Using an invented poetry method called frankenpo (frankenstein poetry), Liu takes existing texts and remixes them, creating multi-faceted poems that investigate the relationship between toxic masculinity and forms of violence plaguing our modern society. It also explores the male-male erotic and marginalized masculinities that are urgently needed as a counterweight to today's dominant hypermasculinity.
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Yes, you can access Monsters I Have Been by Kenji C. Liu in PDF and/or ePUB format, as well as other popular books in Literature & American Poetry. We have over one million books available in our catalogue for you to explore.
ULTRAMANâS LAMENT FOR SHIN HAYATA, YEAR 1 / 1ĺš´
1.  In this memory youâre a cold rattle of pills. A pressed gathering of molecules, rejected by gravity.
2.  In Nagasaki, the holes were the deepest in the world. They werenât that deep. Itâs not what you wanted, was it.
3.  Youâre an aluminum horse slipping between the snowflakes, your ragged split of hair whistling waist-long. Now a view of the asylumâs burned caramel.
4.  If youâre looking, you should fall into a sinkhole in the tundra. Giant flocks of birds will pass over. Deep, not a measurement, just a statement of fact.
5.  What did it take to carve your lovely nose? Slip through the crabgrass kingdom with that glass ballerina spine. A reputable spectre always returns to hunger.
6.  That winter, the first time a diagnosis ever touched you. No testosterone in the tank. How many times has a fist of hail found your exact location?
7.  You havenât been as sad as the gazing moon. But youâve lived in a suburb. Whatâs the only medicine thatâs ever worked for you?
8.  Sketch your name in your palm. Count the strokes. How many now? The blue orb of your Ultraman, draining like a god ventricle. The unusual ruin of your
9.  A crater in the shape of you and nothing to fill it with. Isnât that enough? Crash down to me, become ice.
WHAT I LIKE ABOUT YOU 1
after Kenneth Tamâs âBreakfast in Bedâ
Bro, youâre lanky and tall. Your eyes really stand out.
Got a lot of hair growing from your chest, spilling.
Iâm jealous of your beard, itâs nice and full. Jealous.
You look like you take care of yourself. When we dance,
I love the way our bells swing. Got a good physique,
youâre a good-looking guy. We coordinate well.
Youâve got good ideas, like swinging our hips right
and then left. You take leadership, appreciate that.
I chase you with blue paint and you spring away.
I want to make my mark on you, like all the other guys.
Love your skin tone, darker than mine. Let me glue
this cheerio to your chest. Iâll avoid the hair. Though dusky,
your skinâs bright under fluorescents. This blindfold fits
perfectly under your tinfoil hat. Find me, bro.
Iâm rustling in the far corner. Iâm circling, watching, and
smiling. Iâm teasing your neck. Letâs hold hands and jingle.
TEACHMG MEN TO BE EMOTLONALLY HONEST
frankenpo
My full teeth desire was
to avoid being1
an extracurricular
victim2
of minor men
in the ugly experiment3
The tough-guy lines
suicide hookups4
pounding displays of
national gender5
These gesture projects
with their pall
facial crises6
The stirring said: Be joy
Mutate the hypermasculine
kit7
Lower the
outpouring bicep and
devastating bark8
In that last behavior
point a space of concision
gritted eye analysis9
What masks
What power10
to grow against this
hosted masculinity11
to rename by changing
a behavioral gap12
To be a thing of new gravity
in the tenuous
intimacy theater13
1. An inheritance of undershirts. This extra lady hotline. A reputation for independent he-love, distracted beer sensibilities, money toilets, and tone attack captains.
2. âWhen I was a very small boy / very small boys talked to me / now that weâve grown up together / theyâre afraid of what they seeâ
3. Otherwise known in certain circles as an âI statement.â But instead, he saw through a 35 mm lens at all times.
4. You boxes are truly men inside. Itâs a lovely master destiny, societyâs carving points growing a thing.
5. âHateful things: a man who has nothing in particular to recommend him discusses all sorts of subjects at random as though he knew everything.â
6. â⌠a pervasive cluster of forces ranging from physical brutality to control of consciousness, which suggests that an enormous potential counterforce is having to be restrained.â
7. For every himself, call it a bottom-feeder. âFor the suit men of power.â We turn among ourselves. The traditional boss ladder excuse, the cocktail I-am-so-manly-I-donât-care glances club, that no-brainer hell circle.
8. See Chinese Exclusion Act of 1882 and Page Act of 1875.
9. âI donât need your help. I just need you to recognize that this shit is killing you, too, however much more softly, you stupid motherfucker, you know?â
10. You poor expectation. You thing-master you.
11. He was never told how to act, but he was measured in other ways.
12. âEstĂĄn ahĂ, sĂ. Pero no existen.â
13. âWhatever living beings there may be, whether they are weak or strong, omitting none. Outward and unbounded, freed from hatred and ill-wi...
Table of contents
Cover
Title Page
Copyright
Contents
Acknowledgments
Frankenpo
Visa
Portrait of Grandfather as a Cowboy
Ultramanâs Lament for Shin Hayata, Year 1 / 1ĺš´
What I Like About You 1
Teaching Men to be Emotionally Honest
Gyoshoku Danshi
Rajesh Goes to the Stud Club
Rajeshâs Theme
Self-Portrait as Hikaru, Shining Light
Footnotes to a Murder in the Third Degree
Sheâs People! 10 Apologies
Dear I Ching, Am I A Real Man?
Stomach Me, Delicious World
Maggie and Tony
Hello Stranger
We Learn to be Men
What I Like About You 2
Dear I Ching, What is the Legacy of Colonization in my Family?
Notorious Rain
Ultramanâs Lament for Shin Hayata, Year 5 / 5ĺš´
I Bite with Inaccurate Teeth
Manifest Destiny for Sassy Choir
Portrait of Grandfather as a Robot Cowboy
Now I Know What itâs Like
Dear I Ching, How Does Heteropatriarchy Live on Through Me?
Wanted Bodies Become Animals
Empire Strikes
Drowsiness Through My Kiss
Descending, Throttle Early, Savagely
Letter to Chow Mo-Wan
My Boy Band Throws National Shade
Ultramanâs Lament for Shin Hayata, Year 10 / 10ĺš´