In Rosalind Easton's lively and inventive debut collection, everyday objects are invested with glamour and drama: a mascara wand and a pair of peacock suede stilettos are brought to life in poems exploring the complexities of relationships, and a Mayfair lingerie store provides the setting for a transformative bra fitting experience. A diverse range of literary and cultural references inspires several poems, with the poet's grandmother coming back to life as a book to 'play intellectual drinking games with Shakespeare', and Richard Burton and Elizabeth Taylor taking over the running of a secondary school. In other poems, Tilda Swinton's magazine photo shoot as David Bowie sparks an exploration of the relationship between history and identity, and a night at the Shepherd's Bush Empire with Suede becomes a celebration of the enduring power of teenage memories.

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Black Mascara (Waterproof)
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Found in Translation
i.m. Nora Newton (1929ā2015)
A grandamās name is little less in love
than is the doting title of a mother;
they are as children but one step below ā¦
Richard III
Of course I should have realised youād come back
as a book. It was in Hatchards on Piccadilly, in the Classics
section; the shelves were out of alphabetical order ā
Galsworthy, Trollope, Austen, Eliot side-by-side.
Just as I was thinking I wonder, I heard
your laugh, and there you were ā a slender, sparkling volume,
looking quite at home in such illustrious company,
your handwritten name running down the spine. Evelyn Waugh
was serving at the till. Thereās no charge, he said.
Sheās been waiting for you. I took you home and put you
next to Dickens and Gaskell, hoping youād find some people there
you could get on with. In the evenings Iād sit cross-legged on the carpet
with a glass of wine, listening, enthralled, to you in your element:
on the poetry shelf, Miltonās pages ruffled with pride to hear
that youād learnt Lycidas by heart at seventeen; Wordsworth acknowledged
that your annotations on āThe Preludeā had deepened his understanding.
Best of all was the intellectually superior drinking game
with Shakespeare: heād call out the number of a sonnet,
youād recite it, word-perfect, your reward a shot of apricot brandy.
You read my childhood favourites to me again, your drama-school voice
(not a trace of Manchester left in it) still just right, somehow, for
The Famous Five and Malory Towers, but I liked your New Jersey drawl
for Judy Blumeās Freckle Juice best, which brought you to the attention
of George Gershwin and Judy Garland and Frank Sinatra
sleeping off champagne hangovers in Biography; the four of you sang
āEmbraceable Youā and āSomeone to Watch Over Meā late into the night.
How sad, I thought, that only in death can one keep this kind of company.
And then it struck me: I moved you to Plays. And oh, you were away.
Word spread quickly, and critics queued at my door, squeezed
into every square inch in my small study, climbed lampposts
and garden fences to listen through the open window
to your Lady Bracknell, your Rosalind, your Beatrice ā
but also, of course, to your lead role in Coronation Street, and even
the brief stint as first woman pundit on Match of the Day
(you always had the range). I realised then Iād put you in my library
without reading your words, thought I knew your story, that I might
have written bits of it myself. But when I turned your pages
there was your life translated: how youād skipped rep al...
Table of contents
- Cover
- Title Page
- Copyright
- Contents
- Dedication
- Found in Translation
- Campagnolo Super Record
- Did I Dent Your Car with My Head?
- Girl as Bike
- Bra Fitting, Mayfair
- Lunchtime on Threadneedle Street
- The Light Museum
- Drinks Party, London Skyline
- The Music Stand
- The Microphone
- The Undiminished Magnificence of Brett Anderson
- Tilda Swinton as David Bowie
- Richard Burton and Elizabeth Taylor Take Over the Academy
- Backstage
- Closet
- Peacock Suede Stilettos
- Black Mascara (Waterproof)
- Acknowledgements
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