Wie der Erstdruck vermerkt, vertonte Robert Schumann im Jahr 1849 die Ballade "Schön Hedwig" op. 106 "fĂŒr Declamation mit Begleitung des Pianoforte". Unter derselben Besetzungsangabe wurden drei Jahre spĂ€ter die "Ballade von Haideknaben" und "Die FlĂŒchtlinge" op. 122 publiziert. Die Autorin untersucht die zeitgenössischen positiven ĂuĂerungen zu Schumanns Werken, die in einem Umfeld der grundsĂ€tzlichen Ablehnung des Melodrams markant hervortreten. Sie zeigt, wie vor allem die Konzertmelodramen tiefgreifende Einblicke in seine Musik- und GattungsĂ€sthetik ermöglichen: Mit dem Melodramatischen als Vertonungsstrategie betrat der Komponist â trotz einer ĂŒber siebzigjĂ€hrigen Gattungstradition â musikalisch neues Terrain.
eBook - PDF
Das Melodramatische als Vertonungsstrategie
Robert Schumanns Balladen op. 106 und op. 122
- 133 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
Das Melodramatische als Vertonungsstrategie
Robert Schumanns Balladen op. 106 und op. 122
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Information
Subtopic
MusicTable of contents
- Cover
- Inhaltsverzeichnis
- Vorwort
- 1.âDas Melodram in der Mitte des 19. Jahrhunderts: Ein âGenre von unerquicklichster Gemischtheitâ
- 2.âSchumanns Textwahl und musikalischer Umgang â kĂŒnstlerischer Anspruch und kompositorische Freiheit
- 3.âDas Melodramatische als Vertonungsstrategie der Ballade bei Schumann
- 4.âZwischen Liedkomposition und Programmmusik? Die Konzertmelodramen im GattungsgefĂŒge des 19. Jahrhunderts
- Anhang
- Literaturverzeichnis
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Yes, you can access Das Melodramatische als Vertonungsstrategie by Esther Dubke in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Music. We have over 1.5 million books available in our catalogue for you to explore.