Music and sound shape the emotional content of audio-visual media and carry different meanings. This volume considers audio-visual material as a primary source for historiography. By analyzing how the same sounds are used in different media contexts at different times, the contributors intend to challenge the linear perspective of (music) history based on canonic authority. The book discusses AV-Documents (analysis in context), methodological questions (implications for research, education, and popularization of knowledge), archives of cultural memory (from the perspective of Cultural Studies) as well as digitalization and its consequences (organization of knowledge).

eBook - PDF
Music – Media – History
Re-Thinking Musicology in an Age of Digital Media
- 301 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
Music – Media – History
Re-Thinking Musicology in an Age of Digital Media
About this book
Trusted by 375,005 students
Access to over 1.5 million titles for a fair monthly price.
Study more efficiently using our study tools.
Information
Table of contents
- Cover
- Contents
- Editor’s Note
- An Introduction
- “Living in a Material World,” Contemplating the Immaterial One—Musings on What Sounds Can Actually Tell Us, or Not
- The (Re)Construction of Communicative Pasts in the Digital Age
- The Narratological Architecture of Musical lieux de mémoire
- Beethoven in 1970, Bernstein and the ORF: Cultural Memory and the Audiovisual
- Women’s Voices in Radio
- ‘Real Sound,’ Readymade, Handmade: Musical Material and the Medium Between Mechanization, Automation, and Digitalization as an Impression and Expression of Reality
- Sonic Icons in A Song Is Born (1948): A Model for an Audio History of Film
- The Production, Reception and Cultural Transfer of Operetta on Early Sound Film
- The Address of the Ear: Music and History in Waltz with Bashir
- “I’ve never understood the passion for Schubert’s sentimental Viennese shit”—Using Metadata to Capture the Contexts of Film Music
- Connecting Research: The Interdisciplinary Potential of Digital Analysis in the Context of A. Kluge’s Televisual Corpus
- Modelling in Digital Humanities: An Introduction to Methods and Practices of Knowledge Representation
- Playing with a Web of Music: Connecting and Enriching Online Music Repositories
- A Few Notes on the Auditive Layer of the Film *
- Afterword
- List of Contributors
Frequently asked questions
Yes, you can cancel anytime from the Subscription tab in your account settings on the Perlego website. Your subscription will stay active until the end of your current billing period. Learn how to cancel your subscription
No, books cannot be downloaded as external files, such as PDFs, for use outside of Perlego. However, you can download books within the Perlego app for offline reading on mobile or tablet. Learn how to download books offline
We are an online textbook subscription service, where you can get access to an entire online library for less than the price of a single book per month. With over 1.5 million books across 990+ topics, we’ve got you covered! Learn about our mission
Look out for the read-aloud symbol on your next book to see if you can listen to it. The read-aloud tool reads text aloud for you, highlighting the text as it is being read. You can pause it, speed it up and slow it down. Learn more about Read Aloud
Yes! You can use the Perlego app on both iOS and Android devices to read anytime, anywhere — even offline. Perfect for commutes or when you’re on the go.
Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app
Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app
Yes, you can access Music – Media – History by Matej Santi, Elias Berner, Matej Santi,Elias Berner in PDF and/or ePUB format, as well as other popular books in Mezzi di comunicazione e arti performative & Film e video. We have over 1.5 million books available in our catalogue for you to explore.