The Evolution of African Fantasy and Science Fiction

Francesca T Barbini

• Publisher: Luna Press Publishing
• Year: 2018
• eBook ISBN: 9781911143529
• Edition: 1
• Topic: Littérature
• Subtopic: Critique littéraire africaine

The articles by Polina Levontin and Robert S Malan are currently nominated for the BSFA Awards.

“The Evolution of African Fantasy and Science Fiction” is the second Call for Papers of Academia Lunare, the non-fiction arm of Luna Press Publishing.

These papers explore the theme through the emergence of African SFF, the forces shaping its development down the ages, and the dangers of expectations. We also examine its effect on literature and portrayals in popular entertainment.

Featuring papers from Peter J. Maurits, Nick Wood, Ezeiyoke Chukwunonso, Polina Levontin and Robert S. Malan.

ACADEMIA LUNARE

Call For Papers 2017

The Evolution of African Fantasy and Science Fiction

Edited By

Francesca T Barbini

Editor Foreword © Francesca T Barbini 2018

Articles © is with each individual author 2018

A portion of Polina Levontin's article has appeared in 'Scientists in Nigerian/Western Science Fiction' published in Foundation: The International Review of Science Fiction, Spring 2018.

First published by Luna Press Publishing 2018

The Evolution of African Fantasy and Science Fiction © 2018. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopy, recording or otherwise, without prior written permission of the copyright owners. Nor can it be circulated in any form of binding or cover other than that in which it is published and without similar condition including this condition being imposed on a subsequent purchaser.

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ISBN-13: 978-1-911143-52-9

On the Emergence of African Science Fiction By Peter J. Maurits1

The aim of this article is to contribute to the understanding of the emergence of contemporary science fiction on the African continent (ASF), occurring around the year 2007. Based in part on theories of the emergence of European and American SF, I suggest that we may consider ASF a new phase in the joint tradition of science fiction and utopian writing that responds to both contemporary and non-contemporary narrative dystopian traditions. I suggest that ASF could build and maintain momentum due to the spread of new media on the African continent, due to Afro- and techno-optimism, and the effects of the global financial crisis (GFC) on discursive regimes connected to the narrative utopia.

When the number of African science fiction publications increased during the 2000s, a heated debate on the origin of the genre occurred alongside it. Centring on the seemingly neutral question of, “is African science fiction (ASF) a new, old, local or alien cultural form?”, the very nature of what African cultural production should or could be was perceived to be at stake. Dilman Dila summarises this well in his blogpost “Is Science Fiction Really Alien to Africa?” (2015). “African writers”, he says, “forever have to defend their work.” They are expected to write about the “problems of their societies”, and when they do, “someone wonder[s] why they only write about misery and gloom on the continent”. When they write science fiction they are called “‘copycat’”, or worse, are told that Africans are unable to “write such stories”. Clearly, as Dila implies, there is no reason to claim that writers’ geographical locations more or less entitle or enable them to use a genre, especially because the contemporary literary system is a “world-literary system” (Moretti, 2000:56). That term connotes the movement of literary (but also cinematographic) forms over the entire globe (on unequal terms) and the formation of new forms resulting from the convergence of traveling form and local content. Dila describes this process relative to the formation of contemporary ASF, when he indicates that, while some stories draw on “popular Western films and books”, they also draw on local “folk tales”, and so on (2015).

Dila continues to discuss some common misconceptions, and the importance of ASF writers’ position in the world-literary system, making his account, arguably, one of the more valuable contributions to the debate. Nevertheless, while Dila pursues the ‘is ASF new’ question, I want to suggest displacing it and the normativity associated with it altogether. In my understanding, cultural forms are a function, or are symptomatic, of their historical context, roughly meaning that (in this case) a genre emerges for specific historical reasons. It would follow that the presence or absence of a specific cultural form is not a qualitative indicator of a (or part of a) cultural system—as is implied in the debate—but rather an effect of a context of production. More importantly, it follows that to better comprehend the ASF phenomenon, the question of “is ASF new?” loses importance to that of “what are the historical reasons for ASF’s emergence?”, which is the main question of this essay.

To answer this question, ASF’s emergence date must be determined. I suggest doing so based on the sudden increase in the number of (known) publications that could be considered ASF. Based on several attempts to list ASF narratives,2 it appears that there were about 10 ASF publications between 1900 and 1950, about 9 in the next 30 years, around 5 in the 1980s, and 5 in the 1990s. Then, there seems to have been 4 in 2007, 5 in 2008, 6 in 2009, and hundreds from 2010 onwards. This allows for determining more precisely the moment of what Geoff Ryman calls ASF’s “lift-off” (2017: 2)—what I call emergence. That term, then, which I broadly understand following Raymond Williams (1977), does not refer to the publication of individual narratives, but to the start of a consistent and continent-wide increase in the number of ASF publications over an extended period. Based on these numbers, it appears that this increase occurred around 2007.3

Such periodisation allows us to move on to our question of why ASF emerged. In particular, I am interested in examining how theories of emergence of European and American SF (ESF, AmSF) may inform our understanding of ASF’s emergence. As it is likely that this perspective is not exhaustive, my aim is adding to the existing literature rather than providing a complete account. In brief, I will suggest that ASF ...

Table of contents

• On the Emergence of African Science Fiction By Peter J. Maurits