War In Heaven
eBook - ePub

War In Heaven

A Novel

Charles Williams

Share book
  1. 206 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

War In Heaven

A Novel

Charles Williams

Book details
Book preview
Table of contents
Citations

About This Book

In War in Heaven Williams gives a contemporary setting to the traditional story of the Search for the Holy Grail. Examining the distinction between magic and religion, this eerily disturbing book graphically portrays a metaphysical journey through the shadowy crevices of the human mind."Reading Charles Williams is an unforgettable experience."ā€”SATURDAY REVIEW"...one of the most gifted and influential Christian writers England has produced this century."ā€”TIME"Charles Williams's firm conviction that the spiritual world is not simply a reality parallel with that of the material one, but is rather its source and its abiding infrastructure, is explicit in both the manner and matter of all he wrote. Hence the unique contribution offered by his novels to the materialistic age in which these characters live and behave and their plots unfold."ā€”OWEN BARFIELD"Charles Williams took the form of the thriller and used it to create an extraordinary genre that has sometimes been called 'spiritual shockers.' His books are immensely worth reading, even if you consider yourself unspiritual and immune to shock."ā€”HUMPHREY CARPENTER"...satire, romance, thriller, morality, and glimpses of eternity all rolled into one."ā€”THE NEW YORK TIMES

Frequently asked questions

How do I cancel my subscription?
Simply head over to the account section in settings and click on ā€œCancel Subscriptionā€ - itā€™s as simple as that. After you cancel, your membership will stay active for the remainder of the time youā€™ve paid for. Learn more here.
Can/how do I download books?
At the moment all of our mobile-responsive ePub books are available to download via the app. Most of our PDFs are also available to download and we're working on making the final remaining ones downloadable now. Learn more here.
What is the difference between the pricing plans?
Both plans give you full access to the library and all of Perlegoā€™s features. The only differences are the price and subscription period: With the annual plan youā€™ll save around 30% compared to 12 months on the monthly plan.
What is Perlego?
We are an online textbook subscription service, where you can get access to an entire online library for less than the price of a single book per month. With over 1 million books across 1000+ topics, weā€™ve got you covered! Learn more here.
Do you support text-to-speech?
Look out for the read-aloud symbol on your next book to see if you can listen to it. The read-aloud tool reads text aloud for you, highlighting the text as it is being read. You can pause it, speed it up and slow it down. Learn more here.
Is War In Heaven an online PDF/ePUB?
Yes, you can access War In Heaven by Charles Williams in PDF and/or ePUB format, as well as other popular books in Theology & Religion & Religion. We have over one million books available in our catalogue for you to explore.

Information

Year
2016
ISBN
9781787200463

Chapter Oneā€”THE PRELUDE

The telephone bell was ringing wildly, but without result, since there was no-one in the room but the corpse.
A few moments later there was. Lionel Rackstraw, strolling back from lunch, heard in the corridor the sound of the bell in his room, and, entering at a run, took up the receiver. He remarked, as he did so, the boots and trousered legs sticking out from the large knee-hole table at which he worked, but the telephone had established the first claim on his attention.
ā€œYes,ā€ he said, ā€œyes....No, not before the 17th....No, who cares what he wants?...No, who wants to know?...Oh, Mr. Persimmons. Oh, tell him the 17th....Yes....Yes, Iā€™ll send a set down.ā€
He put the receiver down and looked back at the boots. It occurred to him that someone was probably doing something to the telephone; people did, he knew, at various times drift in on him for such purposes. But they usually looked round or said something; and this fellow must have heard him talking. He bent down towards the boots.
ā€œShall you be long?ā€ he said into the space between the legs and the central top drawer; and then, as there was no answer, he walked away, dropped hat and gloves and book on to their shelf, strolled back to his desk, picked up some papers and read them, put them back, and, peering again into the dark hole, said more impatiently, ā€œShall you be long?ā€
No voice replied; not even when, touching the extended foot with his own, he repeated the question. Rather reluctantly he went round to the other side of the table, which was still darker, and, trying to make out the head of the intruder, said almost loudly: ā€œHallo! hallo! Whatā€™s the idea?ā€ Then, as nothing happened, he stood up and went on to himself: ā€œDamn it all, is he dead?ā€ and thought at once that he might be.
That dead bodies did not usually lie round in one of the rooms of a publisherā€™s offices in London about half-past two in the afternoon was a certainty that formed now an enormous and cynical background to the fantastic possibility. He half looked at the door which he had closed behind him, and then attempted the same sort of interior recovery with which he had often thrown off the knowledge that at any moment during his absence his wife might be involved in some street accident, some skidding bus or swerving lorry. These things happenedā€”a small and unpleasant, if invisible, deity who lived in a corner of his top shelves had reminded himā€”these things happened, and even now perhaps....People had been crushed against their own front doors; there had been a doctor in Gower Street. Of course, it was all untrue. But this time, as he moved to touch the protruding feet, he wondered if it were.
The foot he touched apparently conveyed no information to the strangerā€™s mind, and Lionel gave up the attempt. He went out and crossed the corridor to another office, whose occupant, spread over a table, was marking sentences in newspaper cuttings.
ā€œMornington,ā€ Lionel said, ā€œthereā€™s a man in my room under the table, and I canā€™t get him to take any notice. Will you come across? He looks,ā€ he added in a rush of realism, ā€œfor all the world as if he was dead.ā€
ā€œHow fortunate!ā€ Mornington said, gathering himself off the table. ā€œIf he were alive and had got under your table and wouldnā€™t take any notice I should be afraid youā€™d annoyed him somehow. I think thatā€™s rather a pleasant notion,ā€ he went on as they crossed the corridor, ā€œa sort of modern Kingā€™s Thresholdā€”get under the table of the man whoā€™s insulted you and simply sulk there. Not, I think, starveā€”thatā€™s for more romantic ages than oursā€”but take a case filled with sandwiches and a thermos....Whatā€™s the plural of thermos?...ā€ He stared at the feet, and then, going up to the desk, went down on one knee and put a hand over the disappearing leg. Then he looked up at Lionel.
ā€œSomething wrong,ā€ he said sharply. ā€œGo and ask Dalling to come here.ā€ He dropped to both knees and peered under the table.
Lionel ran down the corridor in the other direction, and returned in a few minutes with a short man of about forty-five, whose face showed more curiosity than anxiety. Mornington was already making efforts to get the body from under the table.
ā€œHe must be dead,ā€ he said abruptly to the others as they came in. ā€œWhat an incredible business! Go round the other side, Dalling; the buttons have caught in the table or something; see if you can get them loose.ā€
ā€œHadnā€™t we better leave it for the police?ā€ Dalling asked. ā€œI thought you werenā€™t supposed to move bodies.ā€
ā€œHow the devil do I know whether it is a body?ā€ Mornington asked. ā€œNot but what you may be right.ā€ He made investigations between the trouser-leg and the boot, and then stood up rather suddenly. ā€œItā€™s a body right enough,ā€ he said. ā€œIs Persimmons in?ā€
ā€œNo,ā€ said Dalling; ā€œhe wonā€™t be back till four.ā€
ā€œWell, we shall have to get busy ourselves, then. Will you get on to the police-station? And, Rackstraw, youā€™d better drift about in the corridor and stop people coming in, or Plumpton will be earning half a guinea by telling the Evening News.ā€
Plumpton, however, had no opportunity of learning what was concealed behind the door against which Lionel for the next quarter of an hour or so leant, his eyes fixed on a long letter which he had caught up from his desk as a pretext for silence if anyone passed him. Dalling went downstairs and out to the front door, a complicated glass arrangement which reflected every part of itself so many times that many arrivals were necessary before visitors could discover which panels swung back to the retail sales-room, which to a waiting-room for authors and others desiring interviews with the remoter staff, and which to a corridor leading direct to the stairs. It was here that he welcomed the police and the doctor, who arrived simultaneously, and going up the stairs to the first floor he explained the situation.
At the top of these stairs was a broad and deep landing, from which another flight ran backwards on the left-hand to the second floor. Opposite the stairs, across the landing, was the private room of Mr. Stephen Persimmons, the head of the business since his fatherā€™s retirement some seven years before. On either side the landing narrowed to a corridor which ran for some distance left and right and gave access to various rooms occupied by Rackstraw, Mornington, Dalling, and others. On the right this corridor ended in a door which gave entrance to Plumptonā€™s room. On the left the other section, in which Lionelā€™s room was the last on the right hand, led to a staircase to the basement. On its way, however, this staircase passed and issued on a side door through which the visitor came out into a short, covered court, having a blank wall opposite, which connected the streets at the front and the back of the building. It would therefore have been easy for anyone to obtain access to Lionelā€™s room in order, as the inspector in charge remarked pleasantly to Mornington, ā€œto be strangled.ā€
For the dead man had, as was evident when the police got the body clear, been murdered so. Lionel, in obedience to the official request to see if he could recognize the corpse, took one glance at the purple face and starting eyes, and with a choked negative retreated. Mornington, with a more contemplative, and Dalling with a more curious, interest, both in turn considered and denied any knowledge of the stranger. He was a little man, in the usual not very fresh clothes of the lower middle class; his bowler hat had been crushed in under the desk; his pockets contained nothing but a cheap watch, a few coppers, and some silverā€”papers he appeared to have none. Around his neck was a piece of stout cord, deeply embedded in the flesh.
So much the clerks heard before the police with their proceedings retired into cloud and drove the civilians into other rooms. Almost as soon, either by the telephone or some other means, news of the discovery reached Fleet Street, and reporters came pushing through the crowd that began to gather immediately the police were seen to enter the building. The news of the discovered corpse was communicated to them officially, and for the rest they were left to choose as they would among the rumours flying through the crowd, which varied from vivid accounts of the actual murder and several different descriptions of the murderer to a report that the whole of the staff were under arrest and the police had had to wade ankle-deep through the blood in the basement.
To such a distraction Mr. Persimmons himself returned from a meeting of the Publishersā€™ Association about four oā€™clock, and was immediately annexed by Inspector Colquhoun, who had taken the investigation in charge. Stephen Persimmons was rather a small man, with a mild face apt to take on a harassed and anxious appearance on slight cause. With much more reason he looked anxious now, as he sat opposite the inspector in his own room. He had recognized the body as little as any of his staff had, and it was about them rather than it that the inspector was anxious to gain particulars.
ā€œThis Rackstraw, now,ā€ Colquhoun was saying: ā€œit was his room the body was found in. Has he been with you long?ā€
ā€œOh, years,ā€ Mr. Persimmons answered; ā€œmost of them have. All the people on this floorā€”and nearly all the rest. Theyā€™ve been here longer than me, most of them. You see, I came in just three years before my father retiredā€”thatā€™s seven years ago, and threeā€™s ten.ā€
ā€œAnd Rackstraw was here before that?ā€
ā€œOh, yes, certainly.ā€
ā€œDo you know anything of him?ā€ the inspector pressed. ā€œHis address, now?ā€
ā€œDalling has all that,ā€ the unhappy Persimmons said. ā€œHe has all the particulars about the staff. I remember Rackstraw being married a few years ago.ā€
ā€œAnd what does he do here?ā€ Colquhoun went on.
ā€œOh, he does a good deal of putting books through, paper and type and binding, and so on. He rather looks after the fiction side. Iā€™ve taken up fiction a good deal since my father went; thatā€™s why the business has expanded so. Weā€™ve got two of the bestselling people todayā€”Mrs. Clyde and John Bastable.ā€
ā€œMrs. Clyde,ā€ the inspector brooded. ā€œDidnā€™t she write The Comet and the Star?ā€
ā€œThatā€™s the woman. We sold ninety thousand,ā€ Persimmons answered.
ā€œAnd what are your other lines?ā€
ā€œWell, my father used to do, in fact he began with, what you might call occult stuff. Mesmerism and astrology and histories of great sorcerers, and that sort of thing. It didnā€™t really pay very well.ā€
ā€œAnd does Mr. Rackstraw look after that too?ā€ asked Colquhoun.
ā€œWell, some of it,ā€ the publisher answered. ā€œBut of course, in a place like this things arenā€™t exactly divided justā€”just exactly. Mornington, now, Mornington looks after some books. Under me, of course,ā€ he added hastily. ā€œAnd then he does a good deal of the publicity, the advertisements, you know. And he does the reviews.ā€
ā€œWhat, writes them?ā€ the inspector asked.
ā€œCertainly not,ā€ said the publisher, shocked. ā€œReads them and chooses passages to quote. Writes them! Really, inspector!ā€
ā€œAnd how long has Mr. Mornington been here?ā€ Colquhoun went on.
ā€œOh, years and years. I tell you they all came before I did.ā€
ā€œI understand Mr. Rackstraw was out a long time at lunch today, with one of your authors. Would that be all right?ā€
ā€œI daresay he was,ā€ Persimmons said, ā€œif he said so.ā€
ā€œYou donā€™t know that he was?ā€ asked Colquhoun. ā€œHe didnā€™t tell you?ā€
ā€œReally, inspector,ā€ the worried Persimmons said again, ā€œdo you think my staff ask me for an hour off when they want to see an author? I give them their work and they do it.ā€
ā€œSir Giles Tumulty,ā€ the inspector said. ā€œYou know him?ā€
ā€œWeā€™re publishing his last book, Historical Vestiges of Sacred Vessels in Folklore. The explorer and antiquarian, you know. Rackstrawā€™s had a lot of trouble with his illustrations, but he told me yesterday he thought heā€™d got them through. Yes, I can quite believe he went up to see him. But you can find out from Sir Giles, canā€™t you?ā€
ā€œWhat Iā€™m getting at,ā€ the inspector said, ā€œis this. If any o...

Table of contents