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French Fiction Today
Warren Motte
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French Fiction Today
Warren Motte
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About This Book
French Fiction Today focuses on the French novel in the twenty-first century, examining a series of works that are exemplary of broader currents in the genre. Each of these texts wagers insistently upon our willingness to speculate about literature and its uses, in an age when the value of literature is no longer taken as axiomatic. Each of these texts may be thought of as a critical novel, a form that calls upon us to engage with it in a critical manner, promising that meaning will arise in the articulation of writing and reading. Each of these authors participates in a debate about what the novel is as a cultural form in our presentâand about what it may become, in a future that begins right now.
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LetteraturaSubtopic
Critica letteraria francese SELECTED DALKEY ARCHIVE TITLES
MICHAL AJVAZ, The Golden Age.
The Other City.
PIERRE ALBERT-BIROT, Grabinoulor.
YUZ ALESHKOVSKY, Kangaroo.
FELIPE ALFAU, Chromos.
Locos.
JOE AMATO, Samuel Taylorâs Last Night.
IVAN ĂNGELO, The Celebration.
The Tower of Glass.
ANTĂNIO LOBO ANTUNES, Knowledge of Hell.
The Splendor of Portugal.
ALAIN ARIAS-MISSON, Theatre of Incest.
JOHN ASHBERY & JAMES SCHUYLER, A Nest of Ninnies.
ROBERT ASHLEY, Perfect Lives.
GABRIELA AVIGUR-ROTEM, Heatwave and Crazy Birds.
DJUNA BARNES, Ladies Almanack.
Ryder.
JOHN BARTH, Letters.
Sabbatical.
DONALD BARTHELME, The King.
Paradise.
SVETISLAV BASARA, Chinese Letter.
MIQUEL BAUĂĂ, The Siege in the Room.
RENĂ BELLETTO, Dying.
MAREK BIENCZYK, Transparency.
ANDREI BITOV, Pushkin House.
ANDREJ BLATNIK, You Do Understand.
Law of Desire.
LOUIS PAUL BOON, Chapel Road.
My Little War.
Summer in Termuren.
ROGER BOYLAN, Killoyle.
IGNĂCIO DE LOYOLA BRANDĂO, Anonymous Celebrity.
Zero.
BONNIE BREMSER, Troia: Mexican Memoirs.
CHRISTINE BROOKE-ROSE, Amalgamemnon.
BRIGID BROPHY, In Transit.
The Prancing Novelist.
GERALD L. BRUNS, Modern Poetry and the Idea of Language.
GABRIELLE BURTON, Heartbreak Hotel.
MICHEL BUTOR, Degrees.
Mobile.
G. CABRERA INFANTE, Infanteâs Inferno.
Three Trapped Tigers.
JULIETA CAMPOS, The Fear of Losing Eurydice.
ANNE CARSON, Eros the Bittersweet.
ORLY CASTEL-BLOOM, Dolly City.
LOUIS-FERDINAND CĂLINE, North.
Conversations with Professor Y.
London Bridge.
MARIE CHAIX, The Laurels of Lake Constance.
HUGO CHARTERIS, The Tide Is Right.
ERIC CHEVILLARD, Demolishing Nisard.
The Author and Me.
MARC CHOLODENKO, Mordechai Schamz.
JOSHUA COHEN, Witz.
EMILY HOLMES COLEMAN, The Shutter of Snow.
ERIC CHEVILLARD, The Author and Me.
ROBERT COOVER, A Night at the Movies.
STANLEY CRAWFORD, Log of the S.S.
The Mrs Unguentine.
Some Instructions to My Wife.
RENĂ CREVEL, Putting My Foot in It.
RALPH CUSACK, Cadenza.
NICHOLAS DELBANCO, Sherbrookes.
The Count of Concord.
NIGEL DENNIS, Cards of Identity.
PETER DIMOCK, A Short Rhetoric for Leaving the Family.
ARIEL DORFMAN, Konfidenz.
COLEM...