done, to prevent accident. The daylight is seen pouring in at the further end of the gallery, as described by Prudentius, [9] and rendering visible the rifled graves.

It is evident that the principle followed in the formation of these galleries and loculi was the securing of the greatest amount of space for graves with the least excavation. Hence the passages are made as narrow as possible. The graves are also as close together as the friable nature of the tufa will permit, and are made to suit the shape of the body, narrow at the feet, broader at the shoulders, and often with a semi-circular excavation for the head, so as to avoid any superfluous removal of tufa . Sometimes the loculi were made large enough to hold two, three, or even four bodies, which were often placed with the head of one toward the feet of the other, in order to economize space. These were called bisomi , trisomi , and quadrisomi , respectively. The graves were apparently made as required, probably with the corpse lying beside them, as some unexcavated spaces have been observed traced in outline with chalk or paint upon the walls. Almost every inch of available space is occupied, and sometimes, though rarely, graves are dug in the floor. The loculi are of all sizes, from that of the infant of an hour to that of an adult man. But here, as in every place of burial, the vast preponderance of children’s graves is striking. How many blighted buds there are for every full-blown flower or ripened fruit!
Sometimes the loculi were excavated with mathematical precision. An example occurs in the Cemetery of St. Cyriaca, where at one end of a gallery is a tier of eight small graves for infants, then eight, somewhat larger, for children from about seven to twelve, then seven more, apparently for adult females, and lastly, a tier of six for full-grown men, occupying the entire height of the wall. Generally, however, a less regular arrangement was observed, and the graves of the young and old were intermixed, without any definite order.
It is difficult, if not impossible, to compute the number of graves in these vast cemeteries. Some seventy thousand have been counted, but they are a mere fraction of the whole, as only a small part of this great necropolis has been explored. From lengthened observation Father Marchi estimates the average number of graves to be ten, five on each side, for every seven feet of gallery. Upon this basis he computed the entire number in the Catacombs to be seven millions! The more accurate estimate of their extent made by Sig. Michele De Rossi would allow room for nearly four millions of graves, or, more exactly, about three million eight hundred and thirty-one thousand. [10] This seems almost incredible; but we know that for at least three hundred years, or for ten generations, the entire Christian population of Rome was buried here. And that population, as we shall see, was, even at an early period, of considerable size. In the time of persecution, too, the Christians were hurried to the tomb in crowds. In this silent city of the dead we are surrounded by a “mighty cloud of witnesses,” “a multitude which no man can number,” whose names, unrecorded on earth, are written in the Book of Life. For every one who walks the streets of Rome to-day are hundreds of its former inhabitants calmly sleeping in this vast encampment of death around its walls—“each in his narrow cell forever laid.” [11] Till the archangel awake them they slumber. “It is scarcely known,” says Prudentius, “how full Rome is of buried saints—how richly her soil abounds in holy sepulchres.”
These graves were once all hermetically sealed by slabs of marble, or tiles of terra cotta . The former were generally of one piece, which fitted into a groove or mortice cut in the rock at the grave’s mouth, and were securely cemented to their places, as, indeed, was absolutely necessary, from the open character of the galleries in which the graves were placed. Sometimes fragments of heathen tombstones or altars were used for this purpose. The tiles were generally smaller, two or three being required for an adult grave. They were arranged in panels, and were cemented with plaster, on which a name or symbol was often rudely scratched with a trowel while soft, as in the following illustration. Most of these slabs and tiles have disappeared, and many of the graves have long been rifled of their contents. In others may still be seen the mouldering skeleton of what was once man in his strength, woman in her beauty, or a child in its innocence and glee. The annexed engraving exhibits two graves, one of which is partially open, exposing the skeleton which has reposed on its rocky bed for probably over fifteen centuries.

If these bones be touched they will generally crumble into a white, flaky powder. D’Agincourt copied a tomb ( Fig. 7 ) in which this “dry dust of death" still retained the outline of a human skeleton. Verily, “ Pulvis et umbra sumus. ” Sometimes, however, possibly from some constitutional peculiarity, the bones remain quite firm notwithstanding the lapse of so many centuries. De Rossi states that he has assisted at the removal of a body from the Catacombs to a church two miles distant without the displacement of a single bone. [12] The age of the deceased and the nature of the ground also affect the condition in which the remains are found. Of the bodies of children nothing but dust remains. Where the pozzolana is damp, the bones are often well preserved; and where water has infiltrated, a partial petrifaction sometimes occurs. [13] Campana describes the opening of a hermetically sealed sarcoph...

Table of contents

• The Catacombs of Rome
• PREFACE.
• BOOK FIRST.
• CHAPTER I.
• CHAPTER II.
• CHAPTER III.
• CHAPTER IV.
• CHAPTER V.
• BOOK SECOND.
• CHAPTER I.
• CHAPTER II.
• CHAPTER III.
• CHAPTER IV.
• BOOK THIRD.
• CHAPTER I.
• CHAPTER II.
• CHAPTER III.
• CHAPTER IV.
• chapter13
• Copyright