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W. H. Auden
In the Autumn of the Age of Anxiety
Alan Levy
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W. H. Auden
In the Autumn of the Age of Anxiety
Alan Levy
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W. H. Auden takes you to Auden's home in Austria to ask him questions; the conversation on the lawn that one dreams of. A fine tribute." â Bestseller
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Publisher
The Permanent PressYear
2015ISBN
9781504023337
1
THE MAN: AFTERNOONS ON AUDENSTRASSE
âFollow, poet, follow right
To the bottom of the night,
With your unconstraining voice
Still persuade us to rejoice;â
Scene 1: | IN KIRCHSTETTEN 1971 |
Kirchstetten is where one might have expected Robert Frost to live on a Guggenheim: an Austrian village of 800 with red-shingled roofs glistening in the cool but benign noonday sun; neat green and brown fields lying fertile and fallow as though ordained by an almanac. The local train from Viennaâa rickety, green Third Avenue El retread with iron-gated open platformsâhews to its schedule, too: precisely 54 minutes from the Wien Westbahnhof to Kirchstetten. Rising from the platformâs lone bench, the tall man in the red sport shirt, worn loose and flowing like a body bandana over baggy khakis, checks the trainâs arrival against his wristwatch and nods approvingly. Then his creased faceâwhich has been described as âgrooved and rutted like a relief map of the Balkansâ and which he himself once said looked as if âit had been left out in the rainâ too longâfurrows further while his watery eyes squint and canvass the train to ascertain if the visitor who invited himself down is indeed aboard. Only when the sole disembarking passenger in city clothes marches directly toward him does the face re-fold itself into a smile and W. H. Auden rises to extend a brisk handshake of welcome.
âWe have to hurry because lunch is in fifteen minutes,â he says, ushering his guest toward a creamy Volkswagen. This slave to the clock needs no further introduction on the station platform, for the world recognizes him as the bard who named our times âThe Age of Anxietyâ and won the 1948 Pulitzer Prize for his long poem of the same name set in a New York bar. This is the poet who pleadedâin a poem called âSeptember 1, 1939,â which he later withdrew from circulationâthat âwe must love one another or die.â This is the heir wearing, somewhat reticently, the mantle of Yeats and Eliot. Jacques Barzun praised him as âthe greatest living poet in Englishâ and the more prosaic New York Daily News touted him as âa classic in his own lifetime.â
This is also the British-born, naturalized American son-in-law of Thomas Mann and casual widower of Mannâs dark-haired, dark-eyed daughter Erika. This is the former partner of the novelist Christopher Isherwood and, for a good two decades, part-time partner of the opera librettist Chester Simon Kallman. But, right now in 1971, this is Wystan Hugh Auden, 64, long-time resident of St. Markâs Place in the East Village who spends April through October in rural Austria. He calls Kirchstetten âa chapter in my life which is not yet finished,â though he will, before long, forsake Manhattan and indeed end his days in Austria.
âI first beheld Kirchstetten
on a pouring wet
October day in a year
that changed our cosmos,
the annus mirabilis
when Parity fell.â
âThat was 1957,â Auden explains, âa rather important year in the history of physicsâwhen it was discovered that all physical reactions are not symmetrical.â He came here more than a decade after the end of World War II freed him from Fire Island summersâwhen the shabby volcanic Italian isle of Ischia grew âaltogether too expensive and touristy. That will never happen here: Kirchstetten has no beaches, no skiing, no hotels and no tourists.â
Speaking in British cadences (though occasional Americanisms creep in: âI was brought up to say grahss, but now I say graassâ), Audenâs bass voice resonates with Oxonian certainty even though the rumble of the Autobahn a half-mile away means anything can yet happen.
For now, however, he is secure in the two-story, shingled, two-tone green farmhouse which, along with three acres of land he bought for $10,000 âsoon after the Russians had left, when everything was cheap and very run down and hardly anybody here had cash. I had dollars, so I was able to beat out a theater director who was after the same property.â
It is a quiet life that Auden lives here once he puts the anarchy of the city and the publishing world behind him. In the insular, caste-conscious Austrian provincial society, Auden is an Ausländer (foreigner), a Herr Professor (Smith, Swarthmore, Oxford, etc.) and sometimes Herr Dichter (Mr. Poet). This, by definition, means that the only Kirchstetten Inländers with whom he can associate socially are âthe schoolmaster and his wife, the doctor and his wife, and the new priestâa young man whose name is Schickelgruber!* Iâve recently introduced Father Schickelgruber to his first martini. It was a huge success.
âSome Viennese friends briefed us on the system soon after we arrived here. For example, Iâm on very good terms with the local BĂźrgermeister (Mayor), but Iâve never invited him over for dinner. For all his qualifications, he doesnât have a degree and one doesnât know whether or not heâd accept, but one does know heâd be embarrassed.â
A steady, careful driver, Auden follows the direction of a varnished rustic wooden marker pointing toward Weinheberplatz, named after a poet who collaborated with the Nazis and took an overdose of sleeping pills when the Russians came. In a poem of his own called âJoseph Weinheber (1892-1945),â Auden wrote:
Reaching my gate, a narrow
lane from the village
passes on into a wood:
when I walk that way
it seems befitting to stop
and look through the fence
of your garden where (under
the circumstances they had to)
they buried you like a loved
old family dog.
And now Weinheberâs grave is covered with weeds, but Auden is still affected by the tangible presence of a âpoet Iâd never heard of until I came here.â For the 20th anniversary of Weinheberâs death, Auden wrote:
Categorized enemies
twenty years ago,
now next-door neighbours, we might
have become good friends
sharing a common ambit
and love of the Word,
over a golden Kremser
had many a long
language on syntax, commas
versification.
Near Weinheberplatz, Auden swerves down a side road with a smaller marker that says Audenstrasse. Only when the visitor remarks on it does Auden say, with unfeigned embarrassment: âThe Gemeinde (township) really shouldnât have done it. I donât have the bad manners to tell them how much I detest it, but I donât have the nerve to thank them for it either. The name Hinterholz is so much better.â The sign on his garden gate and the print on his stationery both identify Hinterholz, not Audenstrasse, as the street where he lives.
It is seconds before 1 P.M. when Auden drives inside a square concrete garage. Then, wheezing slightly with exertion, he leads his visitor up a steep footpath to the set-back farmhouse which is almost invisible from below. Metal garden furniture is arranged informally (and, thus, in a highly un-Austrian manner) on the front lawn. Auden seats his guest before going inside âto tell Chester weâre here and to fetch the Bloody Marys.â The host returns, after a few minutes, with a dish of pistachio nuts and a crossword puzzle, which he will fill in during lulls in the cocktail conversation.
Not that Auden is anything less than an ardent conversationalist. Any dialogue with Auden is a two-way street. He listens attentively and, sometimes much later, will take you up on something you said to him before. He anticipates what you were about to say and even mouths your lines, usually quite accurately, but he doesnât speak them. If your punch line comes out all rightâthat is, the way he anticipatedâhis eyes flash an unspoken signal of well done! But when you cross him up, he either crinkles with delighted surprise or puckers with disappointment. Again, though, both reactions go unsaid.
âThe drinks will be out shortly. Chester is still preparing lunch,â Auden reports, looking relieved at not having disrupted a schedule. âAnd do you happen to know a four-letter word meaning âfirst name of Swoboda and Huntâ?â His guests supplies Rons. Auden asks: âWhat are they? Statesmen?â No, ballplayers. Auden moans over American crosswords; he prefers Londonâs Sunday puzzles and, besides, âthe Americans are so inaccurateâfor example, a five-letter word for âirreligious personâ; answer: âpaganâ! But if the pagans were anything, they were over-religious.â
In rapid-fire conversation, I learn that âI DETEST AUNTSâ is an anagram for âUNITED STATESâ; âCINERAMAâ is an anagram for âAMERICANâ; and âWHY SHUN A NUDE TAGâ is âWYSTAN HUGH AUDEN.â For Auden is indeed, as he told Weinheber in verse, a lover of the Wordâbut of the written Word and of the Word spoken face-to-face. In Kirchstetten, he lives without telephone and television:
âI do have a phone in New York. One nightâat one in the morning!âI was awakened by Miss Bette Davis, the actress, calling from California to tell me how much she admired something of mine. She had no idea that it was anything later than ten oâclock at night where I was.
âI donât mind that, but in March, just before I left, the phone rang and a voice said: âWe are going to castrate you and then kill you.â All I could say to that was: âI think you have the wrong number.â Iâm quite sure he did.âŚ
âWhen you live in the city, you have to have a phone for making arrangements. And the mail is so terrible there. New York is the richest city in the world and I donât get my mail until 12 or 1; but here in a little Austrian village I always have it before 9 A.M. So I can take care of everything by correspondenceâand, if I have to phone Vienna or Munich, I place a call at the Gasthaus or post office when Iâm down there shopping.
âAnd here my mail reaches me in decent condition. One hears about American âknow-how,â but New York mailboxes are so small that theyâre clearly designed for people with no friends and no business. Besides, they have little hooks to gaff whatever mail does squeeze in.â
As for television, Auden wonât swallow Marshall McLuhanâs concepts of a âcool mediumâ and the end of the Gutenberg era. âPeople still buy books,â says the author of more than two-dozen volumes of poetry. âThe one good thing I think McLuhan said is that if TV had been invented earlier, Hitler would not have come to power.â
A purring voice interjects: âOf course, since TV, peace hasnât broken out all over.â Enter Chester Kallman, bearing a pitcher of Bloody Marys. Even in farmersâ blues on an Austrian hillside, Kallman remains a very heimisch 50-year-old Chester from Brooklyn: a Jewish opera lover who wound up adapting Mozart and Shakespeare and collaborating with ânot only the most eloquent and influential but the most impressive poet of his generationâ (Auden described by Louis Untermeyer).
Frog-faced, friendly, and fond of an occasional âcutesy-pooâ or âmy dear,â Kallman is a man who rarely says âhelloâ or âgoodbyeâ; he just includes you in or sees you out without so much as a nod or a word. He winters in Greece while Auden braves New York or Oxford, but, when they come together in Kirchstetten, the household roles are clearly delineated: Auden shops, sets the table and clears it off; and mixes the evening martinis. Kallman presides over the gardening, cooking, eating, and other drinking.
Whetting the appetite for the lunch to come, Kallman reveals that it will start with a cold cucumber-and-sour-grass soup. The sour grass is home-grown. Kallman refers to it as âspicy sorrel,â but Audenâwho is particularly fascinated by German, Yiddish, and Jewish usagesâpresses him: âYou call it something else, Chester, when we donât have company.â
âWell, Wystan,â replies Kallman, âyou can buy it at the Naschmarkt (central market of Vienna) by asking for Schav, which is what we used to call it when we picked it in the back lots of Brooklyn. Of course, Iâm no longer sure Iâd eat anything that grew in Brooklyn.â
Auden turns to his guest and asks: âDo you know the frightening thing about the dandelions?â The guest, bracing himself for a riddle, confesses that he doesnât. Auden says: âThe dandelions originally were sexual plants. We donât know when, but in the course of evolution they gave it up. They go on, though, with the same genes.â
It turns out that Auden is a devoted reader of Loren Eiseley and Joseph Wood Krutch. The guest wonders if now is the time to pop the question which too often becomes The Question just by dint of being withheld. Before lunch, however, is too early in ...