Ray Bradbury: Adaptations in Other Media
Compiled by Jon Eller
Bradburyâs extensive adaptation of his own work to other genres and media is cataloged here, followed by a shorter but no less significant listing of Bradburyâs adaptations of the work of other authors. The second half of the catalog consists of an even more extensive listing of Bradbury work adapted by other writers. Within each of these major categories of authorship, adaptations are separated into parallel categories of genre and media: film, graphic adaptation, radio drama, short stories, novels, stage drama (including musicals and opera), and television. Audio recordings of Bradburyâs work represent a variant form of presentation rather than adaptation, and are not included here.
Most of Bradburyâs adaptations involve transforming his own stories into scripts for stage, film, television and, from time to time, radio. But one should never assume that all of Bradburyâs multimedia work can be classified as adaptation. Original plays, such as A Clear View of an Irish Mist, have no antecedent in Bradburyâs stories and are therefore considered new works rather than adaptations. A few stories are actually adaptations of earlier dramatic forms and are listed here. Bradburyâs 1972 novel The Halloween Tree is an adaptation of an unproduced 1967â68 animated feature screenplay for MGM, and will be found in this listing even though the public first encountered this perennial October favorite only in the novel form. In all such cases, the original source of Bradburyâs adaptation is noted within the entry. In developing this bibliography, I have stretched the definition of adaptation in only one case: Bradburyâs unproduced animated screenplay Nemo! (1983â84) represents an original story line, but since Bradbury chose to work within the basic premises of the original Winsor McKay comic strip tradition, this screenplay (and the actual Japanese production adapted from it) appear in the listing.
In general, then, an original work by Bradbury (regardless of genre or media) will not have its own entry here, but any original work that is the basis for an adaptation by Bradbury or by other authors will be identified within the entry for that adaptation. Entries appear in chronological order within each genre or media category; stage productions are ordered by date of first performance except in cases (such as Bradburyâs early Irish stories-into-plays) where publication precedes performance. Multiple adaptations of a single Bradbury title are not uncommon in the radio, film, and television categories; within each of these genre categories, such multiple versions will be grouped together in a single entry anchored to the earliest adaptation. A master title index concludes this bibliography. This index summarizes the full spectrum of adaptations across all genres and media for each Bradbury title.
Adaptations that have been published are so indicated; unpublished adaptations are annotated to indicate if manuscripts (usually typescripts) or production-circulation printings exist. Broadcast or release dates are listed for radio, television, or film adaptations, and opening performance dates are listed for stage performances. All known published or printed adaptations are included; however, since there have been thousands of amateur, educational, and professional performances of Bradburyâs dramatic adaptations, only the major stage productions are included for the entries in this category.
In compiling this catalog for the first volume of The New Ray Bradbury Review, I have relied heavily on the Albright Collection and the archival photocopies of this collection that are deposited in the Center for Ray Bradbury Studies, Indiana University School of Liberal Arts. Octoberâs Friend, the unpublished catalog of the Albright Collection prepared by Jim Welsh and Donn Albright, has been an immense help in designing this catalog and verifying the entries. William F. Nolanâs Ray Bradbury Companion (Detroit: Gale, 1975), for decades the primary published source of information on Bradburyâs original and adapted works, was another foundational source for my research. Iâm also greatly indebted to Phil Nichols of the University of Wolverhampton, United Kingdom, for his pioneering work in Bradbury media studies and his extensive on-line listings of Bradburyâs media work.
I was also able to draw on my own listings of Bradburyâs published stories and prose fiction in Eller and Touponce, Ray Bradbury: The Life of Fiction (Kent State UP, 2004). All reprintings and adaptations of the original stories are consolidated in The Life of Fictionâs backmatter under âBradburyâs Fiction, Year-by-Year.â Bibliographical identifiers from that work appear in the title index of the present catalog to provide a cross-reference for further research.
I. Bradburyâs Adaptations
A. Film
Chrysalis. Unproduced screen treatment outline (9-page typescript, dated August 29, 1952). Prepared on the side while Bradbury was working at Universal-International on his unrelated original screenplay, It Came From Outer Space (released 1953). Adapted from his original story (1946). The Albright Collection; research photocopy on deposit at the Center for Ray Bradbury Studies, Indiana University.
Merry-Go-Round. Unproduced (and unlocated) 50-page screen treatment developed for Sam Goldwyn, Jr., December 1954. Adapted and expanded from âThe Black Ferrisâ (1948) as adapted for television by Mel Dinelli as âMerry-Go-Roundâ (1954, qv). Evolved into the unproduced screenplay The Dark Carnival (1956) and Something Wicked This Way Comes (novel, 1962; film, 1983).
The Illustrated Man. Unproduced screenplay, 1958. Adapted from selected stories included in The Illustrated Man (1951). The Albright Collection; research photocopy on deposit at the Center for Ray Bradbury Studies, Indiana University.
And the Rock Cried Out. Unproduced screenplay written for Hecht-Hill-Lancaster under the direction of Sir Carroll Reed, London, summer 1957. Typescripts revised 1959, 1968, 1980. The Albright Collection; research photocopy on deposit at the Center for Ray Bradbury Studies, Indiana University.
The Dark Carnival. Unproduced screenplay (typescript 1956, 1959). Adapted and expanded from âThe Black Ferrisâ (1948) by way of the unproduced Merry-Go-Round (1954). Evolves into Something Wicked This Way Comes (novel, 1962; film, 1983). The Albright Collection; research photocopy on deposit at the Center for Ray Bradbury Studies, Indiana University.
Icarus Montgolfier Wright (Format Films, 1962). Animated short film (Academy Award nomination, 1962). Adapted by Ray Bradbury and George Clayton Johnson from the original story (1956).
The Martian Chronicles (MGM, unproduced treatment and screenplay, 1961â63). Various mimeographs are known for this work and the follow-on screenplay written for Robert Mulligan and Alan Pakula (1963â64); photocopies in the Center for Ray Bradbury Studies at Indiana University are from the Albright Collection. Adapted from The Martian Chronicles (1950).
The Fox and the Forest (unproduced screenplay, 1971). Various mimeographs and photocopies are dated 1971, 1980, and 1984; photocopies in the Center for Ray Bradbury Studies at Indiana University are from the Albright Collection. Adapted from the original story (1950; original title, âTo the Futureâ).
Picasso Summer (Warner Brothers / Seven Arts, 1972). Adapted by Bradbury (as Douglas Spaulding) and Edwin Boyd from âIn a Season of Calm Weatherâ (1957) and from his own unproduced teleplay adaptation (1967, qv).
Something Wicked This Way Comes (Walt Disney-Bryna Company / Buena Vista Films, 1983). Script (abridged) published in Scholastic Scope, April 29, 1983. Adapted from âThe Black Ferrisâ (1948) by way of the unproduced screenplays Merry-Go-Round (1954) and The Dark Carnival (1956) and the novel Something Wicked This Way Comes (1962). The 1983 script evolved from scripts written in 1978â79, from Bradburyâs own pre-production cuts, and from cuts made by John Mortimer for director Jack Clayton (1982); the final release reflects re-shoots co-directed by Bradbury.
Quest (M. Okada International Association, 1983). Produced by Saul Bass. Adapted from the original story, âFrost and Fireâ (âThe Creatures That Time Forgot,â 1946).
The Catacombs. Unproduced screenplay (1986). Adapted from the original story âThe Next in Lineâ (1947). Printed copies are held by Bradbury and the Albright Collection; a research photocopy is on deposit at the Center for Ray Bradbury Studies, Indiana University.
The Wonderful Ice Cream Suit (Disney / Stuart Gordon, 1998). Adapted from his original story (1958; original title, âThe Magic White Suitâ) and his stage play (1963).
Bradbury film adaptations based on the works of other authors
Moby Dick (Warner Brothers, 1956...