
- 182 pages
- English
- PDF
- Available on iOS & Android
Shakespeare - As You Like It
About this book
This essential guide provides a comprehensive survey of the most important criticism surrounding As You Like It, one of Shakespeare's most popular and engaging comedies, from the earliest appraisals through to 21st century scholarship. Dana Aspinall outlines, assesses and explores the key critical issues, including As You Like It and the genre of comedy; Shakespeare's adaptation of sources; gender, love and marriage; and interrogations of power. Highlighting how critical and scholarly studies of As You Like It continue to enrich our understanding of this complex and popular play, this guide is an invaluable resource for undergraduate and postgraduate students of English literature, teachers, researchers, scholars, and lovers of Shakespeare everywhere.
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Table of contents
- COVER
- CONTENTS
- ACKNOWLEDGEMENTS
- NOTE
- INTRODUCTION
- CHAPTER ONE 1709ā1800: āTo Breed Me Wellā: Determinations of Genre and Character
- CHAPTER TWO 1800ā1900: āDancing Measuresā: Arriving at Critical Consensus
- CHAPTER THREE 1906ā72: āA Great Reckoningā: New Criticism
- CHAPTER FOUR 1948ā83: āNot for All Marketsā: Movements Away from New Criticism and the Authority of the Text
- CHAPTER FIVE 1978āPresent: āAll the Worldās a Stageā: Cultural Studies
- CHAPTER SIX 1980āPresent: āTo Mutiny Against this Servitudeā: New Historicism
- CHAPTER SEVEN 1965āPresent: āIf I Were a Womanā: Feminism and Gender
- CHAPTER EIGHT 1981āPresent: āShe Phebes Meā: Homoerotics, Queer Theory and Identity
- CONCLUSION
- NOTES
- SELECT BIBLIOGRAPHY
- INDEX