Roderick Hudson

Henry James

• Publisher: Open Road Media
• Year: 2016
• ISBN:
  9781504039635
• Topic: Literatur
• Subtopic: Altertumswissenschaften

A gifted American artist finds fame, fortune, and tragedy in Europe in this classic tale. Working in obscurity, sculptor Roderick Hudson finds a generous patron in Rowland Mallet, an art aficionado so captivated by the young man's work, he offers to take Hudson with him to Europe. Mallet soon falls in love with Miss Mary Garland, a distant cousin of Hudson's who lives with the family and tends to his aging mother. Unfortunately, Hudson has already proposed to Mary. In Rome, Hudson's unparalleled talents bring him accolades and admiration, placing Mallet in a confounding predicament when his protégée begins to entertain women other than Mary, including a beauty betrothed to a prince. Two serious and potentially devastating love triangles form as Hudson struggles to balance his artistic pursuits with his insatiable lust for life. Part tragedy, part love story, Roderick Hudson is one of the finest novels ever written about art and an inspiration for many a classic bildungsroman, including James Joyce's A Portrait of the Artist as a Young Man. This ebook has been professionally proofread to ensure accuracy and readability on all devices.

CHAPTER I

Rowland

Mallet had made his arrangements to sail for Europe on the first of September, and having in the interval a fortnight to spare, he determined to spend it with his cousin Cecilia, the widow of a nephew of his father. He was urged by the reflection that an affectionate farewell might help to exonerate him from the charge of neglect frequently preferred by this lady. It was not that the young man disliked her; on the contrary, he regarded her with a tender admiration, and he had not forgotten how, when his cousin had brought her home on her marriage, he had seemed to feel the upward sweep of the empty bough from which the golden fruit had been plucked, and had then and there accepted the prospect of bachelorhood. The truth was, that, as it will be part of the entertainment of this narrative to exhibit, Rowland Mallet had an uncomfortably sensitive conscience, and that, in spite of the seeming paradox, his visits to Cecilia were rare because she and her misfortunes were often uppermost in it. Her misfortunes were three in number: first, she had lost her husband; second, she had lost her money (or the greater part of it); and third, she lived at Northampton, Massachusetts. Mallet’s compassion was really wasted, because Cecilia was a very clever woman, and a most skillful counter-plotter to adversity. She had made herself a charming home, her economies were not obtrusive, and there was always a cheerful flutter in the folds of her crape. It was the consciousness of all this that puzzled Mallet whenever he felt tempted to put in his oar. He had money and he had time, but he never could decide just how to place these gifts gracefully at Cecilia’s service. He no longer felt like marrying her: in these eight years that fancy had died a natural death. And yet her extreme cleverness seemed somehow to make charity difficult and patronage impossible. He would rather chop off his hand than offer her a check, a piece of useful furniture, or a black silk dress; and yet there was some sadness in seeing such a bright, proud woman living in such a small, dull way. Cecilia had, moreover, a turn for sarcasm, and her smile, which was her pretty feature, was never so pretty as when her sprightly phrase had a lurking scratch in it. Rowland remembered that, for him, she was all smiles, and suspected, awkwardly, that he ministered not a little to her sense of the irony of things. And in truth, with his means, his leisure, and his opportunities, what had he done? He had an unaffected suspicion of his uselessness. Cecilia, meanwhile, cut out her own dresses, and was personally giving her little girl the education of a princess.

This time, however, he presented himself bravely enough; for in the way of activity it was something definite, at least, to be going to Europe and to be meaning to spend the winter in Rome. Cecilia met him in the early dusk at the gate of her little garden, amid a studied combination of floral perfumes. A rosy widow of twenty-eight, half cousin, half hostess, doing the honors of an odorous cottage on a midsummer evening, was a phenomenon to which the young man’s imagination was able to do ample justice. Cecilia was always gracious, but this evening she was almost joyous. She was in a happy mood, and Mallet imagined there was a private reason for it—a reason quite distinct from her pleasure in receiving her honored kinsman. The next day he flattered himself he was on the way to discover it.

For the present, after tea, as they sat on the rose-framed porch, while Rowland held his younger cousin between his knees, and she, enjoying her situation, listened timorously for the stroke of bedtime, Cecilia insisted on talking more about her visitor than about herself.

“What is it you mean to do in Europe?” she asked, lightly, giving a turn to the frill of her sleeve—just such a turn as seemed to Mallet to bring out all the latent difficulties of the question.

“Why, very much what I do here,” he answered. “No great harm.”

“Is it true,” Cecilia asked, “that here you do no great harm? Is not a man like you doing harm when he is not doing positive good?”

“Your compliment is ambiguous,” said Rowland.

“No,” answered the widow, “you know what I think of you. You have a particular aptitude for beneficence. You have it in the first place in your character. You are a benevolent person. Ask Bessie if you don’t hold her more gently and comfortably than any of her other admirers.”

“He holds me more comfortably than Mr. Hudson,” Bessie declared, roundly.

Rowland, not knowing Mr. Hudson, could but half appreciate the eulogy, and Cecilia went on to develop her idea. “Your circumstances, in the second place, suggest the idea of social usefulness. You are intelligent, you are well-informed, and your charity, if one may call it charity, would be discriminating. You are rich and unoccupied, so that it might be abundant. Therefore, I say, you are a person to do something on a large scale. Bestir yourself, dear Rowland, or we may be taught to think that virtue herself is setting a bad example.”

“Heaven forbid,” cried Rowland, “that I should set the examples of virtue! I am quite willing to follow them, however, and if I don’t do something on the grand scale, it is that my genius is altogether imitative, and that I have not recently encountered any very striking models of grandeur. Pray, what shall I do? Found an orphan asylum, or build a dormitory for Harvard College? I am not rich enough to do either in an ideally handsome way, and I confess that, yet awhile, I feel too young to strike my grand coup. I am holding myself ready for inspiration. I am waiting till something takes my fancy irresistibly. If inspiration comes at forty, it will be a hundred pities to have tied up my money-bag at thirty.”

“Well, I give you till forty,” said Cecilia. “It’s only a word to the wise, a notification that you are expected not to run your course without having done something handsome for your fellow-men.”

Nine o’clock sounded, and Bessie, with each stroke, courted a closer embrace. But a single winged word from her mother overleaped her successive intrenchments. She turned and kissed her cousin, and deposited an irrepressible tear on his moustache. Then she went and said her prayers to her mother: it was evident she was being admirably brought up. Rowland, with the permission of his hostess, lighted a cigar and puffed it awhile in silence. Cecilia’s interest in his career seemed very agreeable. That Mallet was without vanity I by no means intend to affirm; but there had been times when, seeing him accept, hardly less deferentially, advice even more peremptory than the widow’s, you might have asked yourself what had become of his vanity. Now, in the sweet-smelling starlight, he felt gently wooed to egotism. There was a project connected with his going abroad which it was on his tongue’s end to communicate. It had no relation to hospitals or dormitories, and yet it would have sounded very generous. But it was not because it would have sounded generous that poor Mallet at last puffed it away in the fumes of his cigar. Useful though it might be, it expressed most imperfectly the young man’s own personal conception of usefulness. He was extremely fond of all the arts, and he had an almost passionate enjoyment of pictures. He had seen many, and he judged them sagaciously. It had occurred to him some time before that it would be the work of a good citizen to go abroad and with all expedition and secrecy purchase certain valuable specimens of the Dutch and Italian schools as to which he had received private proposals, and then present his treasures out of hand to an American city, not unknown to aesthetic fame, in which at that time there prevailed a good deal of fruitless aspiration toward an art-museum. He had seen himself in imagination, more than once, in some mouldy old saloon of a Florentine palace, turning toward the deep embrasure of the window some scarcely-faded Ghirlandaio or Botticelli, while a host in reduced circumstances pointed out the lovely drawing of a hand. But he imparted none of these visions to Cecilia, and he suddenly swept them away with the declaration that he was of course an idle, useless creature, and that he would probably be even more so in Europe than at home. “The only thing is,” he said, “that there I shall seem to be doing something. I shall be better entertained, and shall be therefore, I suppose, in a better humor with life. You may say that that is just the humor a useless man should keep out of. He should cultivate discontentment. I did a good many things when I was in Europe before, but I did not spend a winter in Rome. Every one assures me that this is a peculiar refinement of bliss; most people talk about Rome in the same way. It is evidently only a sort of idealized form of loafing: a passive life in Rome, thanks to the number and the quality of one’s impressions, takes on a very respectable likeness to activity. It is still lotus-eating, only you sit down at table, and the lotuses are served up on rococo china. It’s all very well, but I have a distinct prevision of this—that if Roman life doesn’t do something substantial to make you happier, it increases tenfold your liability to moral misery. It seems to me a rash thing for a sensitive soul deliberately to cultivate its sensibilities by rambling too often among the ruins of the Palatine, or riding too often in the shadow of the aqueducts. In such recreations the chords of feeling grow tense, and after-life, to spare your intellectual nerves, must play upon them with a touch as dainty as the tread of Mignon when she danced her egg-dance.”

“I should have said, my dear Rowland,” said Cecilia, with a laugh, “that your nerves were tough, that your eggs were hard!”

“That being stupid, you mean, I might be happy? Upon my word I am not. I am clever enough to want more than I’ve got. I am tired of myself, my own thoughts, my own affairs, my own eternal company. True happiness, we are told, consists in getting out of one’s self; but the point is not only to get out—you must stay out; and to stay out you must have some absorbing errand. Unfortunately, I’ve got no errand, and nobody will trust me with one. I want to care for something, or for some one. And I want to care with a certain ardor; even, if you can believe it, with a certain passion. I can’t just now feel ardent and passionate about a hospital or a dormitory. Do you know I sometimes think that I’m a man of genius, half finished? The genius has been left out, the faculty of expression is wanting; but the need for expression remains, and I spend my days groping for the latch of a closed door.”

“What an immense number of words,” said Cecilia after a pause, “to say you want to fall in love! I’ve no doubt you have as good a genius for that as any one, if you would only trust it.”

“Of course I’ve thought of that, and I assure you I hold myself ready. But, evidently, I’m not inflammable. Is there in Northampton some perfect epitome of the graces?”

“Of the graces?” said Cecilia, raising her eyebrows and suppressing too distinct a consciousness of being herself a rosy embodiment of several. “The household virtues are better represented. There are some excellent girls, and there are two or three very pretty ones. I will have them here, one by one, to tea, if you like.”

“I should particularly like it; especially as I should give you a chance to see, by the profundity of my attention, that if I am not happy, it’s not for want of taking pains.”

Cecilia was silent a moment; and then, “On the whole,” she resumed, “I don’t think there are any worth asking. There are none so very pretty, none so very pleasing.”

“Are you very sure?” asked the young man, rising and throwing away his cigar-end.

“Upon my word,” cried Cecilia, “one would suppose I wished to keep you for myself. Of course I am sure! But as the penalty of your insinuations, I shall invite the plainest and prosiest damsel that can be found, and leave you alone with her.”

Rowland smiled. “Even against her,” he said, “I should be sorry to conclude until I had given her my respectful attention.”

This little profession of ideal chivalry (which closed the conversation) was not quite so fanciful on Mallet’s lips as it would have been on those of many another man; as a rapid glance at his antecedents may help to make the reader perceive. His life had been a singular mixture of the rough and the smooth. He had sprung from a rigid Puritan stock, and had been brought up to think much more intently of the duties of this life than of its privileges and pleasures. His progenitors had submitted in the matter of dogmatic theology to the relaxing influences of recent years; but if Rowland’s youthful consciousness was not chilled by the menace of long punishment for brief transgression, he had at least been made to feel that there ran through all things a strain of right and of wrong, as different, after all, in their complexions, as the texture, to the spiritual sense, of Sundays and week-days. His father was a chip of the primal Puritan block, a man with an icy smile and a stony frown. He had always bestowed on his son, on principle, more frowns than smiles, and if the lad had not been turned to stone himself, it was because nature had blessed him, inwardly, with a well of vivifying waters. Mrs. Mallet had been a Miss Rowland, the daughter of a retired sea-captain, once famous on the ships that sailed from Salem and...