The Origins of Western Notation
About this book
Modern music notation developed out of the so-called square notation and this out of the Latin neumes. The question of where these neumes came from has long been the subject of scholarly debate. As the author demonstrated in his three-volume Universale Neumenkunde published in German in 1970, there is a very close relationship between the Paleo-Byzantine notation and the Latin neumes. Although the study aroused a great deal of dispute, more recent studies have revealed that the relevance of the Neumenkunde remains essentially unchallenged after 40 years. Those path-breaking research results on the relationship of the Greek and Latin notational systems are now available for the first time in a completely revised and augmented English translation.
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Information
Table of contents
- Cover
- Foreword
- Table of Contents
- List of Illustrations
- Musical Examples
- Tables
- Charts
- Manuscript Sigla
- Chapter I: The Relationship between Byzantine and Latin Neumes (Introduction to the Problem)
- Chapter II: Classification of the Latin Neumes
- Chapter III: The Neumae Simplices and the Tonoi Haploi
- Chapter IV: The Neumae Compositae and the Tonoi Synthetoi
- Chapter V: Byzantine Parellels to the Latin Ornamental Neumes
- Chapter VI: The Notae Semivocales and the Hemiphona
- Chapter VII: The Litterae Significativae and the Byzantine Grammata
- Chapter VIII: The Names of the Latin Neumes
- Chapter IX: Latin Neumes and Ekphonetic Notation
- Chapter X: The Origin of Latin Chant Notation
- Chapter XI: The Byzantine Origin of the Latin Dodekaechos
- Chapter XII: Notker’s Ellinici Fratres
- Chapter XIII: St. Gall: Centre for the cultivation of an artistically nuanced ornamented chant tradition
- Identical and corresponding latin, byzantine and slavic neumes, figures and formulas
- Collations of Latin Neumatic Notations
- Appendix
- Abbreviations
- Selected Bibliography
- Index
