THE SECRET RAPTURE
For Blair
Characters
Isobel Glass
Marion French
Tom French
Katherine Glass
Irwin Posner
Rhonda Milne
The Secret Rapture was first performed at the Lyttelton Theatre, South Bank, London, on 4 October 1988. The cast was as follows:
Isobel Glass Jill Baker
Marion French Penelope Wilton
Tom French Paul Shelley
Katherine Glass Clare Higgins
Irwin Posner Mick Ford
Rhonda Milne Arkie Whiteley
Directed by Howard Davies
Settings by John Gunter
Costumes by Fotini Dimou
Music by Ilona Sekacz
Only half of us is sane: only part of us loves pleasure and the longer day of happiness, wants to live to our nineties and die in peace, in a house that we built, that shall shelter those who come after us. The other half of us is nearly mad. It prefers the disagreeable to the agreeable, loves pain and its darker night despair, and wants to die in a catastrophe that will set back life to its beginnings and leave nothing of our house save its blackened foundations.
REBECCA WEST
If you donāt like my peaches,
Why do you shake my tree?
Get out of my orchard
And let a poor girl be.
POPULAR SONG
Act One
SCENE ONE
Robertās bedroom. The curtain goes up on almost complete darkness. Then a door opens at the back and a dim and indirect light is thrown from the corridor. Marion, in her late thirties, brisk, dark-haired, wearing a business suit, stands a moment, nervous, awed, in the doorway. She moves into the room which you can just detect is dominated by a large double bed, in which a man is lying, covered with a sheet reaching up over his face. Marion stops a moment by the bed, looking down. She then turns to go back towards the door.
Isobel Marion?
Marion lets out a scream, not having realized that Isobel was sitting in a chair at the end of the bed.
Marion My God!
Isobel Iām sorry.
Marion You startled me.
Isobel Donāt turn the main light on.
Marion goes to the bed and turns on a small bedside lamp.
I needed some peace.
Isobel is younger than Marion and blonder. She is in her early thirties, and casually dressed in a shirt and blue jeans. She is sitting at the end of the bed, facing us, not moving. The room is seen now to be panelled, gloomy, dark, old-fashioned. It is absolutely tidy, hairbrushes in place, the body quite still beneath the shroud.
I decided this would be the only place. For some quiet. Thereās so much screaming downstairs.
Marion moves gingerly towards the bed. She looks a moment.
Marion So were you with him?
Isobel Thereās actually a moment when you see the spirit depart from the body. Iāve always been told about it. And itās true. (She is very quiet and still.) Like a bird.
Marion looks across, nervous.
Marion Did he ā¦
Isobel What?
Marion No, I wondered ā¦ who dressed him?
Isobel Dressed him?
Marion Yes. Is he in a suit?
Isobel I did it. And there was a nurse.
Marion stands a moment, not looking at the bed.
Marion Well, I donāt know. Are you going to sit there?
Isobel Yes. For a while. Is that all right?
She smiles and holds out her hand. But Marion does not take it.
Marion Yes. Perfectly.
Isobel Did you want to be alone with him?
Marion No. I just wanted to see him for the last time.
Isobel does not move.
Iām sorry, you know, I feel wretched not getting here ā¦
Isobel Oh, Iām sure Dad didnāt mind. He was barely conscious. He had no idea who I was. (She smiles.)
Marion I was wondering ā¦
Isobel What?
Marion No, itās just ā¦ no, itās nothing. Itās silly. I gave him a little thing. Six months ago. When I ā¦ when you first told me he was ill. I was shocked. I bought him a present.
Isobel Oh, was that the ring?
Marion I mean what Iām saying is ā¦ is he still wearing it?
Isobel No. We took it off.
Marion Where did you put it?
Thereās a silence. Isobel finally realizes what Marion wants.
Isobel Itās in the drawer.
Marion nods slightly. Then she goes to the chest of drawers and opens the top drawer. She takes out a ring. Then closes it. She moves back across the room.
Marion Well, I must say, Isobel, youāve been heroic. I wouldnāt have managed it. I know myself too well. The times I came down to see him ā¦ Iāll say this to you ā¦ it made me uncomfortable. I couldnāt be wholly at ease. I find it hard ā¦ I mean if someoneās, you know, as he was ā¦ I find it hard to strike the right attitude. Donāt you find that?
Isobel I donāt know.
Thereās a momentās silence.
Marion Look, about the ring.
Isobel Itās all right.
Marion Isobel, please let me explain to you ā¦
Isobel Honestly, Marion ā¦
Marion I know when I took it just now, it must have looked bad. Did it look bad?
Isobel shakes her head.
Youāve always been kind to me. But there are reasons.
Isobel Iām sure. (She looks down a moment.)
Marion I know what youāre thinking.
Isobel Iām not thinking anything.
Marion Oh, this is awful. Itās absolutely ghastly. I knew when I took it, I should have waited. I should have come and taken it when I was alone. Itās just the thought, if Katherineās got her hands on it, you know perfectly well sheāll sell it tomorrow ā heās left her everything ā what, Iām meant to leave it in that drawer, so she can spend it on drink?
Isobel looks to the bed, disturbed by Marionās sudden loudness.
For Godās sake, I mean, the ring is actually valuable. Actually no, that sounds horrid. I apologize. Iāll tell you the truth. I thought when I bought it ā I just walked into this very expensive shop and I thought, this is one of the few really decent things Iāve done in my life. And itās true. I spent, as it happens, a great deal of money, rather more ā¦ rather more than I had at the time. I went over the top. I wanted something to express my love for my father. Something adequate.
Marion has tears in her eyes. Isobel is very quiet.
Isobel Then by all means you must take it. I canāt see why not.
Marion thinks about this a moment, looking judiciously at Isobel.
Marion I mean, God, I want to have something. Itās a sort of keepsake. Every time I look at it, Iām going to feel sad. Because, you know, I think itās going to be a terrible reminder of ā¦ what do you call those things?
Isobel A memento mori.
Marion But I mean when it comes down to it, itās much better that than itās traded for eight crates of vodka for Katherine to pour down her throat.
Isobel lo...