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The Girl on the Train
Paula Hawkins, Rachel Wagstaff, Duncan Abel
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- English
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eBook - ePub
The Girl on the Train
Paula Hawkins, Rachel Wagstaff, Duncan Abel
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About This Book
Adapted from Paula Hawkins' novel ā an international phenomenon selling over twenty million copies worldwide ā this gripping new play will keep you guessing until the final moment. Rachel Watson longs for a different life. Her only escape is the perfect couple she watches through the train window every day, happy and in love. Or so it appears. When Rachel learns that the woman she's been secretly watching has suddenly disappeared, she finds herself as a witness and even a suspect in a thrilling mystery.
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Act Two
SCENE ONE
Darkness. The sound of magpies chattering and calling. We hear a distant song sung by school children:
One for sorrow two for joy,
Three for a girl four a for a boy,
Five for silver six for gold,
Seven for a secret, never to be told.
Magpie, magpie why do you sigh,
I sit so alone while the world goes by.
This should repeat until the sound of a passing train sounds it out. The train fades into the distance. Lights up.
Police tape has been stretched around the area of wasteland where the pile of stones was. There is now a shallow grave. Two forensic officers in white overalls bag up things from the site.
GASKILL stands near the grave. RACHEL stands back.
GASKILL: Right. You wanted to know what happened to Megan Hipwell. There you go. Yards from her own home.
GASKILL trying to read RACHELās reaction.
RACHEL: (Gathering herself.) Whereāve they taken her?
GASKILL: Thereāll be an autopsy.
RACHEL: How did she look?
A look from GASKILL. How dāyou think she looked?
GASKILL: Sheād had a blow to the head ā same as you. Coincidence, I suppose.
RACHEL: Iāve never seen a dead body.
You must get to see it a lot, right? Is it really gory?
GASKILL: Nah, not always. Some fellas look better dead than they ever did alive. Iād never seen my poor old dad look so happy. Or maybe it was relief. Oh well.
RACHEL: Have you found anything here? Evidence, orā¦?
GASKILL: Itās more what we havenāt found. Megan was wearing a hat when she went missing. A grey beret. Very stylish. If we can locate thatā¦ But for now, my focus is on potential witnesses.
RACHEL: Surely there must be something here. Thatās what you do, isnāt it? You find a dropped earring, or a torn piece of clothing, or ā Isnāt that what theyāre doing? (Pointing to the forensic officers.)
GASKILL: Yep. Weāve been up and down the tracks here all morning. I found a dead magpie just up the way there.
RACHEL momentarily surprised at the mention of magpies, again.
GASKILL: They have funerals for their dead, the magpies. Did you know that?
RACHEL: No.
GASKILL: One of the forensic lot told me. One magpie sees the dead one and calls a funeral song. Others come and join, apparently. A proper funeral.
RACHEL: Perhaps itās to do with survivalā¦
GASKILL: What isnāt?
RACHEL: And what about her handbag, her pockets, her phone, that sort of thing?
GASKILL: (Not giving anything away.) Letās get away from here.
GASKILL walks in the direction of the underpass. RACHEL hesitates, but follows.
GASKILL: Now, when I spoke to you last week, you were telling me about the black holes in your memory. Well, now youāre one of my mainā¦
RACHEL: Suspects!?
GASKILL: Witnesses. I need to see if we can step a little further into those black holes, clarify exactly what you saw that Saturday night. Hereās the underpass you got your blow to your head, yes?
RACHEL suddenly uncomfortable without fully understanding why. She stares at the tunnel.
RACHEL: Canāt we go somewhere else?
GASKILL suspicious.
GASKILL: Does being here bring anything back?
RACHEL: (A moment of self-doubt.) Iā¦
GASKILL: Rachel?
RACHEL: I donāt think itās as easy as that. And you donāt believe anything I tell you anyway.
GASKILL: You were right about Kamal Abdic. Meganās DNA was all over his house. They were more than counsellor/ client. Heās admitted as much now. That was thanks...