A Companion to Contemporary Art Since 1945
eBook - PDF

A Companion to Contemporary Art Since 1945

  1. English
  2. PDF
  3. Available on iOS & Android
eBook - PDF

A Companion to Contemporary Art Since 1945

About this book

A Companion to Contemporary Art is a major survey covering the major works and movements, the most important theoretical developments, and the historical, social, political, and aesthetic issues in contemporary art since 1945, primarily in the Euro-American context.

  • Collects 27 original essays by expert scholars describing the current state of scholarship in art history and visual studies, and pointing to future directions in the field.
  • Contains dual chronological and thematic coverage of the major themes in the art of our time: politics, culture wars, public space, diaspora, the artist, identity politics, the body, and visual culture.
  • Offers synthetic analysis, as well as new approaches to, debates central to the visual arts since 1945 such as those addressing formalism, the avant-garde, the role of the artist, technology and art, and the society of the spectacle.

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Yes, you can access A Companion to Contemporary Art Since 1945 by Amelia Jones, Dana Arnold in PDF and/or ePUB format, as well as other popular books in Art & History of Contemporary Art. We have over one million books available in our catalogue for you to explore.

Information

Table of contents

  1. Figures
  2. Notes on Contributors
  3. Series Editor’s Preface
  4. Acknowledgments
  5. PART I Introduction
  6. 1 Introduction: Writing Contemporary Art into History, a Paradox?
  7. PART II Decades
  8. 2 ā€œAmericaā€ and its Discontents: Art and Politics 1945–60
  9. 3 The 1960s: A Decade Out-of-Bounds
  10. 4 ā€œI’m sort of sliding around in place . . . ummm . . .ā€: Art in the 1970s
  11. 5 Pictures and Positions in the 1980s
  12. 6 1990–2005: In the Clutches of Time
  13. PART III Aesthetics
  14. 7 Form and Formless
  15. 8 Re-Thinking the ā€œDuchamp Effectā€
  16. 9 Regarding Beauty
  17. PART IV Politics
  18. 10 Avant-Garde: A Historiography of a Critical Concept
  19. 11 Facture for Change: US Activist Art since 1950
  20. 12 ā€œThe Senators Were Revoltedā€: Homophobia and the Culture Wars
  21. 13 Crowds and Connoisseurs: Art and the Public Sphere in America
  22. PART V Identity/Subjectivity
  23. 14 The Writerly Artist: Beautiful, Boring, and Blue
  24. 15 Diaspora: Multiple Practices, Multiple Worldviews
  25. 16 Power and Pleasure: Feminist Art Practice and Theory in the United States and Britain
  26. 17 Queer Wallpaper
  27. 18 Implications of Blackness in Contemporary Art
  28. 19 The Paradoxical Bodies of Contemporary Art
  29. PART VI Methods/Theories
  30. 20 A Shadow of Marx
  31. 21 Poststructuralism and Contemporary Art, Past, Present, Future . . .
  32. 22 ā€œFragments of Collapsing Spaceā€: Postcolonial Theory and Contemporary Art
  33. 23 Visual Culture Studies: Questions of History, Theory, and Practice
  34. PART VII Technology
  35. 24 ā€œThat’s All Folksā€: Contemporary Art and Popular Culture
  36. 25 Image +Text: Reconsidering Photography in Contemporary Art
  37. 26 Imagine There’s No Image (It’s Easy If You Try): Appropriation in the Age of Digital Reproduction
  38. 27 ā€œLife-likeā€: Historicizing Process and Responsiveness in Digital Art
  39. Index