Obama and Language
âPost-Raceâ
Three recent book titles feature this neologism:
Mixed-Race, Post-Race: Gender, New Ethnicities and Cultural Practices (2005) by Suki Ali
The Construction and Rearticulation of Race in a âPost-Racial Americaâ (2008) by Christopher J. Metzler
Racism in Post-Race America: New Theories, New Directions (2008) by Charles A. Gallagher
The term âpost-raceâ is clearly in use, and yet it remains under-defined. It elicits a knee-jerk disavowal. Race has vanished. But has racism vanished? Or is the connotation more subtle; our responses to racism have become hackneyed, but nuance may yet overtake the blunt instrument of identity politics. Use of the term expanded with Barack Obamaâs election campaign and presidency. But he is just a part of its constellation. Here is a walk through a few of my attempts to give âpost-raceâ a definite sense.
In the popular pressâat least in Newsweekâthe term appears to mean that ârace isnât supposed to matter anymore.â It implies an era in which âeveryone has âgotten overâ raceâ (Romano and Ammah-Tagoe 2009). On right-wing American talk-radio, âpost-raceâ means the disappearance of racism. An academicâAlana Lentinâuses the term negatively: âpost-raceâ is a fallacy of triumphalist neoliberalism and white hegemony (2008, 90â93). AnotherâBrett St Louisâsees in the term a question of anti-racist tactics and asks, âHow might a critical post-racial imagination that trades on the theoretical and conceptual bankruptcy of race and is committed to its erasure retain efficacy in a civil society and political culture largely arranged around its immense practical currency?â (2002, 661). It is the central contradiction of a transitional era. For yet othersâJo-Anne Lee and John Lutzâthe word names a teleological dilemmaââInstead of seeing racism as âthe thingâ to oppose, we need a clearly articulated vision of a post-racial worldâ (2005, 4). For them, âpost-raceâ describes the revolutionary goal, which revolutionaries usually fail to depict while within the depths of struggle. Sociologist Suki Ali is loathe to reify the term and offsets it as ââpost-raceâ thinkingâ or ââpost-raceâ analysisâ (2003, 8â9), lengthening the noun, as if this will keep the implications at bay. For Ali, it is best defined by Paul Gilroyâin Against Race: Imagining Political Culture Beyond the Color Line (2000)âwhere the term is not used at all. Gilroy says that strategic essentialism has run its course, that the argument against racism now needs to include an argument against the notion of race itself.
Are these the premises? The Obama phenomenon signals a need for ideological reconstruction; liberation strategies built upon race-as-real tilt toward authoritarianism, mysticism, collective self-flattery; the older modelsâBlack Power, Afrocentrism, the late twentieth-century identity politics movementsâare exhausted.
Obama has mainstreamed the criticism of strategic essentialism, but he is the evidence of change more than the change-maker. During the 2008 Democratic Party primary race, at least, his discourse seemed to signal a nuanced disengagement from raceâone more subtle and textured than it has ever been at a mass media level.
The Jeremiah Wright controversy (âGod damn Americaââold model? exhausted?) was all black commonplaces: the undemocratic, aggressive, racist record of the United States. [1] Obamaâs âA More Perfect Unionâ speech distanced him from Wright, from these basicsâdisingenuously, surely, pragmatically, tacticallyâbut more startlingly, it was Obama as a mixed-race subject that put him over, suggested a path of compromise for their nation. [2] The rhetorical turning point, the coalescence of a viable candidate, was co-created out of a refreshed sense of mixed race (after race?).
This Canadian/mixed/black/white witness views the spectacle and sees in Obama a US version of Pierre Elliott Trudeauâthe youth cult, the charisma, the aura of a personality containing his nationâs contradictions. In Trudeauâs timeânational unity; in the Obama phenomenonâthe embodiment of a possible American answer to division. In this comparison, Obamaâs âA More Perfect Unionâ speech was Trudeauâs 1968 St Jean-Baptiste Day parade, the one where separatists threw bottles and rocks at him and his entourage, and he refused to move, somehow never getting hit by the volleys, forming an instant media myth of a leader who might similarly will the nation through the social crisis. [3] It is sympathetic magicâelecting leaders who seem to personify compromise, regardless of their actual policies and the material roots of the conflictâbut there is the shape of truth within the illusionistsâ tricks. Both moments, Obamaâs speech and Trudeauâs parade, were spectacular disavowals of their identification with perceived radicals of their own minority ethnic backgrounds. Obamaâs speech, and its remarkable polyvalence, suddenly made both American cable news and hip hop seem even clumsier in their handling of race than we already knew they were. An era of dispassionate consideration regarding identity seemed surprisingly at hand. Then he won. Then he ceased to speak about race. Then the backlash whipped the discourse back to 1961 standardsâor thereabouts. [4]
âDouble Consciousnessâ
W.E.B. DuBois laid it downââdouble consciousnessââin The Souls of Black Folk (1903). Blacks in a white-supremacist society see themselves twiceâonce according to their own cultural values, and once according to the white eye. A cornerstone, a binary, oft revised and expanded. Tripled. Quadrupled. And more. [5] Along this critical line, one might call the audio recording of Obamaâs memoir Dreams from My Father: A Story of Race and Inheritance (1995) an example of âquadraphonic consciousness,â if the orationâthe physical voiceâof its author can be used as a gauge of cultural perception. For while Obama has been pitched as a bridging figure, a symmetrical subject who brings together black and white, his performative narration shows a consciousness that is obliged to inhabit multiple identity positions as a matter of course in his personal milieu: multiple black and multiple white focalizations, and even a hint of an internalized Asian consciousness.
Back to the right-wing reaction. After Obama gave a speech at a National Association for the Advancement of Colored People (NAACP) event, Rush Limbaugh said on his radio program that he âput on a fake accentâ when talking to black audiences, and that this was a kind of reverse-racism (âObama Disowns His Whitenessâ). Attacks on Obamaâs âauthenticityâ are, predictably, confused, ludicrous; there is anxiety if he speaks black vernacular, there is anxiety if he does not. Limbaughâs presupposition is a monoracial norm. But can we not recuperate and claim linguistic drift as the âauthenticâ experience of one who moves in and out of cultural settingsâone whose own family is a Venn diagram of ethnicities?
The drift is Obamaâs norm. Mine too. My poetics, too. My own acquired and strategic use of the black dialect is both contrived and naturalâif natural means that it comes from a life that moves, changes, and passes in and out of blackness/whiteness. To make it yet more plain: black dialect is always created, is not static, is not perennially folksy. It moves and is moved by speaking agents.
As a text or time-based narration, Obama makes four voices out of his one within the first few moments of his memoir, enacting them in the narrativeâ
âhis standard speech;
âthe Kenyan English of his Aunt Jane, telephoning from Nairobi;
âthe mid-western American twang of his maternal grandfather;
âand his Kenyan fatherâs speech, a âdeep baritoneâ with a âBritish accentâ (1995, 3â7).
Not just the voices of these characters, but the auditory memories, the imprint upon the authorâs voice, the authorâs persona. (Obamaâs standard speech, the bulk of his talking, sounds to my ears most like his grandfatherâs, with something elseâa regional Hawaiian tone?âlacing it.)
And more: when the author/speaker is four years old and his mother marries Lolo Soetoro, an Indonesian student, Obama narrates long passages of dialogue in which his stepfather teaches him lessons about power. The performance of Soetoroâs English by Obama is that of a stern, staccato, masculine rap. Soetoro tells the author, a boy at the time, that a man he saw killed once was âweakâ and that, âIf you canât be strong, be clever and make peace with someone whoâs strong. But always better to be strong yourself. Alwaysâ (40â41). One hears Obama thinking through the implications as he speaks Soeteroâs stoicism. Inflection is part of his process of internalizing and evaluating this bleak ethic.
And still more: when the adolescent Obama, back in Hawaii, meets the character Ray, we hear black American English as Obama first heard itâand tentatively employed itâduring discussions that were themselves about âauthenticity.â He says to Ray, âMaybe we could afford to give the bad-assed nigger pose a rest,â taking âthe dozensâ a little too far. Ray answers, âA pose, huh? Speak for your own selfâ (82). And thereafter, during the authorâs sojourns through ideological Black Power and community organizing, his acquired black vernacular seems just a part of a personal pidginâa bend of a vowel here, the use of a term there, a way of thinking the words into selfhood. By the time Limbaugh heard him talking before the NAACP in 2008, the weight of a long, lived journey was behind Obamaâs hybrid voice.
In the same screed, Limbaugh sees reverse-racism in every reference to black dissatisfaction that Obama names. Limbaugh believes that simply speaking about anti-black racism opens ârace woundsâ and âtake[s] us back 30, 40 years, making it look like no progress has been made.â He positively cites a previous time, when âBarack Obama had succeeded in transcending race [âŠ] He was smart, well-spoken. He was competent. He was able to excite crowds. He looked young and fresh and new. Furthermore, he was black, but ...