
Critical Distance in Documentary Media
- English
- ePUB (mobile friendly)
- Available on iOS & Android
Critical Distance in Documentary Media
About this book
This collection of essays presents new formulations of ideas and practices within documentary media that respond critically to the multifaceted challenges of our age. As social media, augmented reality, and interactive technologies play an increasing role in the documentary landscape, new theorizations are needed to account for how such media both represents recent political, socio-historical, environmental, and representational shifts, and challenges the predominant approaches by promoting new critical sensibilities. The contributions to this volume approach the idea of "critical distance" in a documentary context and in subjects as diverse as documentary exhibitions, night photography, drone imagery, installation art, mobile media, nonhuman creative practices, sound art and interactive technologies. It is essential reading for scholars, practitioners and students working in fields such as documentary studies, film studies, cultural studies, contemporary art history and digital mediastudies.
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Table of contents
- Cover
- Front Matter
- Introduction: Critically Distant
- Indexicality in the Age of the Sensor and Metadata
- Shot in the Dark: Nocturnal Philosophy and Night Photography
- Approaches to Xianchang: Documenting the Real in Post-socialist China
- Ai Weiwei: Grafting as a Documentary Tactic in Art
- Unsatisfactory Devices: Legacy and the Undocumentable in Art
- From Above: Critical Distance, Aerial Views, and Counter-Images
- Phantom Rides as Images of the World Unfolding
- Mobile Media: A Reliable Documentary Witness?
- Redefining the “Document”: Social-Media Photographs as Narrative, Performance, Habitude
- Instagram as Archive: Constructing Experimental Documentary Narratives from Everyday Moments
- That Seagull Stole My Camera (and My Shot)!: Overlapping Metaphorical and Physical Distances in the Human-Animal-Camera Triad
- Re-placing the Urban Soundscape: Performative Documentary Research in Vancouver’s False Creek
- From Voice to Listening: Becoming Implicated Through Multi-linear Documentary
- From Critical Distance to Critical Intimacy: Interactive Documentary and Relational Media
- Back Matter