
- 208 pages
- English
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eBook - ePub
John Logan: Plays One
About this book
The first collection of plays from the multi-award-winning legendary screenwriter and playwright. Contains the plays RED, PETER AND ALICE and I'LL EAT YOU LAST.
Contents: Introduction by Michael Grandage
RED
Under the watchful gaze of his young assistant and the threatening presence of a new generation of artists, Mark Rothko takes on his greatest challenge yet: to create a definitive work for an extraordinary setting. A moving and compelling account of one of the greatest artists of the 20th century whose struggle to accept his growing riches and praise became his ultimate undoing. Nominated for 7 Olivier Awards (2009) and winner of 6 Tony Awards (2010) including Best New Play.
PETER AND ALICE
When Alice Liddell Hargreaves met Peter Llewelyn Davies at the opening of a Lewis Carroll exhibition in 1932, the original Alice in Wonderland came face to face with the original Peter Pan. In John Logan's remarkable play, enchantment and reality collide as this brief encounter lays bare the lives of these two extraordinary characters.
I'LL EAT YOU LAST: A CHAT WITH SUE MENGERS
1981. Hollywood. Sue Mengers, the first female 'superagent' at a time when women talent agents of any kind are almost unheard of, invites you into her Beverly Hills home for an evening of dish, secrets, and all the inside showbiz stories that only Sue could tell⦠Back in the 1970s, Sue Mengers represented almost every major star in Hollywood; her clients were the talk of the town and her glamorous dinner parties were legendary. But by 1981 the glory days were fading. Her time was passing as a sleek and corporate New Hollywood began to emerge. The phone's not ringing so much these days and Sue is forced to face the inevitable truth: the credits roll sooner than you think.
Contents: Introduction by Michael Grandage
RED
Under the watchful gaze of his young assistant and the threatening presence of a new generation of artists, Mark Rothko takes on his greatest challenge yet: to create a definitive work for an extraordinary setting. A moving and compelling account of one of the greatest artists of the 20th century whose struggle to accept his growing riches and praise became his ultimate undoing. Nominated for 7 Olivier Awards (2009) and winner of 6 Tony Awards (2010) including Best New Play.
PETER AND ALICE
When Alice Liddell Hargreaves met Peter Llewelyn Davies at the opening of a Lewis Carroll exhibition in 1932, the original Alice in Wonderland came face to face with the original Peter Pan. In John Logan's remarkable play, enchantment and reality collide as this brief encounter lays bare the lives of these two extraordinary characters.
I'LL EAT YOU LAST: A CHAT WITH SUE MENGERS
1981. Hollywood. Sue Mengers, the first female 'superagent' at a time when women talent agents of any kind are almost unheard of, invites you into her Beverly Hills home for an evening of dish, secrets, and all the inside showbiz stories that only Sue could tell⦠Back in the 1970s, Sue Mengers represented almost every major star in Hollywood; her clients were the talk of the town and her glamorous dinner parties were legendary. But by 1981 the glory days were fading. Her time was passing as a sleek and corporate New Hollywood began to emerge. The phone's not ringing so much these days and Sue is forced to face the inevitable truth: the credits roll sooner than you think.
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Information
PETER AND ALICE
Peter and Alice by John Logan was first performed in London on 9 March 2013 at the Noƫl Coward Theatre as part of the Michael Grandage Company Season of five plays, with the following cast and creative team:
Cast (in order of speaking) | |
PETER LLEWELYN DAVIES | Ben Whishaw |
ALICE LIDDELL HARGREAVES | Dame Judi Dench |
LEWIS CARROLL (REV. CHARLES DODGSON) | Nicholas Farrell |
JAMES BARRIE | Derek Riddell |
PETER PAN | Olly Alexander |
ALICE IN WONDERLAND | Ruby Bentall |
ARTHUR DAVIES/REGINALD (REGGIE) HARGREAVES/ MICHAEL DAVIES | Stefano Braschi |
Understudies | |
ALICE IN WONDERLAND | Georgina Beedle |
LEWIS CARROLL/JIM BARRIE | Henry Everett |
PETER LLEWLYN DAVIES/ PETER PAN/ARTHUR DAVIES/ REGGIE HARGREAVES/ MICHAEL DAVIES | Christopher Leveaux |
ALICE LIDDELL HARGREAVES | Pamela Merrick |
Creative Team | |
Director | Michael Grandage |
Set and Costume Designer | Christopher Oram |
Lighting Designer | Paule Constable |
Composer and Sound Designer | Adam Cork |
Note
Many years ago I came across the following in The Real Alice, Anne Clarkās biography of Alice Liddell Hargreaves, the model for Lewis Carrollās Alice in Wonderland:
āOn June 26 1932, Alice opened the Lewis Carroll exhibition at Bumpus, the London bookshop. Beside her was Peter Davies, the original Peter Pan.ā
I wondered what they said to each other.
Characters
in order of appearance:
PETER LLEWELYN DAVIES
ALICE LIDDELL HARGREAVES
LEWIS CARROLL (REV. CHARLES DODGSON)
JAMES BARRIE
PETER PAN
ALICE IN WONDERLAND
ARTHUR DAVIES
REGINALD (REGGIE) HARGREAVES
MICHAEL DAVIES
(Arthur Davies, Reginald Hargreaves and Michael Davies
may be played by the same actor.)
may be played by the same actor.)
Setting
The backroom of the Bumpus bookshop.
No. 350, Oxford Street. London.
June 26, 1932.
And corners of memory that include Oxford, a riverbank, a street with illuminations, a darkroom, a country estate, a London flat, Neverland and Wonderland, variously from 1862 to 1921.
Quotes from the novels Peter and Wendy by J.M. Barrie and Aliceās Adventures in Wonderland and Through the Looking-Glass by Lewis Carroll are in italics⦠These novels are in the public domain.
Dedicated to Michael Grandage
for his faith in this play and its author.
And for giving an actor the single best piece
of direction I have ever heard.
for his faith in this play and its author.
And for giving an actor the single best piece
of direction I have ever heard.
The backroom of the Bumpus bookshop in London. June 26, 1932.
Imposing shelves of books, files, bibliographic supplies, etc. There is a door into the bookshop.
PETER waits. Heās in his 30s.
He hears voices off. He prepares himself, clears his throat, and straightens his conservative suit. Heās nervous.
ALICE enters.
Sheās 80.
PETER: Mrs. Hargreaves⦠My name is Peter Davies. How do you do?
ALICE: How do you do?
PETER: Weāre to wait here. Iām told.
Beat.
PETER: Itāll only be a few minutes, until everyone has gathered and then Charles will introduce me and Iāll introduce you. Youāre to make some remarks and thenā
ALICE: I understand.
Beat.
PETER: This is a ā pleasure, maāam.
ALICE: You were going to say āhonorā but you thought it unduly reverential. It is challenging to know which note to strike with me. Do you honor him and the book through honoring me? But am I worthy of honor? Not her ā me⦠Then how, indeed, do I feel about her? Youāve no way of knowing⦠Is it an āhonorā or a āpleasureāā¦or something else altogether?
PETER: I think, now, the latter.
She smiles slightly.
Heās emboldened to continue.
PETER: In any event, Mrs. Hargreaves, Iāve been looking forward to meeting you.
ALICE: No, Mr. Davies, I daresay youāve been looking forward to meeting her.
PETER: It is to you I wish to speak.
ALICE: Is this by way of an ambush?
PETER: I asked Charles if I might have a few words with you.
She nods. Proceed.
PETER: I have an imprint, not inconsiderable, called Peter Davies Limited. We have a proper list and my chief duty as publisher is to cast my eye about for worthwhile subjects.
ALICE: And your eye has fallen on me, as worthwhile. How very flattering.
PETER: Thatās the curse of my trade. To a book man, every nook and cranny is a potential story.
ALICE: Am I a nook or a cranny?
PETER: I ā Sorry?
ALICE: Come to the point, Mr. Davies.
PETER: When I got the invitation to come and meet you, I thought: thereās a story, and worth the telling⦠Have you considered your memoirs?
ALICE: Considered them as what?
PETER: Something you might wish to write.
ALICE: To be published and vended?
...Table of contents
- Cover
- About the Author
- Title Page
- Copyright
- Contents
- Foreword
- Red
- Peter and Alice
- Iāll Eat you Last: A Chat with sue Mengers
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