The Romantic Generation
eBook - ePub

The Romantic Generation

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eBook - ePub

The Romantic Generation

About this book

"A magnum opus."—George Steiner, New Yorker

"Grippingly, even excitingly, readable."—Edward Said, London Review of Books

What Charles Rosen's National Book Award–winning The Classical Style did for the music of the Classical period, this volume brilliantly does for the Romantic Era. An exhilarating exploration of the musical language, forms, and styles of the Romantic period, it captures the spirit that enlivened a generation of composers and musicians, and in doing so it conveys the very sense of Romantic music. In readings uniquely informed by his performing experience, Rosen offers consistently acute and thoroughly engaging analyses of works by Schubert, Schumann, Mendelssohn, Bellini, Liszt, and Berlioz, and he presents a new view of Chopin as a master of polyphony and large-scale form. He adeptly integrates his observations on the music with reflections on the art, literature, drama, and philosophy of the time, and thus shows us the major figures of Romantic music within their intellectual and cultural context.

Rosen covers a remarkably broad range of music history and considers the importance to nineteenth-century music of other cultural developments: the art of landscape, a changed approach to the sacred, the literary fragment as a Romantic art form. He sheds new light on the musical sensibilities of each composer, studies the important genres from nocturnes and songs to symphonies and operas, explains musical principles such as the relation between a musical idea and its realization in sound and the interplay between music and text, and traces the origins of musical ideas prevalent in the Romantic period. Rich with striking descriptions and telling analogies, Rosen's overview of Romantic music is an accomplishment without parallel in the literature, a consummate performance by a master pianist and music historian.

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Index of Names and Works

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Numbers in italics refer to musical examples.
Abraham, Gerald, 316n, 326n, 412–413, 425n, 445n
Adama, Maria Rosaria, 610n
Addison, Joseph, 153
Anderson, Maxwell, 604
Arlen, Harold, 604
Arnim, Achim von: Des Knaben Wunderhorn, 411
Arnold, Matthew, 162
Arrivabene, Opprandino, 542n
Ascham, Roger, 150
Ashbrook, William, 602n
Auber, Daniel-François-Esprit, 540, 602, 607, 641, 645; La Muette de Portici, 602
Bach, Carl Philipp Emanuel, 3, 4, 362
Bach, Johann Christian, 570
Bach, Johann Sebastian, 5, 6–7, 10, 11, 27–28, 39, 71, 83, 84, 87, 124, 194, 219, 220, 237, 285, 291, 300, 301, 302, 303, 341, 344, 354–356, 359, 360, 361–363, 364, 471, 510, 553, 554–555, 570, 573, 587, 590, 592, 593, 597, 598, 664, 666, 668, 672, 679, 690, 700
Album for Anna Magdalena Bach, 363
Art of Fugue, 6, 362
Mozart’s arrangement of, 6
Chorale Preludes, 362
Chromatic Fantasy and Fugue, 573
Concerto for Harpsichord in D Minor, 39
Four Duets, 362
Fugue for Organ in A Minor (BWV 543), 290; 290
Goldberg Variations, 71, 362
Inventions, 362, 363
Italian Concerto, 362
Klavierübung, 363; Part 3, 83
Mass in B Minor, 384
Musical Offering, 3–5, 6; 4, 5
Partitas, 362
Passacaglia and Fugue in C Minor, 83
Prelude and Fugue for Organ in A Minor, 510
Sonata for Solo Violin in C Major, 39
Sonatas for Solo Flute, 290
Well-Tempered Keyboard, 6–7, 83, 222, 285, 354, 355, 359, ...

Table of contents

  1. Cover
  2. Title
  3. Copyright
  4. Contents
  5. Preface
  6. ONE Music and Sound
  7. TWO Fragments
  8. THREE Mountains and Song Cycles
  9. FOUR Formal Interlude
  10. FIVE Chopin: Counterpoint and the Narrative Forms
  11. SIX Chopin: Virtuosity Transformed
  12. SEVEN Chopin: From the Miniature Genre to the Sublime Style
  13. EIGHT Liszt: On Creation as Performance
  14. NINE Berlioz: Liberation from the Central European Tradition
  15. TEN Mendelssohn and the Invention of Religious Kitsch
  16. ELEVEN Romantic Opera: Politics, Trash, and High Art
  17. TWELVE Schumann: Triumph and Failure of the Romantic Ideal
  18. Index of Names and Works