
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
Through the lens of horror—from Halloween to Hereditary —queer and trans writers consider the films that deepened, amplified, and illuminated their own experiences.
Horror movies hold a complicated space in the hearts of the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. Common tropes—such as the circumspect and resilient “final girl, ” body possession, costumed villains, secret identities, and things that lurk in the closet—spark moments of eerie familiarity and affective connection. Still, viewers often remain tasked with reading themselves into beloved films, seeking out characters and set pieces that speak to, mirror, and parallel the unique ways queerness encounters the world.
It Came from the Closet features twenty-five essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on Jennifer’s Body, Jude Ellison S. Doyle on In My Skin, Addie Tsai on Dead Ringers, and many more, these conversations convey the rich reciprocity between queerness and horror.
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Information
Table of contents
- Cover
- Praise for It Came from the Closet
- Title Page
- Copyright
- Contents
- Introduction
- Part I: An Excellent Day for an Exorcism
- Part II: Monster Mash
- Part III. Fatal Attractions
- Part IV. Whatever You Do, Don’t Fall Asleep
- Part V. Final Cuts
- Notes on Sleepaway Camp: [Sleepaway Camp]
- Artist’s Note
- About the Contributors
- Acknowledgments
- About the Author
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