"[A] fascinating debutĀ .Ā .Ā . documenting the lives of teenage runaways who traverse America as part of a freewheeling counterculture." ā
Publishers Weekly
At age twenty-two, writer Chris Urquhart left a life of middle-class comfort to document the lives of these young nomads for a magazine feature. Captivated, she followed them for three more years. In honest prose interspersed with photographs portraying the grimy beauty of nomadic life,
Dirty Kids tells the story of how Urquhart lived alongside runaways, crust punks, and dropouts, hippies, Deadheads, and Rainbows in an attempt to belong in their world.
But the road took its toll, and along the way, Urquhart found suffering alongside the freedomāmental health issues, substance abuse, and fears of violence marred her journey. Despite all that, the warm, welcoming family of travelers and their radically alternative culture of sharing, generosity, and non-capitalistic collaboration forever changed her outlook on life and her understanding of freedom.
"An illuminating and memorable twenty-first-century journey. From this angle, Burning Man looks bourgeois." āTed Conover, National Book Critics Circle Award-winning author of
Newjack: Guarding Sing Sing
"Brings readers face-to-face with the bliss of freedom, the terror of loneliness, and the hard but true realities of life on the roadāand on the railsāin modern day Babylon." āPeter Conners, author of
Growing Up Dead: The Hallucinated Confessions of a Teenage Deadhead
"Urquhart shows us a seldom-glimpsed slice of America with poetic flair and journalistic objectivity." āKen Ilgunas, award-winning author of
Trespassing Across America

- 208 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
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CHAPTER 1

Welcome to Rainbowland
(JULY 2009)
SPLAYED ON A raggedy mattress in the back of a pickup truck I fake-smile, petrified. Weāre en route to Rainbowland, a festival Iāve never been to before, in a vehicle without seatbelts. A kid we just met a couple minutes ago, Sticky, is munching on garlic cloves beside me; heās tossing them into his beak like theyāre bubblegum. Sticky beams triumphantly. Heās not the least bit self-conscious of his ripe bare feet or omnipresent body odor. He shouts blissfully out the window to no one in particular, long hair flowing biblically in the wind. āLovinā you!ā he says. āLovinā you!ā
Iām not sure where Kitra found this man, but heās hooked us up with a ride into Rainbowland. I trust Kitra without question. Weāre in New Mexico on assignment for an Italian magazine called COLORS: Kitra to take photos and me to write text and help carry gear. Iāve never been to a Rainbow Gathering before. Kitra has been to one in Israel. My bladder pinches, but I keep my mouth shut. I know Iām greenāfresh meat.
āCoffee break!ā shouts Amanda, the woman behind the wheel. āEverybody out!ā
Amanda is a first-timer, too. She smiles defiantly. Her shirt reads: International Indigenous Womenās Day.
We pick up more people along the way: Braham, a Robert Plant look-alike with a pill-white cast on his leg, and Jesse, a man in his twenties with a shaved head and expensive ball cap. When we pick up Jesse, Sticky jumps on him with a hug and yells, āBrother!ā Theyāre family from Rainbows past and are excited to have met up so serendipitously.
On the highway, Jesse sits too close to me on the communal mattress, adjusting his cap. He tells me about his work as a volunteer firefighter, how he hops from helicopters to extinguish roaring bush fires. My head jangles back and forth in the backseat. I keep my eyes on the horizon to avoid feeling nauseous.
āWhatāre your chances of getting hurt?ā I ask.
He says he doesnāt know. I change the topic to Rainbowland, which is why Iām here. Jesse becomes very sentimental almost immediately. He tells me how he first got involved with the Familyāthe close network of Rainbow attendees.
āAt fourteen I was on the streets. I could have gone down some really bad paths,ā he tells me. āBut Rainbow set me straight. Actually, Rainbow saved my fucking life.ā
Soon, Jesse is inviting me to move into his yurt in Northern California, to live with him, off the land on his off-the-grid property. āI came to this Gathering to find a Sagittarius girl like you,ā he tells me. āLibra and Sagittarius are the perfect match, you know.ā
āKitraās a Libra,ā I reply awkwardly, kicking the communal mattress. Kitra looks up from her camera screen, oblivious. She smiles, luminescent: long-limbed and starry-eyed, she snaps photos of the wacky foliage unfolding through our cracked windowpanes.
Two months earlier, Iād graduated from McGill University in Montreal, where Iād majored in anthropology and world religions. While there, I devoured ethnographies detailing the cultural customs of the African Nuer, the cheese-making techniques of the Persian Basseri, and the cultural customs of the Nuer of Sudan and the Sarakatsani of Greece. But it wasnāt enough for me. I wanted to understand the nomadic cultures of my own continent, from my own perspective.
Iād met Kitra at McGill in an experimental religion class. Our professor, who insisted we refer to him by the moniker LumiĆØre, was a tall, balding man with an ineffable spirit. In a stuffy school hell-bent on pomp and circumstance, he played the Pink Floyd song āAnother Brick in the Wallā full blast at the beginning of each and every one of our lectures. He forced us up onto our feet to march in unison with our classmates, encouraging us to sing along with the lyrics, which he provided to us on paper.
Kitra, wearing an oversized shirt and dark glasses, sat in front of me on our first day. I told her I liked her top because I wanted to talk to her. She thanked me in her soft, solemn voice, saying she thought it might be her sisterās.
āWe donāt really have our own clothes,ā she told me. āWe just have a pile we all share.ā
This idea was so foreign to me. My WASP upbringing demanded we all have our own belongings, our own deep closets.
LumiĆØre insisted each of us go by our own monikers. Kitra chose the name Dogmeta 95, in homage to director Lars von Trierās film movement, and I called myself Lady X, which I think was a vague reference to Sylvia Plathās āLady Lazarusā mashed up with Bowieās āLady Stardust.ā We really didnāt think them through. At the end of class, LumiĆØre told us we would go by those names, and those names only, until the end of the semester. So, we did.
In LumiĆØreās class, I learned about Kitraās photography and career as an artist. She told me about her experiences as a teenager: photographing the Gaza Strip and landing her photo on the front cover of the New York Times, working as an assistant for a celebrity photographer in New York City. I was in immediate awe of her. To my delight, we quickly became inseparable. We started collaborating on stories to pass the time, traveling to London, Ontario, to cover an LGBTQ2 prom and to Coney Island to interview carnival workers. This collaboration would eventually lead us to Rainbowland.
The university fired LumiĆØre a year later, which was a real shame, as his class was the most valuable one I took at McGill.
AS WE APPROACH the Santa Fe National Forest in northern New Mexico, the road turns to gravel soup. Cars line the roadsides like stubble: Volkswagen vans, Hondas, BMWs, and multitudes of multicolored school buses. Plates hail from Minnesota, South Dakota, New York, Nebraska, and beyond. Bumper stickers scream: QUESTION REALITY, ARMS ARE FOR HUGGING, VIETNAM VET ON BOARD, and PEACE: BACK BY POPULAR DEMAND. A few cars lie upside down in the ditch, having toppled over after being parked on shifting ground.
Amanda drives, slower now. From the window, I spy shoeless children, tattooed men sitting shirtless in lawn chairs.
āWelcome home!ā Sticky shouts, still beaming.
āLovinā you!ā a man yells back from the road.
Iām overwhelmed by the call and response, by the oddities surrounding our vehicleāthe clanking wheelbarrows, dilapidated busesāby the huge smiles everywhere I look. A young woman rides past our truck, bareback on a white stallion. Sheās carrying a newborn baby in a hand-sewn sling across her chest. Iām utterly awestruck, unable to speak. Kitra sits calmly, dreamily, waiting for the vehicle to come to a stop before exiting.
āItās a couple milesā hike to the site,ā Jesse says. āWeāll carry those bags for you.ā
I spy a hand-cut path leading down a bank into wilderness. Sticky and Jesse grab our gear and tell us theyāll come back for their own later.
THE FIRST OFFICIAL Gathering of the Rainbow Family of Living Light was held in 1972. The event, which took place in the Arapaho National Forest, Colorado, brought together more than twenty thousand Americans to live communally in the woods for more than a week. Their mission: to pray for world peace on the Fourth of July. Times have changed, but Rainbows, as the attendees are called, havenāt stopped gathering since, in an unbroken chain of Gatherings, year after year. They build, operate, and then deconstruct a fully functioning temporary society in the middle of a national forest every summer.
Original Rainbow attendees were from a mishmash of subcultures: mainly hippies hell-bent on communal living, tripping flower children trailing off the ā67 Summer of Love, Vietnam War protestors, Hells Angels bikers, and swaths of high school dropouts. Today, participants include homeless folks, crusty punks, and inner-city youth who come for the sense of community, free food, and stability the festival offers. Many homeless Rainbows make a life of jumping from Gathering to Gathering all year long. Gatherings have maintained popularity, with many events hosting more than thirty thousand participants. Regional Rainbows and international events occur throughout the year across the globe. Hippies are still the bread and butter of Rainbow culture, but because of its open, inclusive nature, Rainbowland is also a haven for people who just donāt fit into the mainstreamāpoor Americans, those who have nothing to their name, full-time travelers, and teenage runaways. Weāre here to interview members of these last two groups.
THE ONLY PUBLISHED ethnography about Rainbowland is entitled People of the Rainbow: A Nomadic Utopia by Michael Niman. In it, Niman attempts to explain the Familyās population: āSome members live under bridges, some in condominiums. For most, the Gatherings are a vacation from Babylon, but for a dedicated minority, Rainbow is a way of life.ā Babylon, I will soon learn, is the term for society outside of Rainbowland. Itās a catchall, not a specific place on the map. Babylon is what traveling kids call any town, city, or space outside of Rainbowland, any place thatās not āhome.ā
In All Ways Free, the unofficial Rainbow Family newspaper, the Gathering is described as a ādiverse and decentralized social fabric woven from the thread of hippie culture, back-to-land-ers, American Indian spiritual teachings, pacifist-anarchist traditions, eastern mysticism, and the legacy of the depression-era hobo street wisdom.ā
Not everyone sees Rainbow in a positive light. The Department of Homeland Security has named the Rainbow Family an official āterrorist threat,ā a threat to national security. Local and national police forces and park rangers spend thousands of dollars annually to monitor Gatheringsāoften much more money than it takes to run the actual event. Since 1972, United States government agencies have demanded to negotiate with leaders or spokespeople, but Rainbow only offers āliaisonsā to aid in conflict resolution. Legally, nobody is allowed to speak for the Familyāspokespeople, leaders, and presidents are not part of this model. This means the police are unable to charge this decentralized group of thousands of people for the organization of the event, though local townships regularly attempt to take legal action, and police presence at Gatherings is almost guaranteed. Despite this, Rainbows insistently continue exercising their right to assemble on public land, to pray for peace on the Fourth of July.
THE ROAD TO the main site is rough and bumpy. Handwritten signs hang limply from trees: WE LOVE YOU, DOSE ME, FUCK UNCLE SAM, WELCOME HOME! We pass bright eyes everywhere. Iām told the site was set up by Seed Campāa group of the more hardcore Rainbows who come early to scout, clear, and maintain the site, and who stay late to return the land to its original form, ensuring the park environment is not compromised. Those involved in Seed Camp are often regular Rainbow attendees who spend weeks or months in the woods.
After half an hourās hike we reach Main Meadow, the center, or town square, of Rainbowland. Main Meadow is where the annual Prayer for Peace is heldāthe central event of this Gathering, a tradition carried on from the very first Gathering. This is where thousands will gather and pray on the Fourth. I look out at the large plain of burnt grass, almost as big as a football field, which holds hundreds of humans sitting in shapes, strumming instruments, reading books and manifestos, writing poetry, hula-hooping, and practicing devil sticks. There is an ever-present unyielding and ominous drum heartbeat. Hand-forged paths cover the periphery of the meadow, trails to hundreds of Rainbow kitchens, hidden in the woods. Some Rainbows have been on the site for weeks already, and the excitement is only ramping up as more people arrive.
āHell yeah,ā Jesse shouts. āWelcome home!ā
A hand-built information boothāa tiny, creaky hutāsits at one side of Main Meadow, where Main Circle, the Prayer for Peace on the Fourth, is held. Inside are handwritten maps of this yearās setup, ride-share boards, schedules for free skill-share workshops, and a big box of clothes with a sign reading FREE.
āWhereās Shtetl Kettle this year?ā Sticky asks a man attending the booth.
Stickyās looking for a kosher kitchen that heās camped at before; the same kitchens appear year after year at Gatherings.

Young travelers congregate at Dirty Kids Camp, one of the darker dwellings in Rainbowland, to share smokes, rats, and guitar riffs.
NEW MEXICO, JULY 2009
Heās told they arenāt here this year, but the man suggests he try Turtle Soup instead. Swapping camps is a common occurrence; kitchens change, evolve, and swallow one another whole. Jesus Camp, Montana Mud, River Rats, Lovinā Ovens, Death Camp, Fat Kids Kitchen, and Shut Up and Eat It: Rainbow kitchens of various names feed thousands of Family members a day, all for free. In fact, everything in Rainbowland is free. Supplies are donated, forged, or āliberatedā from the local town dumpsters (often to the dismay or, at times, sheer delight of the surrounding townships). There are long-standing camps that are generally in attendance at annual Gatherings, but Rainbows always adapt, moving, shifting. Kitra and I are on the search for a kosher vegetarian kitchen as well, so we follow Sticky.
āSeven up!ā I hear a voice call through the forest.
Then I spy a congregation of police officers and park rangers on horseback passing through. The call amplifies as soon as it...
Table of contents
- Cover
- Title Page
- Dedication
- Contents
- Foreword
- Introduction: Lady Liberty
- Chapter 1. Welcome to Rainbowland
- Chapter 2. Food Stamps in Babylon
- Chapter 3. Nomadia
- Chapter 4. Cover Your Shit
- Chapter 5. Sand Fleas
- Chapter 6. The House of Ill Repute
- Chapter 7. On Fire
- Chapter 8. Trans American
- Chapter 9. CALM
- Chapter 10. Summer in Shangri-La
- Chapter 11. Moonflower
- Chapter 12. Gator Nation
- Epilogue: Reintegration
- Acknowledgments
- References
- Copyright Page
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