Candide

Voltaire

• Publisher: Mint Editions
• Year: 2020
• ISBN:
  9781513265582
• Topic: Literature
• Subtopic: Classics
• Index: Literature

Young Candide is ejected from his idyllic life in a protected castle and finds himself encountering wild adventures and harsh trials that put to the test his teacher's claim that we live in the best of all possible worlds.

Honest and simple to a fault, Candide finds that a bit of romance leads only to exile and sudden immersion in a larger and more frightening world. Armed with the optimistic teachings of his mentor Pangloss, he is soon astounded to be arrested, beaten and forced into military service. The author doesn't spare his hero, hurling him into a shipwreck, an earthquake, a tidal wave and a city-wide wildfire in short order. Pursuing his true love and reunited with Pangloss, who interprets each new setback, no matter how horrific, as another sign that everything happens for the best, Candide refuses to abandon hope but begins to question his teacher's bottomless optimism. An outrageous picaresque quest full of barbed observations about human behavior and belief, politics and institutions, Candide was condemned for the fiercely irreverent stance it delicately conceals beneath its hero's guileless nature and chain of extravagant adventures. Triumphing over censorship, the book has had profound influence on philosophy and politics since its first appearance in 1759, but remains a classic that can be read for pure pleasure.

With an eye-catching new cover, and professionally typeset manuscript, this edition of Candide is both modern and readable.

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Chapter XXII

WHAT HAPPENED IN FRANCE TO CANDIDE AND MARTIN

Candide stayed in Bordeaux no longer than was necessary for the selling of a few of the pebbles of El Dorado, and for hiring a good chaise to hold two passengers; for he could not travel without his Philosopher Martin. He was only vexed at parting with his sheep, which he left to the Bordeaux Academy of Sciences, who set as a subject for that year’s prize, “to find why this sheep’s wool was red;” and the prize was awarded to a learned man of the North, who demonstrated by A plus B minus C divided by Z, that the sheep must be red, and die of the rot.

Meanwhile, all the travellers whom Candide met in the inns along his route, said to him, “We go to Paris.” This general eagerness at length gave him, too, a desire to see this capital; and it was not so very great a détour from the road to Venice.

He entered Paris by the suburb of St. Marceau, and fancied that he was in the dirtiest village of Westphalia.

Scarcely was Candide arrived at his inn, than he found himself attacked by a slight illness, caused by fatigue. As he had a very large diamond on his finger, and the people of the inn had taken notice of a prodigiously heavy box among his baggage, there were two physicians to attend him, though he had never sent for them, and two devotees who warmed his broths.

“I remember,” Martin said, “also to have been sick at Paris in my first voyage; I was very poor, thus I had neither friends, devotees, nor doctors, and I recovered.”

However, what with physic and bleeding, Candide’s illness became serious. A parson of the neighborhood came with great meekness to ask for a bill for the other world payable to the bearer. Candide would do nothing for him; but the devotees assured him it was the new fashion. He answered that he was not a man of fashion. Martin wished to throw the priest out of the window. The priest swore that they would not bury Candide. Martin swore that he would bury the priest if he continued to be troublesome. The quarrel grew heated. Martin took him by the shoulders and roughly turned him out of doors; which occasioned great scandal and a law-suit.

Candide got well again, and during his convalescence he had very good company to sup with him. They played high. Candide wondered why it was that the ace never came to him; but Martin was not at all astonished.

Among those who did him the honours of the town was a little Abbé of Perigord, one of those busybodies who are ever alert, officious, forward, fawning, and complaisant; who watch for strangers in their passage through the capital, tell them the scandalous history of the town, and offer them pleasure at all prices. He first took Candide and Martin to La Comédie, where they played a new tragedy. Candide happened to be seated near some of the fashionable wits. This did not prevent his shedding tears at the well-acted scenes. One of these critics at his side said to him between the acts:

“Your tears are misplaced; that is a shocking actress; the actor who plays with her is yet worse; and the play is still worse than the actors. The author does not know a word of Arabic, yet the scene is in Arabia; moreover he is a man that does not believe in innate ideas; and I will bring you, to-morrow, twenty pamphlets written against him.”

“How many dramas have you in France, sir?” said Candide to the Abbé.

“Five or six thousand.”

“What a number!” said Candide. “How many good?”

“Fifteen or sixteen,” replied the other.

“What a number!” said Martin.

Candide was very pleased with an actress who played Queen Elizabeth in a somewhat insipid tragedy sometimes acted.

“That actress,” said he to Martin, “pleases me much; she has a likeness to Miss Cunegonde; I should be very glad to wait upon her.”

The Perigordian Abbé offered to introduce him. Candide, brought up in Germany, asked what was the etiquette, and how they treated queens of England in France.

“It is necessary to make distinctions,” said the Abbé. “In the provinces one takes them to the inn; in Paris, one respects them when they are beautiful, and throws them on the highway when they are dead.”

“Queens on the highway!” said Candide.

“Yes, truly,” said Martin, “the Abbé is right. I was in Paris when Miss Monime passed, as the saying is, from this life to the other. She was refused what people call the honours of sepulture—that is to say, of rotting with all the beggars of the neighbourhood in an ugly cemetery; she was interred all alone by her company at the corner of the Rue de Bourgogne, which ought to trouble her much, for she thought nobly.”

“That was very uncivil,” said Candide.

“What would you have?” said Martin; “these people are made thus. Imagine all contradictions, all possible incompatibilities—you will find them in the government, in the law-courts, in the churches, in the public shows of this droll nation.”

“Is it true that they always laugh in Paris?” said Candide.

“Yes,” said the Abbé, “but it means nothing, for they complain of everything with great fits of laughter; they even do the most detestable things while laughing.”

“Who,” said Candide, “is that great pig who spoke so ill of the piece at which I wept, and of the actors who gave me so much pleasure?”

“He is a bad character,” answered the Abbé, “who gains his livelihood by saying evil of all plays and of all books. He hates whatever succeeds, as the eunuchs hate those who enjoy; he is one of the serpents of literature who nourish themselves on dirt and spite; he is a folliculaire.”

“What is a folliculaire?” said Candide.

“It is,” said the Abbé, “a pamphleteer—a Fréron.”

Thus Candide, Martin, and the Perigordian conversed on the staircase, while watching every one go out after the performance.

“Although I am eager to see Cunegonde again,” said Candide, “I should like to sup with Miss Clairon, for she appears to me admirable.”

The Abbé was not the man to approach Miss Clairon, who saw only good company.

“She is engaged for this evening,” he said, “but I shall have the honour to take you to the house of a lady of quality, and there you will know Paris as if you had lived in it for years.”

Candide, who was naturally curious, let himself be taken to this lady’s house, at the end of the Faubourg St. Honoré. The company was occupied in playing faro; a dozen melancholy punters held each in his hand a little pack of cards; a bad record of his misfortunes. Profound silence reigned; pallor was on the faces of the punters, anxiety on that of the banker, and the hostess, sitting near the unpitying banker, noticed with lynx-eyes all the doubled and other increased stakes, as each player dog’s-eared his cards; she made them turn down the edges again with severe, but polite attention; she showed no vexation for fear of losing her customers. The lady insisted upon being called the Marchioness of Parolignac. Her daughter, aged fifteen, was among the punters, and notified with a covert glance the cheatings of the poor people who tried to repair the cruelties of fate. The Perigordian Abbé, Candide and Martin entered; no one rose, no one saluted them, no one looked at them; all were profoundly occupied with their cards.

“The Baroness of Thunder-ten-Tronckh was more polite,” said Candide.

However, the Abbé whispered to the Marchioness, who half rose, honoured Candide with a gracious smile, and Martin with a condescending nod; she gave a seat and a pack of cards to Candide, who lost fifty thousand francs in two deals, after which they supped very gaily, and every one was astonished that Candide was not moved by his loss; the servants said among themselves, in the language of servants:—

“Some English lord is here this evening.”

The supper passed at first like most Parisian suppers, in silence, followed by a noise of words which could not be distinguished, then with pleasantries of which most were insipid, with false news, with bad reasoning, a little politics, and much evil speaking; they also discussed new books.

“Have you seen,” said the Perigordian Abbé, “the romance of Sieur Gauchat, doctor of divinity?”

“Yes,” answered one of the guests, “but I have not been able to finish it. We have a crowd of silly writings, but all together do not approach the impertinence of ‘Gauchat, Doctor of Divinity.’ I am so satiated with the great number of detestable books with which we are inundated that I am reduced to punting at faro.”

“And the Mélanges of Archdeacon Trublet, what do you say of that?” said the Abbé.

“Ah!” said the Marchioness of Parolignac, “the wearisome mortal! How curiously he repeats to you all that the world knows! How heavily he discusses that which is not worth the trouble of lightly remarking upon! How, without wit, he appropriates the wit of others! How he spoils what he steals! How he disgusts me! But he will disgust me no longer—it is enough to have read a few of the Archdeacon’s pages.”

There was at table a wise man of taste, who supported the Marchioness. They spoke afterwards of tragedies; the lady asked why there were tragedies which were sometimes played and which could not be read. The man of taste explained very well how a piece could have some interest, and have almost no merit; he proved in few words that it was not enough to introduce one or two of those situations which one finds in all romances, and which always seduce the spectator, but that it was necessary to be new without being odd, often sublime and always natural, to know the human heart and to make it speak; to be a great poet without allowing any person in the piece to appear to be a poet; to know language perfectly—to speak it with purity, with continuous harmony and without rhythm ever taking anything from sense.

“Whoever,” added he, “does not ...