eBook - PDF
The Film Archipelago
Islands in Latin American Cinema
- 360 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
The Film Archipelago
Islands in Latin American Cinema
About this book
How do the islands and archipelagos of the New World figure in Latin American cinema? Comprising 15 essays and a critical introduction, The Film Archipelago: Islands in Latin American Cinema addresses this question by examining a series of intersections between insular spaces and filmmaking in Latin America. The volume brings together international scholars and filmmakers to consider a diverse corpus of films about islands, films that take place on islands, films produced in islands, and films that problematise islands.
The book explores a diverse range of films that extend from the Chilean documentaries of Patricio Guzmán to work on the Malvinas/Falkland Islands, and films by Argentine directors Gustavo Fontán and Lucrecia Martel. Chapters focus on Rapa Nui (Easter Island), the Mexican Islas Marías, and the Panamanian Caribbean; on ecocritical, environmental and film historical aspects of Brazilian and Argentine river islands; and on Cuban, Guadeloupean, Haitian, and Puerto Rican contexts.
The Film Archipelago argues that the islands and archipelagos of Latin American cinema constitute a critically interesting, analytically complex, and historically suggestive angle to explore issues of marginality and peripherality, remoteness and isolation, and fragility and dependency. As a whole, the collection demonstrates to what extent the combined insular and archipelagic lens can re-frame and re-figure both longstanding and recent discussions on the spaces of Latin American cinema.
The book explores a diverse range of films that extend from the Chilean documentaries of Patricio Guzmán to work on the Malvinas/Falkland Islands, and films by Argentine directors Gustavo Fontán and Lucrecia Martel. Chapters focus on Rapa Nui (Easter Island), the Mexican Islas Marías, and the Panamanian Caribbean; on ecocritical, environmental and film historical aspects of Brazilian and Argentine river islands; and on Cuban, Guadeloupean, Haitian, and Puerto Rican contexts.
The Film Archipelago argues that the islands and archipelagos of Latin American cinema constitute a critically interesting, analytically complex, and historically suggestive angle to explore issues of marginality and peripherality, remoteness and isolation, and fragility and dependency. As a whole, the collection demonstrates to what extent the combined insular and archipelagic lens can re-frame and re-figure both longstanding and recent discussions on the spaces of Latin American cinema.
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Yes, you can access The Film Archipelago by Antonio Gómez, Francisco-J. Hernández Adrián, Antonio Gómez,Francisco-J. Hernández Adrián in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Latin American & Caribbean History. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Contents
- List of Contributors
- Acknowledgements
- Introduction: Islands in Latin American cinema: Film(ing) archipelagos Antonio Gómez and Francisco-J. Hernández Adrián
- Part 1 Islands at the end of the world
- Part 2 Liminal islands
- Part 3 Antillean relations on screen
- Part 4 Reimagining islandscapes
- Index