Bats in the Belfry
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Bats in the Belfry

E. C. R. Lorac

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Bats in the Belfry

E. C. R. Lorac

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About This Book

A mysterious disappearance is at the center of Bats in the Belfry. Shortly after waving away a telephone request from a persistent caller named Debrette, Bruce Attleton leaves his home in Regent's Park for Paris. He never arrives, but his suitcase turns up in a sculptor's studio slated for renovation. After Attleton's friend Neil Rockingham takes his concerns to DCI Macdonald, Macdonald soon discovers a corpse secreted in the studio. Unfortunately, the absence of a head or hands makes it hard to tell whether Debrette killed Attleton, Attleton killed Debrette, or some unrelated parties got involved. The possibilities seem endless, and that's just if the body is really Attleton's.The mystery is so complex, in fact, that Lorac requires the services of some aggressively facetious suspects, a low-key lead detective who's a welcome change of pace, and an army of nondescript and interchangeable satellite police officers. Ah, those were the days.

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Year
2021
ISBN
9781774644492

Chapter I

ā€œAs funerals go, it was quite a snappy effort. No dawdling, well up to time and all that, but, my godfathers! What a farce to have to go to it at all. Didnā€™t make a haā€™porth of difference to the party concerned.ā€
Bruce Attleton mixed himself a whisky and soda calculated to reduce funereal impressions to a minimum, and swallowed it rather more quickly than was customary in such a gathering. Neil Rockingham holding in his own hand a glass containing a milder version of the same drink, raised an angular eyebrow as he replied:
ā€œWell, funerals never worry me. One good point about themā€”and weddings too, for that matterā€”is that they do get on with the doingsā€”preamble, main theme, and blessing for curtain, and there you are. Snappy, as you say. Not like some of these infernal parties where you stand on one leg and wonder when you can decently depart. I do like a focus-point to an entertainment.ā€
Bruce grinned, and his dark, sardonic face lighted up as he threw himself into a comfortable chair by the log fire. It was March, and the evenings were cold, so that the warm, slightly scented air of Sybilla Attletonā€™s drawing-room struck a man as cosy after the raw air outside. A nice room, this of Sybillaā€™s, meditated Rockingham. Peaceful, well-designed, chairs large enough to sit in, and plenty of them, not too many fallals for a man to trip over, and yet definitely a womanā€™s room, with its colour scheme of faint grey and silver, lilac and deep blue. A sociable room, but not the right spot to swill down whisky like that nervy blighter, Bruce, was doing.
Sybilla, an exquisite figure in silver lamƩ with a short ermine cloak round her shoulders, lighted a Balkan Sobranje, and made a little face at her husband.
ā€œI gather the funeral did make you shed a tear after all, Bruceā€”not for sorrow about our dear departed brother, but a tear of self-indulgent sympathy, that you should have been called upon to make the frightful effort of standing by a graveside.ā€
ā€œCaustic, what?ā€ Robert Grenville, a little embarrassed by the tone of Sybillaā€™s voice, decided that jocularity was the vein to follow. ā€œIf itā€™s not being unreasonably inquisitive, who was the party concerned, so to speak? The bury-ee, or interee, or what you call him.ā€
ā€œThe ā€˜dear departedā€™ or the ā€˜late lamentedā€™ is the accepted term,ā€ replied Bruce amiably enough. ā€œOn this occasion, it was a young chap named Anthony Fellā€”a cousin of sorts, though I canā€™t tell you the exact degree. Family ramifications always beat me. However, this one turned up from Australia a few months agoā€”architect, hearty sort of chap. Doing quite nicely in the interim, building large-scale blocks on the modern housing principle, complete with the best in plumbing. Unfortunately he didnā€™t manage the plumbing of his own car as well as he did that of his working-class flats. Came blinding down Porlock Hill in a fog, in a last yearā€™s racing modelā€”a yellow sports car that made me sick to look at it. His brakes failed just when he needed ā€™em at a pinch and he somersaultedā€”what ho, she bumps!ā€ He picked his glass up again and looked towards the tantalus. ā€œSo that was that, and we buried what was left of him to-day. Old Neil here, came in as best manā€”very sporting of him. Not my idea of a good day, though.ā€
ā€œMiserable business,ā€ said Rockingham soberly enough. ā€œFell only showed me the car a few days ago, gassing about how he always vetted it himself. Whale of a chap with engines according to his own estimate.ā€
ā€œPoor young manā€”and you grudged him a few hours at his one and only funeral,ā€ put in Elizabeth Leigh. She was sitting on the lilac tuffet, warming her beautiful slim legs at the good heat of the cedarwood fire. Red-headed, white-skinned, with the round face of very young girlhood, Elizabeth appeared fit for a Da Forti halo and lute when she looked pensive, as now. ā€œDead in a strange land, and no one to shed a tear. If youā€™d told me about it, Iā€™d have come myself, and cast rose leaves on the coffin.ā€
ā€œAnd what good would that have done, Eliza?ā€ inquired Bruce. ā€œNix, and you know it. Our family doesnā€™t seem to have any staying power. They all pop off early, except the Old Soldier. Heā€™s about a hundred, and still going strong. Some one told me he bought an annuity when he was fifty-five, and got it cheap because heā€™d a dicky heart. The company he bought it from have written him off as a bad debt. Theyā€™ve given up hoping heā€™ll die, and call him the Old Soldier. They donā€™t, you know.ā€
ā€œOh, but he must, sometime,ā€ put in Sybilla. ā€œSome one said to me the other day that when youā€™re born thereā€™s only one thing which can be said about you with any certainty, and that is that youā€™ll dieā€”sometime. Nothing else is certain, but that is.ā€
ā€œCheery thought.ā€ Thomas Burroughs had been sitting silent, just behind Sybilla, until that moment, and the sound of his voice made Bruce Attleton scowl. It was a deep voice, and resonant, but Bruce said it sounded fat, ā€œreeked of moneyā€ā€”and the rather stout, heavy-jowled Burroughs certainly was not hard-up.
ā€œNice way of greeting the son and heir,ā€ went on the latter. ā€œHere you are, little ā€™un, and youā€™re for it one of these fine days. Just a matter of time, what?ā€
ā€œAnd the beautiful part is that no one knows when their time will be up,ā€ said Elizabeth, in her sweetest voice. She disliked Burroughsā€”one of the few things she had in common with her guardian, Bruce Attleton. ā€œA slip, a skid, a fit, an aneurism, a syncope, and the lustiest becomes a mere bury-ee. I like that word,ā€ she added, her ingenuous blue eyes gazing hard at the wealthy stockbroker.
ā€œFood for worms,ā€ put in Robert Grenville blithely. ā€œI say, jolly topics we seem to be on. All flesh is grass, I know; still, it doesnā€™t do to ponder over it.ā€
ā€œBy way of cheering you all up a bit, Iā€™ll tell you of a competition thatā€™s been set for the monthly evening at my club,ā€ went on Elizabeth, averting her eyes from Burroughsā€™ heavy face with a nicely calculated little moue of distaste. ā€œWe always have an intellectual exercise of sorts, and notice is given of it beforehand. The problem this month is as follows: If you were landed with a corpse on your hands, by what method could you dispose of it so as to avoid any future liabilities? Highest marks will be given for a method which is not only ingenious, but possesses the elements of practical common sense.ā€
There was an outbreak of exclamations. Robert Grenville chuckled, and said, ā€œBy Gad, thatā€™s a corker!ā€
Attleton laughed and refilled his glass, saying, ā€œGive us a moment to think it out, Liza.ā€
Burroughs expostulated. ā€œRotten morbid ideas you modern girls go in for. Club, indeed! You want spanking and sending to bed.ā€
Sybilla said languidly, ā€œDonā€™t be Victorian, Tommy. Everyone plays these murder games. Just use your wits as though there were money in it.ā€
Rockingham, standing by the fire, smiled down at Elizabeth. He was a tall fellow, very fair, looking older than his forty-two years by reason of premature baldness. He had a very fine head, and the smooth lofty brow sloped back slightly to meet the magnificent domed skull. His hair, fair and smooth, was thick enough at the back, but his baldness gave him a professorial look, at odds with his fresh-skinned face. Rockingham took Elizabethā€™s problem quite seriously in the manner of one who loves a problem for its own sake.
ā€œWe need some more data,ā€ he said to her. ā€œAre we to assume that weā€™ve corpsed the subject ourselves, or are we just obliging a friend?ā€
ā€œI asked that too,ā€ said Elizabeth, replying to his friendly twinkle with a smile of angelic virtue. ā€œIt is assumed that one has created the corpse oneself, either by accident or malice aforethought, as may be most convenient.ā€
ā€œItā€™s a nice point,ā€ said Bruce. ā€œImagine that Iā€™d done some one in, here on this hearth-rug, and I wanted to get ā€™em clear out of the way, so as not to leave a traceā€”not too easy.ā€
ā€œI think youā€™re being too casual.ā€ This time it was Grenville who spoke. It was Elizabethā€™s problem, and he particularly wanted to stand well with Elizabeth. ā€œNever go and murder any one in a hurryā€”thatā€™s the first axiom. Think it all out carefully.ā€
ā€œGo on,ā€ said Elizabeth. ā€œElaborate. I want ideas.ā€
ā€œAssume that Iā€™m going to murder a chap named Tom Brown. Iā€™ve got to work it so that no one will know I was the last person whom he was seen with. I canā€™t make an appointment with him in case any one else hears about it.ā€ Grenville was leaning forward now, his chin on his fists, his brow corrugated in thought. ā€œIā€™d go to one of those dud car-martsā€”one of the places where you can get something thatā€™ll go for a couple of hundred miles for about ten pounds. Iā€™d pay a deposit and drive out with some old car one wet evening, and Iā€™d meet old Tom Brown on his way home from the station or something and say, ā€˜Rotten evening, old boy. What about a lift?ā€™ Once heā€™d got in. Iā€™d bat him one on the boko, and drive on to a little place Iā€™d have taken on the edge of the outer suburbsā€”simple life and all that, every tenant builds his own house. Iā€™d have got the garage up, and a nice hole ready in the floor, and Iā€™d bring old Tom in and shift a bit of concrete on top of him, and then return the car to the mart and pick up my deposit. No connection between me and Tom, and the car.ā€
ā€œNot too good,ā€ said Elizabeth; ā€œand rotten as a story. It might work, but I couldnā€™t hope to win a prize with a garage floor as depository.ā€
ā€œThatā€™s perfectly true,ā€ said Rockingham; ā€œthough the touch about giving Tom a lift unexpectedly on a wet evening appeals to me as simple and effective. Pass that, cut out the garage floor, and drive Tom out to one of those dene holes somewhere and just tip him in. Theyā€™re said to be almost bottomless.ā€
ā€œYou tire me.ā€ It was Sybillaā€™s languid voice which uttered this deflating phrase. ā€œIf there are such things as dene holes, they must be about chock-full with fictitious corpses. Iā€™m tired of them.ā€
ā€œWell, whatā€™s yours?ā€ asked Elizabeth eagerly.
Sybilla drew in a long breath of cigarette smoke.
ā€œIā€™m not up to batting people over the head,ā€ she said dreamily. ā€œI have a fancy for electricity. Iā€™d connect up the power to the water in the wash-hand basin and say, ā€˜Darling, do have a wash,ā€™ and when all that was over...ā€ She tilted her head up meditatively. ā€œA sunk bath, in the floor, you know. Tilt him in, and then concrete, plenty of it, and the bath mat on top. All quite simple.ā€
ā€œGood God! Sybilla, I wouldnā€™t have believed youā€™d have thought about anything soā€”soā€”ā€ gasped Burroughs, and Attleton laughed.
ā€œGives you a turn, old boy? Quite in the Borgia and Lady Macbeth tradition, when you thought Sybilla only played drawing-room comedy?ā€
ā€œNever mind that,ā€ put in Elizabeth. ā€œI think Sybillaā€™s got more originality than you others.ā€
ā€œQuite a nice touch, that, about setting old Tom into the permanent fabric of the establishment,ā€ murmured Attleton, and Rockingham, seeing Burroughsā€™ bulging eyes, put in:
ā€œItā€™s only a matter of exercising the imagination, Burroughs. Donā€™t you read thrillers?ā€
ā€œBut I say, Elizabeth, you havenā€™t told us your brain-wave yet,ā€ said Grenville. ā€œOut with it! I bet itā€™s pretty grim.ā€
ā€œIt is,ā€ said Elizabeth complacently. ā€œMuch grimmer than Sybillaā€™s, then. You know there are a lot of those big Georgian churches in London with lovely cryptsā€”where they put people in family vaults? I know one in Bloomsbury. The furnace for heating is in the vaults, and itā€™s quite easy to find the way down and slip in without being noticed. In my story, you get old Tom to come exploring with you, and bat him over the head at the further end of the vault, where itā€™s very dark, and you come back next day and hide till night, and then you get busy unscrewing one of the old coffinsā€”theyā€™re on ledges, you know, and just pop Tom in and do it up again.ā€
ā€œGood lord! The kidā€™s got ideas, Neil. What about that for a Grand Guignol sketch? Youā€™re a dramatist. Canā€™t you see the possibilities?ā€
ā€œI certainly can,ā€ said Rockingham slowly, ā€œbut the themeā€™s almost too macabre for production. It has the makings of a good short story, Elizabeth. Why not try it?ā€
ā€œIt wouldnā€™t workā€”not in practice,ā€ said Burroughs, helping himself to another drink. ā€œYouā€™d have the deuce of a time getting the screws out of the coffin, and thereā€™d be a lead lining inside.ā€
ā€œIā€™d thought of all that,ā€ said Elizabeth calmly. ā€œA drop of oil in the screws, and garden secateurs for the lead lining. Would you like to come there with me just to get the atmosphere?ā€ She smiled impudently at the heavily-built, well-tailored stockbroker, and Bruce put in with a laugh:
ā€œDonā€™t you risk it, Burroughs. She might feel disposed to put her theory into practice. Thanks for the tip, Liza. Iā€™ll bear it in mind in case of need.ā€
ā€œIf you want to visit the scene of the projected crime, why not invite me?ā€ Grenville pleaded to Elizabeth. ā€œIā€™d make the perfect collaboratorā€”and if the actual murder wasnā€™t necessary, we might screw a column out of the idea and share the boodle.ā€
ā€œIf ever you take to crime, Elizabeth, take my tip and play a lone hand,ā€ said Sybilla severely. ā€œAll this accomplice business is childish. Meantime, if you can bear it, my child, come and read over that new script of Vineā€™s. Iā€™m not sure if I like my part. The men can have a rubber of bridge to amuse themselves.ā€
She got up with the deliberate grace characteristic of her, and with the calm determination which Rockingham had long noted as being an essential of her apparently lazy make-up, said good-night to her guests.
ā€œGood-night, Tom. I shall be out of town till the end of the month, remember. Half-past one at the Berkeley Grill on the 1stā€”All Foolā€™s Day. Good-night, Mr. Rockingham. Thank you for holding Bruceā€™s hand at the funeral. Good-night, Mr. Grenville. Leave Elizabeth to her own murders. Come along, angel face.ā€
She drew Elizabethā€™s arm through her own and they went out of the room, leaving the four men standing by the fire. Burroughs made no bones about taking his departure once Sybilla had gone.
ā€œIā€™ve got to go down to my club to see a fellowā€”ā€ he began, and Bruce Attleton cut in:
ā€œ...about a dog. Thatā€™s all right, Thomas. Good-night.ā€
Burroughs pursed up his mouth in a manner that deepened the heavy lines running from nose to lip and replied, ā€œThatā€™s about the size of it. Good-night, Attleton. You donā€™t look too fit. Cut up about that young cousin of yours. Shocking thing. Too much wild driving about. Safety firstā€™s my motto. ā€™Night, Rockingham. ā€™Night.ā€
He nodded to Grenville and Bruce strolled to the door with him and chatted casually while the stockbroker got into his coat. Returning to the drawing-room, he said:
ā€œCome along into the library, Neil, and you, Grenville. Itā€™s more comfortable in there.ā€
Rockingham shook his head.
ā€œNo. Weā€™ll bung off. You donā€™t want us here, I know that. Iā€™m sorry you were cut up about that accident to young Fell. I feel a bit unhappy about it. He did show me his damned car, and I know a sight more about them than he did. I ought to have looked at his brakes.ā€
ā€œOh, rot! Thatā€™s hair-splitting in an attempt to blame yourself, old man. Besides, I donā€™t believe in theories of accident. Iā€™m a fatalist. Young Anthony had got his ticket, his time was up, and if it hadnā€™t been faulty brakes on Porlock Hill, itā€™d have been a train smash or a pneumonia bug. Itā€™s quite true, I was cut up. I liked the beggar, what I saw of him, and considering how our whole familyā€™s been at loggerheads for generations, it was rather refreshing to find a cousin I liked. They all quarrelled like Kilkenny cats. Old Uncle Adam began itā€”the Old Soldier. He quarrelled with the whole clan and later generations kept it up. Weā€™re a nice crowd!ā€
He turned away from the fire, adding, ā€œI was damn grateful to you for coming. I loathe funerals. Iā€™ll go and wash it off, soak in a Turkish bath for an hour or two. Good-night, old boy. See you in Paris next week.ā€ He turned to Grenville, adding, ā€œAnd look here, young fella me lad, Iā€™m always glad to see you here, but donā€™t go imagining Iā€™ve changed my mind. I havenā€™t. Cheer ho! Wellerā€™ll let you out.ā€
Weller was the butler, who presided over his duties in the Attletonsā€™ picturesque little house...

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